Craving

Looking to satisfy your CRAVING for a bonkers amount of gory practical effects? Then, "Craving" is what you've been looking for. With the lack of splatter flicks in the Hollywood marketplace, this indie gem comes to the blood-drenched rescue. The film is definitely a slow burn, with a large ensemble cast to introduce and give backstory to, but when it heats up, it goes straight for the jugular. (Literally and figuratively). Juggling the dozen actors inside of one remote bar location does become a bit cumbersome, but when the 3rd act does arrive, it goes completely off the rails to end this indie horror flick with a massive bang. So strap in, get comfy and prepared for a fun gore-soaked rollercoaster ride!

I'm a big fan of low-budget gorefest 'Feast' which is about a bar full of people who are under siege from some monsters. Nope, it certainly won't win any Oscars and was definitely not written by Shakespeare, but it was damn good fun. And, if that's what you're looking for at the time, 'Feast' would fit the bill.

Here, in 'Craving,' there's a similar set-up - a group of strangers are barricaded up in a bar and there's a creature going to wreck havoc. Okay, there are bits that are different. Here, the bar is under siege from a group of people who say that there's actually a monster inside and they're there to kill it (or everyone inside in the process!).

One of the major differences is that there are a lot of 'explanation' flashbacks which tell you the backstory for various characters. It does add more 'story' to 'Craving,' but the downside is that it does feel a bit like 'filler' and it tends to slow the movie down a bit.

But the performances are good and there are people here who are slightly different to the average cast of monster films, i.e. Teenagers (played by twenty-somethings) who just run around screaming, so that's something, plus the special effects deserve a mention. There's a lot of gore and the film-makers really lean into the 'splatter' in general, giving the film a bit of an 'over-the-top' feel.

There's definitely good points in this movie and it's worth a watch if you can find it on a streaming platform for part of your package, but it does get a bit confusing sometimes with all the 'reasons' why people are doing what they're doing and who they're double-crossing. It may have just been better leaving it to be just a bar under siege from a monster.

I will preface this brief review with a couple of facts. One, I LOVE horror films, especially creature features, and let's face it...there just are not enough good creature features made anymore. Two, I truly enjoy independent film and cinema. While budgets always place constraints on projects, a good script and good team can produce an excellent, enjoyable film without the help of Hollywood or a large purse.

Now about "Craving":

• the acting is terrible. It's one thing to have "wooden actors..." you know...the ones that are a bit stiff, but the folks in this movie (the ENTIRE cast) are amateurs at best. Stagnate, posed, lifeless lines & deliveries...timed and contrived screams...unconvincing in every way.

• the script is actually not the worst I've followed. In actuality, had this been a big budget movie (eg better actors, better sets, better FX, bigger budget), I might have enjoyed it. But the acting was so terrible that even had the script been adapted from a Pulitzer Prize winning book, it wouldn't have mattered.

• the special fx were not good. I can often overlook this, as we all know that fx are among the most costly part of a film, but these were pretty cheesy. Most kills are offscreen, followed up with immediate pan to whatever pile of substance they're using for blood. It should be noted that film makers did indeed TRY to make it gory (toward the end) but like most other aspects of this movie, this fell flat.

-very slow. Very very slow. Very very very slow. Tediously slow...I mean like fall-asleep-in-the-middle-of-the-movie. The first nearly 2/3 of the movie is nothing but listening to unemotional dialog .

Really wanted to like this, as it gets harder and harder to find good horro films. Sadly this is not one of them, even though all the reviews rave about it - seems like these folks maybe got screener passes. I would not recommend a single aspect of this movie.

>>> minimal gore >>> some fun violence and guns >>> no nudity >>> some profanity. But not heavy.

Making an indie film is no small feat. What the makers of Craving accomplished was impressive. The production quality overall was good. The practical makeup FX was impressive.

Now to the not-so-good. Early on in the film particularly, there were a lot of focus issues that were distracting. The story could've use a couple more rewrites. It jumps around A LOT. My main issue with the story is that we're not really following around one main character. It's an ensemble piece that doesn't allow you to emotionally engage with any of the characters. At times, the music was too melodramatic, which didn't seem to fit the tone of the movie.

With all of that said, the climax will not disappoint horror fans. If you love B horror movies, I think you'll like this one.

Full disclosure, I worked on this film. This is my honest review: Craving is an indie horror flick about a group of people trapped in a rural bar. Half are the regulars: bartenders and patrons, the other half are a "family" of junkies who've been followed by a group of hunters in flesh masks. The hunters barricade everyone inside, dead set on killing one of them who they claim is a monster. Not just in practice, like a literal monster. Directed by J. Horton and written by Horton and Gregory Blair, Craving is a slow burn unraveling of a deeper, sad story of family and love. Horton does a great job at capturing the characters emotions and relationships with each other despite the size of the cast.

The main story focuses on telling the history of the "family", five junkies who were gathered by Carl (Michael Turner Tucker), a mysterious father figure who is in charge of scoring heroin for the addicts. Gail (Holly Rockwell) and her adoptive son Will (Xavier Roe) bring the most emotionally charged performances, while Frenzy (Ashley Undercuffler) acts as a foil to just about everyone, delivering a chaotic yet playful performance that keeps you on your toes. Mac (Kevin Caliber) and Lo (Likun Jing) deliver more nuanced performances as the less talkative yet more threatening members of the group, and once they jump to action you know something Brad's about to go down.

Filling out the bar cast are sweet bartender Shiloh (Rachel Amanda Bryant), lovestruck conspiracy theorist Rudy (Frankie Guzman), con artist and manipulator CeCe (Toya Morman), dorky cowboy Travis (Gregory Blair), local DJ with RBF Rylee (Miranda Bourke), and shady businessman Jared (Scott Alan Ward). We are also treated to a small performance from horror mainstay Felissa Rose as Les the bartender, who brings warmth and humor to the group before things go awry. While we go get to enjoy these characters, they become more akin to cannon fodder once the family becomes introduced in the story. We get just enough to know who they are and understand them, but by the end you'd be forgiven for not remembering all their details brought up early on.

The cast is rounded out with Hunter (Al Gomez) who works alongside the hunter group consisting of Red (Greg Tally), Lori (Zera Lynd), and Gerry (Robert C. Pullman). Hunter has been pursing the monster for decades, and Gomez delivers a great performance throughout multiple moments in time showing his obsession and resilience, and just how he's turned into a monster himself in his pursuit

It's worth mentioning here that we get to see different sides to several characters throughout the flashbacks. And while it's cool to put the pieces together with this method it does slow the pace of the film during the second act. This is a low-budget film, so you have to consider that when judging it against multi-million dollar horror films. But if you enjoy cult horror or B-films this will be right up your alley. With impressive monster and gore effects from Robert Bravo, the film delivers an impactful third act when the monster itself is revealed. That may be a complaint for those expecting a monster movie, that it isn't really one until the end, but the way it pays off will likely win you ever in the end.

The monster itself is something unlike anything I've seen before. It's violent and terrifying, but you feel sad for it at the same time. One of the greatest strengths of the film is that just about every character is in love or has familial love to someone else in the film, causing the relationships between everyone to heighten the emotions through the worst violence. This highlighted by Everett Young's score and Sophia Cacciola's cinematography. So if you're a fan on low budget horror this will deliver the goods, even if there's a bit of delayed gratification. I would love to see a sequel to this.