Die Las-Vegas-Stripperin Penny Slot (Rena Riffel) begibt sich auf ein Abenteuer, um die Startänzerin in einer Tanz-Fernsehshow zu werden.Die Las-Vegas-Stripperin Penny Slot (Rena Riffel) begibt sich auf ein Abenteuer, um die Startänzerin in einer Tanz-Fernsehshow zu werden.Die Las-Vegas-Stripperin Penny Slot (Rena Riffel) begibt sich auf ein Abenteuer, um die Startänzerin in einer Tanz-Fernsehshow zu werden.
Paula Labaredas
- Maria Strauss
- (as Paula LaBaredas)
MYC Agnew
- Vladamir Von Der Hoertberg
- (as Myc Agnew)
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If there ever was a movie that should have never been thought of, written, shared, cast, rehearsed, shot, edited nor released, this is it.
I only discovered there was a "sequel" to showgirls today, 23 years after the original and only by accident. After seeing a the preview of the movie i knew this was one to stay away from. In just those three minutes i wished i was blind and deaf. I don't know if some of the previous actors (not including rena riffel) needed a small hobby to do or if they thought they were doing her a favor but having them in the cast did not help at all. ( glenn plummer, greg travis, and dewey webber) it is horrible. Dont waste even the few minutes of your life trying to watch the previews because you wont get those back.
Showgirls 2: Penny's from Heaven: 1 out of 10: Rena Riffel one of the actresses from Showgirls cobbled together an unofficial sequel/remake fan film with some of the original cast. It is technically a film.
The Good: Under the right circumstances (I am thinking psilocybin mushrooms.) this movie can be entertaining. It starts off on the right foot and seems to be almost entertaining with interesting cameos and a Daliesque surreal touch but one quickly realizes it is just meandering from one setpiece to the other with no real rhyme or reason.
To her credit, Rena Riffel is in surprisingly good shape and does her best to work with her um assets. I would actually hold her blameless based on her performance was she not also the writer and director of the film.
The Bad: Amazon currently has a version of this film streaming called Showgirls 2: The Cut which is the original film cut down to 100 minutes from the original 145 minutes. Well, it is a start. The problem is not just length (though that certainly does not help matters) it is that the scenes simply never go anywhere in ways that defy description.
I almost think Showgirls 2 should be shown in Film School as a lesson of how not to shoot a scene, frame a shot, or transition from one scene to another. The entire film is like the first seven minutes of Manos the Hands of Fate with occasional middle-aged topless nudity. The level of filmmaking and storytelling incompetence is simply of the charts.
The Ugly: Rena Riffel is from the Cheri Caffaro school of filmmaking. No matter how old I get nothing more nubile is allowed to appear in the scene. So we have the primary rival/love interest Shelley Michelle playing the Gina Gershon role but looking like Rue Mccallahan in a Golden Girls rerun. People complained that Showgirls 2 was like watching a porn film with all the sex scenes taken out but in all honesty would it have been better if they were left in?
In Conclusion: You can do this kind of movie correctly. Misty Mundae and Seduction Cinema put together a string of these in the early aughts. (The Lord of the G-Strings: The Femaleship of the String, Spiderbabe etc). Rena Riffel does have a surrealistic touch to her story but she simply should not be allowed to edit or direct film and she needs a strong co-writer to focus her craft. She clearly has talent. Unfortunately, her surreal trip was lost in a deluge of craft errors and poor follow through.
The Good: Under the right circumstances (I am thinking psilocybin mushrooms.) this movie can be entertaining. It starts off on the right foot and seems to be almost entertaining with interesting cameos and a Daliesque surreal touch but one quickly realizes it is just meandering from one setpiece to the other with no real rhyme or reason.
To her credit, Rena Riffel is in surprisingly good shape and does her best to work with her um assets. I would actually hold her blameless based on her performance was she not also the writer and director of the film.
The Bad: Amazon currently has a version of this film streaming called Showgirls 2: The Cut which is the original film cut down to 100 minutes from the original 145 minutes. Well, it is a start. The problem is not just length (though that certainly does not help matters) it is that the scenes simply never go anywhere in ways that defy description.
I almost think Showgirls 2 should be shown in Film School as a lesson of how not to shoot a scene, frame a shot, or transition from one scene to another. The entire film is like the first seven minutes of Manos the Hands of Fate with occasional middle-aged topless nudity. The level of filmmaking and storytelling incompetence is simply of the charts.
The Ugly: Rena Riffel is from the Cheri Caffaro school of filmmaking. No matter how old I get nothing more nubile is allowed to appear in the scene. So we have the primary rival/love interest Shelley Michelle playing the Gina Gershon role but looking like Rue Mccallahan in a Golden Girls rerun. People complained that Showgirls 2 was like watching a porn film with all the sex scenes taken out but in all honesty would it have been better if they were left in?
In Conclusion: You can do this kind of movie correctly. Misty Mundae and Seduction Cinema put together a string of these in the early aughts. (The Lord of the G-Strings: The Femaleship of the String, Spiderbabe etc). Rena Riffel does have a surrealistic touch to her story but she simply should not be allowed to edit or direct film and she needs a strong co-writer to focus her craft. She clearly has talent. Unfortunately, her surreal trip was lost in a deluge of craft errors and poor follow through.
First off, while I didn't think the first film was great by any standards, it served up as a half decent b movie. The kind of movie you can watch if you want to make fun of and yet still have a semi decent viewing experience.
Showgirls 2 on the other hand makes a C movie (severely low budget amateur movies) look like Hollywood A films. The acting, camera work, sets, script...I'm not an accountant but even I want to do some forensic accounting to figure out where all the budget for this film went. i've seen better camera work by highschool students, and even better acting and scripts from low budget porn movies.
I was halfway through before I pulled the plug on it. do yourself a favour, watching anything more than the trailer is a waste of time.
Showgirls 2 on the other hand makes a C movie (severely low budget amateur movies) look like Hollywood A films. The acting, camera work, sets, script...I'm not an accountant but even I want to do some forensic accounting to figure out where all the budget for this film went. i've seen better camera work by highschool students, and even better acting and scripts from low budget porn movies.
I was halfway through before I pulled the plug on it. do yourself a favour, watching anything more than the trailer is a waste of time.
Yes, I watched all 2 1/2 hours of this film with my wife.
TLDR; Is it enjoyable? Yes. In a bad movie way.
The film starts slow... But soon turns into one of the most disjointed, bizarre, over the top attempts to make a movie, and I still have no idea if Rena Riffel intended to make a comedy or drama.
There's a running plot about "Penny" now Helga wanting to be in some sort of softcore TV revue? And she need to take ballet lessons at Juliard "or something" to make this work? Helga is monumentally dumb, but it's hard to tell if this is being played for laughs or not.
She meets the crazily busty older stripper who plays the Gina Gershon role here. Man, this lady butchers some screen time before she chews it up. After 2 hours, I was enamored with her completely hyperbolic performance. She managed to top Elizabeth Berkely for delivering all of her lines dialed up to 11. The scene where she freaks out with the cold cream... There are scenes in this movie that will live in your brain.
Yes, there's nudity. The tone veers like a drunken teenager driving. Scenes go from two girls getting sensual over giant hot dogs to Penny talking about losing custody of her daughter and back again in under a minute. No one behaves rationally. The camerawork is film noir one second, Dutch angles the next, and stationary home movie at random. Random living rooms and restaurants are played off as swanky strip clubs. The music is just AWFUL.
I have to give a individual paragraph to the outfits. Some of the most gloriously trashy clothing known to man. Even when there isn't nudity, the skimpy outfits provide plenty of titillation.
But there a certain charm that comes from the effort here. From long weirdly philosophical monologues, the (at times) hallucinogenic sets and backgrounds, and general poorly performed weirdness.
This is not a good movie. It's not a competent attempt at filmmaking. It has no point, no through plot, no sense of style. But it was enjoyable. It was campy, bizarre, maybe even a little sexy at times. I'd sit and watch it again.
TLDR; Is it enjoyable? Yes. In a bad movie way.
The film starts slow... But soon turns into one of the most disjointed, bizarre, over the top attempts to make a movie, and I still have no idea if Rena Riffel intended to make a comedy or drama.
There's a running plot about "Penny" now Helga wanting to be in some sort of softcore TV revue? And she need to take ballet lessons at Juliard "or something" to make this work? Helga is monumentally dumb, but it's hard to tell if this is being played for laughs or not.
She meets the crazily busty older stripper who plays the Gina Gershon role here. Man, this lady butchers some screen time before she chews it up. After 2 hours, I was enamored with her completely hyperbolic performance. She managed to top Elizabeth Berkely for delivering all of her lines dialed up to 11. The scene where she freaks out with the cold cream... There are scenes in this movie that will live in your brain.
Yes, there's nudity. The tone veers like a drunken teenager driving. Scenes go from two girls getting sensual over giant hot dogs to Penny talking about losing custody of her daughter and back again in under a minute. No one behaves rationally. The camerawork is film noir one second, Dutch angles the next, and stationary home movie at random. Random living rooms and restaurants are played off as swanky strip clubs. The music is just AWFUL.
I have to give a individual paragraph to the outfits. Some of the most gloriously trashy clothing known to man. Even when there isn't nudity, the skimpy outfits provide plenty of titillation.
But there a certain charm that comes from the effort here. From long weirdly philosophical monologues, the (at times) hallucinogenic sets and backgrounds, and general poorly performed weirdness.
This is not a good movie. It's not a competent attempt at filmmaking. It has no point, no through plot, no sense of style. But it was enjoyable. It was campy, bizarre, maybe even a little sexy at times. I'd sit and watch it again.
Wusstest du schon
- WissenswertesSome of the stock music used is also used in Birdemic: Shock and Terror (2010).
- Zitate
James 'Jimmy' Smith: You're not dumb, you just play dumb.
Penny: Like a possum?
James 'Jimmy' Smith: No, a possum plays dead, not dumb.
- Crazy CreditsWarning: This movie contains a pool scene. (On DVD box.)
- VerbindungenFeatured in Obscurus Lupa Presents: Showgirls 2: Penny's from Heaven (2016)
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Details
Box Office
- Budget
- 30.000 $ (geschätzt)
- Laufzeit2 Stunden 25 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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By what name was Showgirls 2: Penny's from Heaven (2011) officially released in India in English?
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