Open

Jeremy London's resurgence is in full swing! Best known for his roles in the nineties, like Mallrats and Party of Five, he now shines as Erik LeRoux, even performing his own songs! His portrayal is a dynamic mix of charisma, charm, humor, and wild unpredictability. This performance, possibly his finest, is a testament to both his talent and Doleac's skilled direction. The screenplay by Doleac and Williams masterfully balances creativity and humor with touching explorations of marriage, unfulfilled dreams, and family dynamics. Imagine a fusion of Noah Baumbach and Richard Linklater's styles, mixed with the energy of MTV music videos - it's a highly entertaining blend. As for its genre, it's hard to pin down - it's a bit of everything. Just dive in and embrace the experience.

I was so fortunate to watch this film with main crews and casts in Sunset screen activities locating in LA, California. After the screening, I was so honored to have a long private Interview with fabulous filmmakers of this great commercial film. I am one of the huge fans of the actress Elena Sanchez. Delighted to see her use her skillful acting skill in front of real camera instead of being parts of hard working stunt actings in The hunger game and Avengers in the past few years! Honestly , this is a deep tone film from the director Miles's viewpoint about analyzing the broken marriage in a unstable musical atmosphere. The stage works in the shots of musical scenes are fabulous in the design of voice and costumes on main characters' clothings. To encapsulate, I would recognize this film as a stylish achievement in exploring the balance between the focus of life marriage in protagonist's daily life and reflected musical pieces. This gonna be a cool way for dragging ur mind into breaking stereotypes of a broken marriage. Because everyone's involved in thinking of who I really belong to making a brave choice in facing a broken marriage. The shots are going well in the whole film to serve for cut in between great musical imagination and reality after knowing the truth of marriage.

From start to finish, this film is bursting with charm, creativity, and an infectious love for the era it celebrates. The production design and costumes perfectly capture the neon-soaked magic of the '80s, while the music feels both nostalgic and fresh. The film doesn't just rely on retro aesthetics-it tells a genuinely compelling story with humor, heart, and a touch of rock-and-roll rebellion. The performances are top-notch, with the cast fully embracing the film's quirky, heartfelt energy. It's the kind of movie that sticks with you, leaving you humming the soundtrack long after the credits roll.

Recently, I stumbled upon a lesser-known film on Tubi that was thoroughly enjoyable. The film features 1980's style music videos, complete with catchy tunes and clever lyrics. Some are even uproariously funny, like the song "Vomiting Sucks". This independent film really hits the mark with its bold creativity. Jeremy London delivers a memorable performance as a has-been TV celebrity. The screenplay by Miles Doleac and Lindsay Williams, who play a couple grappling with personal loss and the challenges of a long-term relationship, is notably strong. However, the highlight of the film is the music that reflects the inner thoughts of Williams' character, "Kristina". Her journey explores the complexities of being a wife, mother, and woman in modern America. The film is a commendable effort from all involved.

This film proved to be an unexpected gem. Initially drawn to the movie by the sight of Jeremy London, famed for his role in "Mallrats," donning a wig and wielding a guitar, my curiosity was piqued. This intrigue was not in vain, as "Open" turned out to be a killer movie with equally killer songs.

The film tells the story of a woman struggling in her marriage, who becomes enamored with a former teen idol, portrayed compellingly by London. His character, once a celebrated figure, has seen better days in the industry, adding a layer of depth to the narrative. The standout feature of this film is its clever use of hallucinatory sequences where the protagonist imagines herself as the frontwoman of an 80's New Wave Band. These moments are not only visually stunning but also serve as powerful metaphors for her internal struggles and aspirations.

Jeremy London delivers what might be the performance of his career in this film. While I have always admired his work in "Mallrats" and am still hopeful for a "Mallrats 2," his portrayal in "Open" brings a new level of depth and nuance. The film itself is a delightful blend of drama, romance, and a nostalgic journey through the music of a bygone era. It's an emotional ride, with the music and visuals complementing the storyline beautifully, making Open not just a movie but an experience. For anyone looking for a film that combines great acting, an engaging story, and memorable music, Open is a must-watch.