IMDb-BEWERTUNG
6,5/10
51.964
IHRE BEWERTUNG
Vier Freunde verschwören sich, um ihren Frauen den Spieß umzudrehen, nachdem sie entdeckt haben, dass die Damen Steve Harveys Ratschläge in Bezug auf Beziehungen gegen sie befolgt haben.Vier Freunde verschwören sich, um ihren Frauen den Spieß umzudrehen, nachdem sie entdeckt haben, dass die Damen Steve Harveys Ratschläge in Bezug auf Beziehungen gegen sie befolgt haben.Vier Freunde verschwören sich, um ihren Frauen den Spieß umzudrehen, nachdem sie entdeckt haben, dass die Damen Steve Harveys Ratschläge in Bezug auf Beziehungen gegen sie befolgt haben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
Terrence Jenkins
- Michael
- (as Terrence J)
Empfohlene Bewertungen
10bynari-1
Don't be put off by the low ratings. So far the movie has only been rated 6700 times which isn't really enough for it to shadow the minority ratings.
I suspect there's been a lot of men who aren't into these types of movies that have been forced to watch it with their girlfriends and have then given it low ratings because it definitely leans towards being more of a soppy romantic comedy than a gritty one.
It's definitely not a 'fairy-tale soppy romantic' movie by any means. I would class it as having a realistic amount of soppyness which is what makes it good.
The main cast are pretty diverse in their personalities so most people will be able to relate to someone in the movie, but even if you can't it's got enough comedy/fun in it to keep you entertained.
I think racially this movie is fantastic and it makes a lot of very positive statements. We have a mostly black cast with a very middle class Friends(TV series)'ish feel to them with 2 white guys in the group, 1 of whom has a black girlfriend.
There's a couple of light racially inspired jokes at the expense of one of the white guys in the group which further emphasises that race just isn't and shouldn't be a serious issue in the group.
It's really nice to see a movie like this with a nice intelligent middle-class group of African Americans. Too many movies focus on the gangster element of African American culture these days, so I think this is a really positive and refreshing movie.
I definitely recommend it to everyone except those who are put off by a bit of soppy romance.
I suspect there's been a lot of men who aren't into these types of movies that have been forced to watch it with their girlfriends and have then given it low ratings because it definitely leans towards being more of a soppy romantic comedy than a gritty one.
It's definitely not a 'fairy-tale soppy romantic' movie by any means. I would class it as having a realistic amount of soppyness which is what makes it good.
The main cast are pretty diverse in their personalities so most people will be able to relate to someone in the movie, but even if you can't it's got enough comedy/fun in it to keep you entertained.
I think racially this movie is fantastic and it makes a lot of very positive statements. We have a mostly black cast with a very middle class Friends(TV series)'ish feel to them with 2 white guys in the group, 1 of whom has a black girlfriend.
There's a couple of light racially inspired jokes at the expense of one of the white guys in the group which further emphasises that race just isn't and shouldn't be a serious issue in the group.
It's really nice to see a movie like this with a nice intelligent middle-class group of African Americans. Too many movies focus on the gangster element of African American culture these days, so I think this is a really positive and refreshing movie.
I definitely recommend it to everyone except those who are put off by a bit of soppy romance.
Excruciatingly bad. That's my takeaway from this movie. As other critics have stated, this is just one big infomercial for Steve Harvey's book. I will go a step further and say it's a big ol' "that-a-boy" from Steve to himself. Gag me now.
The plot is non-existent. The "movie" is just an array of vignettes that sloppily intersect and form silly lessons from the "great one" (Harvey) about relationships. The characters are just there. There is no real development except the trite, predictable "I see the light now" that brings the manufactured happy endings to each vignette. The writing is HORRIBLE. The production is low-budget. The list goes on of things that make this "movie" forgettable.
However,there are small but significant peeps of light through the otherwise dark cloud that is this ode to Harvey. The all-star cast tries really hard and sometimes succeeds at making this horrible script entertaining. I will highlight Michael Ealy's character as a ray of sunshine. The combination of his looks including those piercing eyes and his acting chops make his character appealing and dreamy, despite his being mismatched with the older-looking Taraji Henson. Gabrielle Union does a decent job with her character and she and her beau have the most interesting, believable story line of the movie. The numerous cameos would be kind of cute if they didn't leave you with the impression that their inclusion is just yet another way for "the great one" to show he is "somebody" and that he "knows people." I digress as I find myself getting back to the negative even in the paragraph I had reserved to show the few positives of the movie.
Bottom line, this is an ego-driven "I love myself" fest of Steve Harvey. I am wholly disappointed in the Rainforest crew who produced it, as I thought they would have grown more in their movie-making than they have apparently. They are still putting out low-budget, poorly-constructed films. It seems the only difference is that they are getting paid more now to do so. It's a shame. They had the opportunity to make this movie a quality movie. It could have been so much more than it was.
You will not regret skipping this movie.
The plot is non-existent. The "movie" is just an array of vignettes that sloppily intersect and form silly lessons from the "great one" (Harvey) about relationships. The characters are just there. There is no real development except the trite, predictable "I see the light now" that brings the manufactured happy endings to each vignette. The writing is HORRIBLE. The production is low-budget. The list goes on of things that make this "movie" forgettable.
However,there are small but significant peeps of light through the otherwise dark cloud that is this ode to Harvey. The all-star cast tries really hard and sometimes succeeds at making this horrible script entertaining. I will highlight Michael Ealy's character as a ray of sunshine. The combination of his looks including those piercing eyes and his acting chops make his character appealing and dreamy, despite his being mismatched with the older-looking Taraji Henson. Gabrielle Union does a decent job with her character and she and her beau have the most interesting, believable story line of the movie. The numerous cameos would be kind of cute if they didn't leave you with the impression that their inclusion is just yet another way for "the great one" to show he is "somebody" and that he "knows people." I digress as I find myself getting back to the negative even in the paragraph I had reserved to show the few positives of the movie.
Bottom line, this is an ego-driven "I love myself" fest of Steve Harvey. I am wholly disappointed in the Rainforest crew who produced it, as I thought they would have grown more in their movie-making than they have apparently. They are still putting out low-budget, poorly-constructed films. It seems the only difference is that they are getting paid more now to do so. It's a shame. They had the opportunity to make this movie a quality movie. It could have been so much more than it was.
You will not regret skipping this movie.
There are ups and downs to this flick. The story is interesting and unique. The cast is beautiful, the emotions are spot-on all through the film. Another plus is the humor. Every character has a situation that we can all relate to. A momma's boy, a player, a divorcée... All characters that we have interacted with at one point.
Kevin Hart does an exceptional job and he stands above the rest of the cast. The downer is the last quarter of the movie. It gets too sappy for a dude. The resolutions of the relationships become way too predictable. I mean, it's predictable down to the actual words spoken by the couples.
That aside, this is a movie suitable for a night in with your girl, or a date. It will set your chic in the mood :-) A better than average movie, and still worth your money.
Kevin Hart does an exceptional job and he stands above the rest of the cast. The downer is the last quarter of the movie. It gets too sappy for a dude. The resolutions of the relationships become way too predictable. I mean, it's predictable down to the actual words spoken by the couples.
That aside, this is a movie suitable for a night in with your girl, or a date. It will set your chic in the mood :-) A better than average movie, and still worth your money.
I'm proud of this film's success. Will Packer and Rainforest work hard and they deserve it. But this film is weak on so many levels. Being based on a "self-help" book, this screenplay was crammed with nothing but on-the-nose dialogue that left me bored and fidgety for the most part. Outside of Kevin Hart, there wasn't a single thing funny about this film. Okay, maybe once or twice I laughed but one time it was at something I don't think was meant to be funny (actor Romany Malco singing with his guitar). You can't call a film a comedy where only one character was remotely, or should I say barely humorous. I found more humor in dramas like American Beauty, City Lights, and The Graduate.
This film seemed to just flat-line from beginning to end. When I say flat, I mean literally flat. Nothing happened until the guy-meets-girl moments, and that took a while to get to. Once the relationships started, the weak conflicts seemed to be limited to the superficiality of Steve Harvey's best selling book. No inner conflicts, not even conflict on the extra-personal level.
I could've done without most of the characters which can read like a list of players on a football team. They had no purpose and added nothing to the telling, like the married guy amongst them, Bennett played by Gary Owen. I know a lot of people loved this film. But can anyone seriously say they got to know any of the characters? Also, I had a hard time buying most of the relationships. The worst of them all had to be Jerry Ferrara with Gabrielle Union. It was like having to suspend your disbelief watching them together and that didn't even work for me. I didn't believe they even knew each, let alone them being in a 13 year relationship. At a glance, I would faster believe Union was Ferrara's babysitter or nanny, not her man. It was one big spoof to me.
The next absurd relationship was Regina Hall and the guy from 106 and Park, Terrence Jenkins. I didn't believe he and Hall went to high school at the same time. In fact, she could've passed for his mother as well.
Taraji Henson's relationship with Michael Ealy was also hard to stomach, as I had trouble believing a woman with her success in business wouldn't question Ealy's facade.
I liked the relationship between Meagan Good and Romany Malco but it was so contrived, like everything else about this film.
And the next black film made showing black friends discussing their relationships while trying to play basketball should have little-tree car re-fresheners hanging from theater ceilings for the sake of audiences. Why? Because such expository scenes are a load of steaming crap. Guys don't stand around on the court discussing such things, or play ball while having those kinds of conversations. I know they did it in The Brothers (2001) and it was b.s. then as it still is now.
The telling had no direction, no point-of-view. It could've been anyone or anything's story at any given time, which left me confused and disengaged. I was waiting for the fire hydrant's storyline eventually.
I really wanted to like it, but I couldn't. In the end, I was dissatisfied and utterly annoyed.
This film seemed to just flat-line from beginning to end. When I say flat, I mean literally flat. Nothing happened until the guy-meets-girl moments, and that took a while to get to. Once the relationships started, the weak conflicts seemed to be limited to the superficiality of Steve Harvey's best selling book. No inner conflicts, not even conflict on the extra-personal level.
I could've done without most of the characters which can read like a list of players on a football team. They had no purpose and added nothing to the telling, like the married guy amongst them, Bennett played by Gary Owen. I know a lot of people loved this film. But can anyone seriously say they got to know any of the characters? Also, I had a hard time buying most of the relationships. The worst of them all had to be Jerry Ferrara with Gabrielle Union. It was like having to suspend your disbelief watching them together and that didn't even work for me. I didn't believe they even knew each, let alone them being in a 13 year relationship. At a glance, I would faster believe Union was Ferrara's babysitter or nanny, not her man. It was one big spoof to me.
The next absurd relationship was Regina Hall and the guy from 106 and Park, Terrence Jenkins. I didn't believe he and Hall went to high school at the same time. In fact, she could've passed for his mother as well.
Taraji Henson's relationship with Michael Ealy was also hard to stomach, as I had trouble believing a woman with her success in business wouldn't question Ealy's facade.
I liked the relationship between Meagan Good and Romany Malco but it was so contrived, like everything else about this film.
And the next black film made showing black friends discussing their relationships while trying to play basketball should have little-tree car re-fresheners hanging from theater ceilings for the sake of audiences. Why? Because such expository scenes are a load of steaming crap. Guys don't stand around on the court discussing such things, or play ball while having those kinds of conversations. I know they did it in The Brothers (2001) and it was b.s. then as it still is now.
The telling had no direction, no point-of-view. It could've been anyone or anything's story at any given time, which left me confused and disengaged. I was waiting for the fire hydrant's storyline eventually.
I really wanted to like it, but I couldn't. In the end, I was dissatisfied and utterly annoyed.
Friend of mine referred me to this movie to go see with my girl. I saw the rating on IMDb and was hesitant. However, he insisted, so I went for it.
The movie is funny as hell. It may run for two hours but for me and my girl it passed by quickly; there's always something going on keeping you interested or making you laugh.
I don't need to write a detailed review. If you're hesitant, don't be...it's worth it!
PS I'd really give this movie an 8, but I feel like the current rating is way too low.
Another PS: I'm not black!
The movie is funny as hell. It may run for two hours but for me and my girl it passed by quickly; there's always something going on keeping you interested or making you laugh.
I don't need to write a detailed review. If you're hesitant, don't be...it's worth it!
PS I'd really give this movie an 8, but I feel like the current rating is way too low.
Another PS: I'm not black!
Wusstest du schon
- WissenswertesWhen Dominic (Michael Ealy) talks to the guys about the movie For Colored Girls - Die Tränen des Regenbogens (2010), he says the psycho drops his kids out of the window. Ealy played the character who did just that in the movie.
- PatzerCandace answers Michael's phone, "Michael Atwater's phone". His last name is Hanover.
- Crazy CreditsThe screen gems logo transitions into the rain forest films logo, which transitions into the opening credits of the movie.
- VerbindungenFeatured in John Legend Feat. Ludacris: Tonight (Best You Ever Had) (2012)
- SoundtracksIt's A Man's, Man's, Man's World
Written by James Brown and Betty Newsome
Performed by James Brown
Courtesy of Universal Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Piensa como hombre
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 91.547.205 $
- Eröffnungswochenende in den USA und in Kanada
- 33.636.303 $
- 22. Apr. 2012
- Weltweiter Bruttoertrag
- 96.070.507 $
- Laufzeit
- 2 Std. 3 Min.(123 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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