The Presence of Love

For me, it was a beautiful surprise. Because it is one of films having the courage to be more than a Hallmark.

I love the themes and the manner to explore them.

Loving books, having the experiences of teaching and the work for Phd, I discovered so familiar slices from my life, just fair reflected.

I loved the acting and the landscapes. The courage to use, in wise manner, the subjects as dislexia, ruined marriage, motherhood and dyslexia. I loved the intro, using the verses of Wentsworth and the box with the old volume by Coleridge.

The problem ? Obvious, the too conventional ( but predictable ) end.

But, honestly, it is more than Hallmark. And this just matters.

The college professor ( Joss) leaves on a surprise gifted trip for 10 days to England, where she will reconnect with some family roots and history.

Did she really need to pack FOUR (blue, pink, tweed, red) coats, and a green reversible jacket?

Samantha Bond gives the strongest performance of all cast members. She presents her character well, and in my opinion, carries the show.

The storyline is ok, but needs strengthening in a few places.

After faithfully watching Hallmark movies for years, this film finally broke the mold of predictable formulaic Hallmark plots. There was no big city girl returning to her home town to help fix the cupcake bakery or the seasonal festival, help because Dad hurt his back or broke a leg, meet her old boyfriend, review why they broke up, have an almost kiss, an accidental misunderstanding, and get it all resolved by the last 5 minutes.

Here is a story of real emotion, real life issues, professional conflicts, personal struggle with anxiety, loss, sadness, and unresolved relationships. Here is a sensitive young woman, searching for answers in both a professional and a family crisis of her own, opening herself to risks and unknowns to help her resolve her sadness.

The acting on the part of Eloise Mumford, the young child, and the granny were spot on. Truly sensitive, deep interpretations of their roles. Sadly, the leading man was bit bland and one-note, but nevertheless presented a solid rock to lean on for the young woman in her personal emotional search.

The scenery was just breathtaking! It added drama and seriousness to the story. The exploration of the child's dyslexia was done with great sensitivity. The issue of professional conflict and creative blocks had a real life quality to it. Addressing personal depression, anxiety, medication, and the helplessness of such moments is a real departure for Hallmark and is so welcome in our current world.

And yes, as a previous reviewer noted, how and why did the young woman manage to pack 4 coats and a jacket in her suitcase for such short trip? But one has to forgive such filming gaffes. This was a Hallmark movie, after all. Not everything needs to make sense.

Here is a film truly worth watching, and truly a departure for Hallmark, which has become so formulaic that one can predict almost everything in most moves before it happens. Not here. This is a gem!! More of the same, please!!

What a wonderful change of pace! This movie had depth, understanding, a steady pace and excellent acting. Such a relief from the annoyingly formulaic movies usually presented. No old boyfriend, no high heels, no saving the old bakery, festival, tree... here we had a lovely background, intertwining stories and themes, well developed characters, and a movie that was complex yet simple. It stays with me and I'll think about this one for a long time.

There are some real high points in this movie that are not typical of this genre. The scenery was gorgeous, the characters were well drawn out with actual problems in their lives, and the overly saccharine plot points were still somewhat palatable. I thought the ending strained credulity, but that didn't ruin the movie at all. I could have used a second part to this -- or even a miniseries.