IMDb-BEWERTUNG
3,7/10
1921
IHRE BEWERTUNG
Ein Bundesagent hört mit, wie die Zielperson in ihrem Haus von einem Killerkommando angegriffen wird. Ohne den Draht zu verbrennen, muss er die Ermittlungen und die Zielperson schützen.Ein Bundesagent hört mit, wie die Zielperson in ihrem Haus von einem Killerkommando angegriffen wird. Ohne den Draht zu verbrennen, muss er die Ermittlungen und die Zielperson schützen.Ein Bundesagent hört mit, wie die Zielperson in ihrem Haus von einem Killerkommando angegriffen wird. Ohne den Draht zu verbrennen, muss er die Ermittlungen und die Zielperson schützen.
John D. Hickman
- Will
- (Nicht genannt)
Sebastien Large
- Detective J. Martinez
- (Nicht genannt)
Don Lay
- Bar Patron
- (Nicht genannt)
Bradford Norris
- Sheriff Deputy
- (Nicht genannt)
Empfohlene Bewertungen
What a bore fest of incoherent story telling. Bruce Willis truly has lost all the spark which once made his name valuable, he just regurgitates his spoon fed lines with no emotion whatsoever. The film is boring and the action sequences are somehow tedius, its the same camera shot repeated half the time. The overall story is absolutely boring as well, it's literally a guy who sits in a security room watching another guy in a house for the entire film. And top it all off, the big Bad guy, only ends up having around 30 seconds screen time. And just when you think this tedious mess is over, you are then left with an open end which means they might be planning a sequel.
I've seen better writing and directing from a fifth grade drama class. There were more holes in the writing than a wheel of Swiss cheese, and just as much nonsense dialogue. The same lame ariel buildings shot was used over and over, the shotgun shells were in a box of Co2 cartridges, and all these bad guys can't find one guy yelling an screaming in a small house... just some of the lazy writing and sloppy directing on display in this mess. I actually feel bad for Dillon and Willis taking these roles produced by the "another failed production" duo Emmett and Furla, who must need one huge heck of a tax write-off or involved in a pyramid scheme to get funding for all their flop productions. It's a generous 2/10 from me.
I agree that Wire Room isn't a good movie by any objective standards. Like most, if not all, of Willis latest movies it is a rather cheap straight-to-DVD movie. It's easy to assume that Willis just showed up to grab the pay check.
But regarding all his movies since 2019/20 it is important to recognize the following: Earlier in 2022 Willis announced to end his acting career after he and his family made public that he suffers from aphasia, which is a brain disorder that can affect a person's ability to speak, listen, read and write. Obviously, this heavily affects his ability to act, remember lines and interact with other actors. This was probably also the reason why he didn't have much screentime in his last big movie, Glass, after the first act.
This puts things into a totally different perspective.
As far as I know Willis is financially secured, he didn't need to do it for the money. He kept starring in movies because he just LOVED making them, being on set and being part of the collaborative effort to create a movie.
It is easy to dismiss Willis' latest efforts as bad movies, they mostly are, but considering his condition offers a different perspective. "Wire Room" will most likely be one of his last movies, his very last movie will probably be "Paradise City" (currently in post-production) in which he worked alongside John Travolta one last time.
Instead of focusing on his last movies, we should celebrate and honor Bruce Willis for all his great work and the impact he had on the whole movie industry in over 40 years.
Thank you for all the amazing cinematic experiences you have given us over the last decades, Mr. Willis. I wish you and your family all the best.
Disclaimer: I am not a native english speaker, so I apologize for any grammar mistakes.
But regarding all his movies since 2019/20 it is important to recognize the following: Earlier in 2022 Willis announced to end his acting career after he and his family made public that he suffers from aphasia, which is a brain disorder that can affect a person's ability to speak, listen, read and write. Obviously, this heavily affects his ability to act, remember lines and interact with other actors. This was probably also the reason why he didn't have much screentime in his last big movie, Glass, after the first act.
This puts things into a totally different perspective.
As far as I know Willis is financially secured, he didn't need to do it for the money. He kept starring in movies because he just LOVED making them, being on set and being part of the collaborative effort to create a movie.
It is easy to dismiss Willis' latest efforts as bad movies, they mostly are, but considering his condition offers a different perspective. "Wire Room" will most likely be one of his last movies, his very last movie will probably be "Paradise City" (currently in post-production) in which he worked alongside John Travolta one last time.
Instead of focusing on his last movies, we should celebrate and honor Bruce Willis for all his great work and the impact he had on the whole movie industry in over 40 years.
Thank you for all the amazing cinematic experiences you have given us over the last decades, Mr. Willis. I wish you and your family all the best.
Disclaimer: I am not a native english speaker, so I apologize for any grammar mistakes.
A full six months after announcing his retirement the final movie of Bruce Willis career is released. Like most of his dozen or so low budget movies released post pandemic this is another very disappointing effort. Like most of the others you have Willis as the big name to draw in audiences with another known actor playing the lead role. Throw in a poorly written script and neither Bruce or Kevin Dillon have much to work with but even then both look very old for these roles and their delivery is tired and almost comically bad. I actually think Kevin is trying to deliver some comic relief because he knows how bad the plot and script are.
Anyway the plot, Kevin is a new agent in a wire room - I must admit I has never heard of this until this movie. He's listening in to taped recordings amd largely just sat around bored in a room alone until he realises someone is about to be killed and he needs to decide whether to break strict protocols to save them. The story then unravels with corruption and betrayal which is all quite predictable.
It's such a shame to have seen Bruce go out like this rather than with one of the semi watchable low budget movies that have come out recently.
Anyway the plot, Kevin is a new agent in a wire room - I must admit I has never heard of this until this movie. He's listening in to taped recordings amd largely just sat around bored in a room alone until he realises someone is about to be killed and he needs to decide whether to break strict protocols to save them. The story then unravels with corruption and betrayal which is all quite predictable.
It's such a shame to have seen Bruce go out like this rather than with one of the semi watchable low budget movies that have come out recently.
While on wire room duty, a federal agent helps out the target he's monitoring when they are attacked.
Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.
Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).
What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.
Sadly, only worth viewing for Dillion and Willis.
Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.
Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).
What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.
Sadly, only worth viewing for Dillion and Willis.
Wusstest du schon
- WissenswertesThis movie was shot in just 7 days.
- PatzerIn the safe opening scene, Kevin Dillon's pistol alternates between the slide being forward and the slide being locked back- hence, empty.
- Zitate
Eddie Flynn: You're gonna help me get out of here alive. And then I'm gonna pull a Keyser Soze, ride into the sunset.
- VerbindungenReferences Die üblichen Verdächtigen (1995)
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- 1 Std. 36 Min.(96 min)
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- 2.00 : 1
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