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I Used to Be Funny

  • 2023
  • Not Rated
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
6,4/10
4240
IHRE BEWERTUNG
Rachel Sennott in I Used to Be Funny (2023)
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for a missing teenage girl she used to nanny.
trailer wiedergeben1:31
3 Videos
56 Fotos
DramaKomödie

Die Stand-up-Komikerin Sam, die mit PTBS zu kämpfen hat, überlegt, sich an der Suche nach ihrem ehemaligen Teenage-Nanny-Schützling zu beteiligen, der vermisst wird.Die Stand-up-Komikerin Sam, die mit PTBS zu kämpfen hat, überlegt, sich an der Suche nach ihrem ehemaligen Teenage-Nanny-Schützling zu beteiligen, der vermisst wird.Die Stand-up-Komikerin Sam, die mit PTBS zu kämpfen hat, überlegt, sich an der Suche nach ihrem ehemaligen Teenage-Nanny-Schützling zu beteiligen, der vermisst wird.

  • Regie
    • Ally Pankiw
  • Drehbuch
    • Ally Pankiw
  • Hauptbesetzung
    • Rachel Sennott
    • Olga Petsa
    • Jason Jones
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    4240
    IHRE BEWERTUNG
    • Regie
      • Ally Pankiw
    • Drehbuch
      • Ally Pankiw
    • Hauptbesetzung
      • Rachel Sennott
      • Olga Petsa
      • Jason Jones
    • 23Benutzerrezensionen
    • 42Kritische Rezensionen
    • 74Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Nominierungen insgesamt

    Videos3

    Official Trailer
    Trailer 1:31
    Official Trailer
    Ally Pankiw on the Credit That Changed Her Life
    Clip 2:43
    Ally Pankiw on the Credit That Changed Her Life
    Ally Pankiw on the Credit That Changed Her Life
    Clip 2:43
    Ally Pankiw on the Credit That Changed Her Life
    Burning Questions With Rachel Sennott
    Clip 3:27
    Burning Questions With Rachel Sennott

    Fotos56

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    Topbesetzung21

    Ändern
    Rachel Sennott
    Rachel Sennott
    • Sam Cowell
    Olga Petsa
    Olga Petsa
    • Brooke Renner
    Jason Jones
    Jason Jones
    • Cameron Renner
    Sabrina Jalees
    Sabrina Jalees
    • Paige
    Caleb Hearon
    Caleb Hearon
    • Philip
    Ennis Esmer
    Ennis Esmer
    • Noah
    Dani Kind
    Dani Kind
    • Jill
    Hoodo Hersi
    Hoodo Hersi
    • Zara
    Dan Beirne
    Dan Beirne
    • Tim
    Stephen Alexander
    • Nathan
    Miguel Rivas
    Miguel Rivas
    • Officer Conrad Lawrence
    Marvin Kaye
    Marvin Kaye
    • Officer Jim Gerrard
    Paloma Nuñez
    Paloma Nuñez
    • Female Defense Lawyer
    Kathy Imrie
    Kathy Imrie
    • Judge Mathers
    Janice Mendes
    Janice Mendes
    • Female Police Officer
    Matia Jackett
    Matia Jackett
    • Candace
    Daniel Woodrow
    Daniel Woodrow
    • Waiter
    D.J. Mausner
    D.J. Mausner
    • School Receptionist
    • Regie
      • Ally Pankiw
    • Drehbuch
      • Ally Pankiw
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen23

    6,44.2K
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    Empfohlene Bewertungen

    6JonyVeana

    Brutal but mid

    Powerful message and subject in this movie but the journey its a little tiresome, there is no real history here, its a basic movie, the protagonist is amazing but the rest of the cast are not very good in this, they are rookies I guess, they are not the best actors in here tbh, the way the story is told is kinda of make no sense just like this review, it's convoluted and not easy to follow but maybe im slow i don't know, the protagonist is a very funny stand up comedy artist and she is fighting some demons in this movie, and that's a very interesting thing to follow but the way its told through flashbacks it wasn't really neccesary, its hard to understand ok guys.
    9philwmovies

    Rachel Sennott gets the last laugh in poignant drama

    Comedy is inherent in calling on personal experiences for a joke. Humor is a defense mechanism and a willing tool to break the ice and even recover. Comedy is healing and is used significantly in the film I Used To Be Funny. In a somewhat dark comedy set against the backdrop of the #MeToo era, the film stars Rachel Sennott as a struggling comic battling PTSD who takes part in a search for a missing girl she used to nanny. The film tackles heavy subject matter with airy deftness, and what ties it together is Sennott's arresting performance. In an edgy and humorous film, I Used To Be Funny takes center stage as one of the year's best.

    Full review @ Geek Vibes Network.
    6hanchi-85296

    A substantial blend of fragile drama and witty humour

    Ally Pankiw's feature debut "I Used to be Funny" competently explores fragile experiences of depression and PSTD, recovering from assault, and child endangerment with a tame dose of fragile drama, sprinkled with witty humour.

    Pankiw's choice to present the story through sequencing between Sam's mission to find a missing Brooke, the young girl she nannied, and frequent flashbacks of memories of the two's once-close bond. While the concept of a non-linear narrative is meant to efficiently expand the dynamics and pasts of the characters and their journeys, which it technically achieves for the majority of the film. The beginning of this sequence felt static as the vague nature that shrouded the connection between Sam, her trauma, and her past with Brooke, overstayed its welcome in the first third of the story. However, the pace thankfully accelerates once the first clues of Brooke's disappearance are uncovered.

    Some elements of the film at times, lean too hard into melodrama that lacks actual substance, especially in the vague and unmoving first third of the film. Cuts to some flashbacks that felt somewhat cliche a script that at times felt too expository, and perhaps two-too-many Phoebe Bridgers needle drops; tools that ask the audience to engage with the characters and the mysterious tragedy that haunts them. These elements may have been appropriate in the context of a television episode, considering Pankiw's background in TV direction, but unfortunately fell flat within a full-length feature film.

    Amidst these faults, one of the film's greatest strengths is its talented cast. Rachel Sennott's has not only cemented herself as a star of off-beat and relatable comedy but also demonstrated a striking capacity for performances filled with intense vulnerability, harmoniously embodying all relevant elements of the tragicomedy genre. Her ability to foster chemistry with the rest of the cast only adds further dimension to the sorrow and humor that defines her character's journey.

    Overall, I Used to Be Funny poses an intimate image of how trauma can take control of our lives and sense of self-worth. While bleak, the potential for healing is also presented as the empathetic and hopeful conclusion to Sam and Brooke's journey. While the film's approach at times lacks the ingenuity and impact it clearly intended to bring, it remains that Pankiw's strength lies in how she stays firm with the difficult themes and issues she addresses.
    7egott25

    Interesting storytelling

    As a person who has also experienced trauma, I've often wondered - how would I ever approach writing a book or movie about my experiences, and honestly the way this movie used flashbacks did resonate with me.

    I can understand how some might feel it's disjointed, but honestly that's sometimes how living with PTSD, depression, etc. Feels like.

    I know some people complained that it's not funny, I guess I didn't expect it to be laugh out loud funny based on the description - it literally includes PTSD in the description and is called "I used to be funny" - i.e. She doesn't feel funny anymore.

    Overall, I appreciated the storytelling.
    9jtindahouse

    The biggest pleasant surprise of 2023

    I think the movie 'Funny People' gave me PTSD for movies about comedians. I didn't enjoy that movie much at all and I think I was worried I was going to have a similar experience with 'I Used to be Funny'. That couldn't have been further from the case though. I was glued to the screen for every minute of this film.

    Rachel Sennott has been one of the most interesting actresses to watch in recent years, but this film gave her the chance to prove she can truly act in a dramatic role. And she killed it. Also I had never heard of Caleb Hearon until this week and yet now I've seen him steal the show in two films. He has a lot of charm that man.

    This is a heavy film. It's gritty and raw and quite devastating at times. I loved the structure of the film, with the intersecting timelines and the mystery around what exactly happened. I will say you have to have your wits about you at times to keep on track of which timeline you are actually in.

    I really enjoyed this film. I'm quite surprised to be honest to see it with only a 6.3/10 on IMDb. I feel like I must've seen something in it that others didn't. I highly recommend this one though. 9/10.

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    Handlung

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    • Wissenswertes
      Director Ally Pankiw was dating Muna member Naomi McPherson during the production of the film, but have since broken up. Naomi is still second to the top of special thanks during credits, and two Muna songs feature during the film.
    • Zitate

      Sam: My big flirty move on a date is to make the guy pinkie promise not to kill me.

    • Verbindungen
      Referenced in Amanda the Jedi Show: 'BOTTOMS' is WILD | Kicked out of The Evil Dead Rise Premiere SXSW (2023)
    • Soundtracks
      Something Has To Change
      Written by Amber Bain

      Performed by The Japanese House

    Top-Auswahl

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    FAQ17

    • How long is I Used to Be Funny?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 18. Juni 2024 (Vereinigte Staaten)
    • Herkunftsländer
      • Kanada
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Колись я була смішною
    • Produktionsfirmen
      • Barn 12
      • Crave
      • Ontario Creates
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 171.756 $
    • Eröffnungswochenende in den USA und in Kanada
      • 29.499 $
      • 9. Juni 2024
    • Weltweiter Bruttoertrag
      • 171.756 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 45 Min.(105 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.00 : 1

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