Die Schneegesellschaft

Comparison between extreme wide shots of beautiful and even magical nature and close-up of faces of agony and shots of cramped space of broken aircraft creates a bizarre sense of incompatibility. To heighten the reality of the movie, the crew and actors really put in all the effort, and I can even see that. Location filming, set design, and weight loss take a big part in transporting the audience back to that winter in 1972 and to the deep pile of snow somewhere in the Andes. Enzo Vogrincic's performance is applaudable. He describes the events from a step behind from the crowd, but he is still a part of the team. He maintains that balance perfectly. He does not seem too detached but still sees everything from above.

I know there have been many versions of the story told in this movie, but I haven't read or seen any of them, so this was all fresh to me.

This is not a movie I think I would ever want to watch again. The word "grueling" was pretty much invented to describe the experience of watching this film. But damn is this riveting, even if in a kind of morbid way. It's also a dazzling technical achievement, one of those films where the effects are so seamless you can't always tell what's special effects and what's real.

"Society of the Snow" is not primarily a character-driven film, yet I was impressed by how much I came to know and like all of the characters in this despite the fact that only two or three are given the majority of screen time. At first, I didn't even know who was who and only knew they had names because their character's name would be listed before their line of dialogue in the subtitles. But by the time the film was over I felt like a knew all of them and cared about them deeply.

This movie does a great job of showing the capacity humans have for normalizing behavior that in other circumstances would be unthinkable.

One of my favorite movies of the year.

Grade: A.

Since the tsunami shocker THE IMPOSSIBLE with Naomi WATTS and Tom HOLLAND, it has been known that the Spanish director Juan Antonio BAYONA has a very good hand for disaster films. He stages the respective catastrophes in a powerful and visually overwhelming way, approaching those affected by an unexpected event with great tact and sensitivity.

Based on the novel LA SOCIEDAD DE LA NIEVE by Pablo VIERCI, BAYONA tells the well-known story of a rugby team from Montevideo in Uruguay that crashes in the Andes on a flight to Chile. What follows is a long ordeal lasting several months, which the few survivors only survive because they cross one last taboo...

This addresses the questions that none of us want to imagine: What would we do to stay alive in a hopeless situation? The author Pablo VIERCI probably went to school in Montevideo with some of those affected, but was not himself on Flight 571 in October 1972. Nevertheless, the plot seems very believable and also includes the perspective of those who didn't make it.

BAYONA has created a very excellent film that uses beautiful images to tell of the horror of the deepest abyss that people can fall into. The technically outstanding film was awarded two EUROPEAN FILM AWARDS for visual effects and make-up. It also received a GOLDEN GLOBE nomination for Best Foreign Language Film. Completely right!

With films like THE PLATFORM, BELOW ZERO and most recently NOWHERE, the global streaming service NETFLIX has proven that it has an excellent hand for Spanish-language cinema. THE SOCIETY OF THE SNOW will most certainly continue this success story.

There's a film about the Uruguayan rugby team crash landing in the Andes in the 70s. Alive. It's very good. Do we need another film telling the story? Well for starters this is all in Spanish, which makes it feel more authentic and there's more build up and back story. We get to know the players a little bit more, but still it doesn't wait too long to board the plane. They're off to play a match in Santiago. Taking off from Uruguay, the weather is good, the colours are vibrant. It looks beautiful. Everyone's happy. Excited. Smiling. Adventure awaits. Just not the one expected. They're kids on a plane. Jovial, having fun, until they're not. Do not watch this if you're due to fly soon. It is absolutely terrifying. The crash sequence is viseral. Chaotic. Flesh and metal twisted together. Blood. Bone. Panic. It's honestly a blessing to be killed rather than survive. Some do though of course and set out on an unimaginable hell. The night hits, the temperatures drop, how on earth do you comprehend the pain and anguish they endure. We can't of course, but Society of the Snow does help to give us a sense, at least visually even if we can't truly understand the hellish madness. Numa (Enzo Vogrincic) is our guide. He narrates. Giving us some inner insight, seeing how his team mates are reacting, the ones with hope, the ones already without, but to be honest this is such a stark story, it's impossible not to be pulled in by every deepening twist. They try to organise. Care for the wounded. Respect the dead. Conserve food. Wait for rescue. For all the horror, it's beautifully shot. The widescreen ratio accentuating the snowy mountain vista. Airplanes tease them in the distance, mere dots in the sky as the engine noise cascades around the mountain peaks. They're inventive it must be said. Nothing wasted, stripping what's left of the plane to make things as comfortable as possible. It is not comfortable. How long can you go without food? How long can you survive. If you don't know this story then I won't spoil it, but they go to some extremes, wrestle with moral questions than test their faith and humanity. It digs deeper than Alive. That film is not an easy watch, but the depths here are cavernous as fractions appear and splits occur. Marcelo (Diego Vegezzi) retains hope, talks of its importance as they others lose it. His faith part of his identity, but can that alone sustain you in such conditions. Adolfo (Esteban Kukuriczka) and Roberto (Matías Recalt) are more willing to embrace practical horrors. You can feel the cold. Sense the anguish. With each ray of hope extinguished, they hit new lows. It's utterly brutal. Yet this is not a woe is me story of defeat. Quite the opposite. It's the story of people who refuse to give up. Go to unfathomable lengths to keep going. You'll watch most of this with your teeth clenched. It doesn't deviate from the Alive timeline, why would it, but with a longer duration, uses the opportunity to flesh things out, so to speak. Both are great films, this one though, I think is amazing. It feels more rounded, more personal. Helped by the incredible end scenes that will have you smiling through the tears.

I've always loved the 1993 version (Alive) and seen it lots of times so I was always looking forward to seeing this. I thought it was pretty good... that is until the last 30 minutes - wow! So much emotion and completes the whole story that was missing from the 1993 version.

By no means am I saying this is a poor film, in fact the production was great and so much time and effort went into this going from the write ups prior to its release. Having relations involved from the true story also makes it more emotional.

If you find it long at almost 2hrs 30min just hold out to the last 30 minutes.