Eric

I have read a few of the reviews and I'm a little disappointed at the lack of appreciation for art. Other critics have opined that they didn't like the characters; however, that's part of the story/character development. This series is meant to appeal to the side of us that wants to evolve. The side of us that is often ignored.

As far as a critique, I thought Vincent's struggle with his shadow side (Eric) was a bit overdone in the final episodes. Early on it felt like a thriller but the genre shifted around episode 3 or 4, maybe drawn out. Otherwise, this is a great series in my opinion.

As someone who experienced a bit of a personal transformation, I find this story to be touching and inspirational. We're all part of the problem, and I think that's what this series is trying to tell us.

I am conflicted. It's not a bad show, but I feel like it's been misleading in its advertisement, at least. When I read the premise, I expected something like a look back at father-and-son bonding experience, and the affect of separating the two due to cruel circumstances. But it does not really have much (if any) of that.

Other has pointed this out, that it tries to cover a lot of social issues. The issues covered are absolutely valid, they are important, and it may, indeed, be a good idea to cover them in a good show. But the way the show does it is very shallow and narrow. Even Vincent's mental illness (and anguish) is... Just too obscure, too wishy-washy and, in the end, somewhat pink-glassed. And Vincent's and Edgard's relationship is not described at all besides a few inconclusive scenes in 1st episode. I get it that lack of true connection between them could be the point, but it and both sides' reaction to it is just not believable. A short story "Father Dearest" I wrote a decade or so ago is about the same thing, and it is way more detailed and believable, and I am not a professional writer.

The second main storyline was way more interesting for me, because it was a detective work, and Ledroit felt way more human to me. It genuinely felt like he is an honest, but not perfect cop, that wants to really help the world. It might have been a bit cliched at times, but still good. It also worked nicely in terms of introducing little threads here and there and then converging them all at the end to show bigger picture. Predictable to an extent, but still good and satisfying.

But even this storyline, human connections felt... Underdeveloped. And this is the ultimate blow to this. The actors are amazing here, the way they bring the characters to life gives those characters weight, like there is a big background story behind each and every one of them. Those background stories are not tapped into, though. I get it, that in some cases it's done for the sake of "suspense" and mystery, and in some - to make things feel more "natural", but I feel, that if they stretched the show just for 1 or 2 more episodes by leveraging flashbacks, they could have enriched the characters and made them more relatable.

Unfortunately, that's not the case. You can definitely enjoy the show thanks to the actors, and you probably will be satisfied with the end of the investigation here, but the overall ending of the show will probably leave you somewhat empty.

Benedict did a phenomenal job acting. Honestly, all the acting was great (even the kid). But there were entire unnecessary scenes that caused the show to feel like it was dragging. The timing was inconsistent, and the direction was weak. I kept thinking, "David Lynch would've done a better job with this." It was watchable, but only in the sense that I could be up doing things around the house or working on other things. It wasn't riveting enough to focus on. There were redeemable elements, like the fact that it represented the 80s more accurately than Stranger Things. Everything really was brown. I would not ever watch this or anything like it again. I'm not sure this was worth being a series, though. Maybe a movie, with all the boring parts cut out. But definitely not a series.

I was reminded of the movie "Harvey" going back many, many years with Jimmy Stewart playing an alcoholic accompanied everywhere by an enormous six foot rabbit named Harvey.

Here we have Vincent, played by Cumberbatch, accompanied by Eric, a monster blue puppet originally imagined by his missing son Edgar.

There are many layers to this story, far too many which is unfortunate as they took away from the central story. Of multi-generational father-son relationships and the concept of monsters lurking underneath them.

I won't get into spoilers, but suffice to say it's all very gripping, showing the under belly of homelessness and corruption in 1980s New York.

A unique ending is satisfying and unexpected if a little too saccharine.

8/10.

Frankly, I don't understand the mediocre reviews.

It can be a product that some might not like and deserve a poor rating based on personal taste, or it can be liked and then be a true rare gem.

There are very few standalone series like this, so well narrated, that can boast such a good performance from all the characters involved. Therefore, it definitely cannot be considered a mediocre product deserving of a 5, 6, or 7 rating.

Benedict Cumberbatch plays a character with whom it's really difficult to empathize; all the characters are so human that it's hard to see them as purely positive, all with their light and shadow.

Try it, it's a special series.