Der Gott des Gemetzels

A one-act play, centring on two sets of parents in a Brooklyn apartment discussing a violent episode between their children, sandwiched between a very short, speech-free prologue and epilogue as credits roll. The ostensibly liberal but clearly uptight mother and apparently more conciliatory but hen-pecked father of the victim invite the aggressor's parents (she overtly more community-spirited, he more put out as he manages a work crisis on his mobile) over to talk about the incident, as responsible adults, but the ensuing clash of attitudes prompts a descent into the sort of puerile behaviour that was precisely the intended subject of the conversation.

Well cast, the four players interpret the sharp, witty lines with aplomb, one's sympathies leaping around from character to character as they gradually unravel, but without ever settling anywhere for long as each in turn cedes any moral high ground as quickly as they gained it. There is scorn aplenty (subtle and blatant) as rivalries and alliances are repeatedly struck and dashed. One can forgive the improbability of the meeting surviving several junctures when it would more naturally end because the dialogue continues to give.

I guess you can't go far wrong with such a script in the hands of this director and group of actors and it makes for a very watchable film, although I'm guessing the stage is its real home and I'll look out for it there.

From the director of Rosemary's Baby, Chinatown & The Pianist, Carnage is a simple, small scale & lighthearted black comedy that stacks four interesting characters inside a single location and, with the help of its sharp wit & committed cast, demonstrates the entire futility of the situation where parents try to settle their children's fight by themselves.

The story of Carnage follows two pairs of parents who, following an incident involving their sons, decide to meet each other and discuss the matter in a civilized manner. Friendly & cordial at first, their discussion soon dives into endless snarks, squabbles & disagreements and as the day progresses, the issues of their personal lives eventually make it to the surface.

Co-written & directed by Roman Polanski, the film is in perpetual motion throughout its 80 minutes runtime even when it is taking a breather, for the jibes just keep coming from one end or another. It does help to have well-rounded characters that are dysfunctional in their own ways and it certainly makes for one compelling drama when the whole charade comes crashing down.

Except for the bookended scenes, the entire plot unfolds inside a single apartment, and this minimal setting compels the viewers to keep their attention on its characters. Its sardonic wit & piercing dialogues never run out of fuel. Camera is employed like a silent observer that's solely focused on the biting conversations between two parties, and Editing provides a tightly-knitted structure to its 80 minutes narrative.

Coming to the performances, Carnage features an outstanding cast in Kate Winslet, Jodie Foster, Christoph Waltz & John C. Reilly, and all four of them are absolutely fantastic in their given roles. The tirade between Winslet & Foster, in particular, is a highlight to watch while the two men really try to keep their distance from the pointless argument until dragged into the mess by their respective missus.

On an overall scale, Carnage is a delightful, delicious & devilish little comedy that's skilfully crafted & splendidly performed and delivers an extravaganza that's funny, smart & engaging from start to finish. Most may not rank it amongst the best films of Polanski's decades-spanning career but in my opinion, it is an underrated gem that deserves a higher place in his filmography. Wild, hilarious & entertaining, this comedy of no manners is absolutely worth a shot.

'CARNAGE': Four Stars (Out of Five) Roman Polanski adapts the popular French play 'God of Carnage', by Yasmina Reza, in to this dark comedy about argument. The film tells the story of two sets of parents trying to 'heal' a conflict started by their kids. It stars Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly. The entire film is set in real time in one Brooklyn apartment (although filmed in Paris due to director Polanski being a wanted fugitive in the US). Reza co-wrote the screenplay with Polanski and it's about as clever and witty as any film I've seen this year, while still remaining mostly believable! The film revolves around a fight that breaks out between two eleven year old classmates in Brooklyn Bridge Park when one boy refuses to let the other in his gang and calls him a tattle-tail. One boy is struck by the other with a stick and is hurt badly in the mouth, requiring some dental work. The parents of each boy decide to meet in one couple's Brooklyn apartment in order to discuss the fight and try to resolve the conflict between the two boys. The rest of the film (almost it's entirety) plays out in the apartment with the parents discussing their boys' conflict rather aggressively which results in a much bigger conflict between them. Like the recent Iranian film 'A SEPARATION' this is a beautiful and believable film about argument. Of course this is a much more comedic and somewhat lighthearted look at argument than the award winning foreign language film but it's just as realistic and drives home it's point just as clearly. The acting is all top notch with Foster playing against type as the most unlikeable character of the bunch and Waltz impressing yet again by delivering my favorite performance of the film. The dialogue is very smart and funny and the directing is perfectly subtle. Like I said not as hard-hitting as the Iranian masterpiece but nearly as effective in it's own way. A very relatable and enlightening film; one not to be missed!

it is not a surprise. the cast is great and the script/play gives many opportunities for demonstrate this fact. image of a crisis, simple and powerful, impressive for the precision of scenes,a play who has chance to has extraordinary actors, it is a splendid exploration of characters and society human types. a special film who seems be almost extravagant.because all is different by common recipes. the transformation of masks in aggressive tools, the fragility of existences and marriages, the force of accusations, the frustrations as axis of a form of survive. a bitter comedy, a deep drama. and one of guide movies who reminds the purpose of real cinema - art as subtle reflection of life.

Despite it's name, which should imply a very violent movie, this one is a wonderful little movie about social structures and the way its built within us to the point of forcing us to behave in certain ways.

The concept for this movie is simplistic to the maximum level. Just 2 couples discussing terms for their kid's fight. What seems to be a nice meeting to solve the problem soon became a carnage fight (of words only, gladly).

The movie allow us to explore the aspects of each of the 4 personalities, that's it, that's the movie, and it's great, superb, no music, no special effects, no induced drama, no additional details to color the movie. Simple, powerful, nicely done.

From all the movies coming from Hollywood these days, this one is a nice gift, top notch actors, great comedy, nicely put together, what more could you ask.

So, go on, see the movie, what are you waiting for!