Eine Frau wird des Mordes an ihrem Mann verdächtigt, und ihr blinder Sohn steht als einziger Zeuge vor einem moralischen Dilemma.Eine Frau wird des Mordes an ihrem Mann verdächtigt, und ihr blinder Sohn steht als einziger Zeuge vor einem moralischen Dilemma.Eine Frau wird des Mordes an ihrem Mann verdächtigt, und ihr blinder Sohn steht als einziger Zeuge vor einem moralischen Dilemma.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 127 Gewinne & 189 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Anatomy of a Fall' is a compelling courtroom drama exploring themes of truth and human relationships. Sandra Hüller's performance and the intelligent screenplay receive praise, while the pacing and complexity draw some criticism. The emotional courtroom scenes are noted for their tension, though a few find the film could be more concise. Overall, it is seen as a resonant film that challenges viewers.
Empfohlene Bewertungen
There are so many things I got from this after watching it. So many subtle little thing that throw shade over both characters, thus showing such complex humans with flaws and virtues.
Technically it does not stand out but it's servicable for the themes and story. Was this the perfect long-game psychological crime? That last scene speaks volumes. The last courtroom scene with the kid was devestating and conclusive, even if that lawyer tried to flip it. Even him knew the conclusion at that moment. It was cathartic.
It was a very devastating and powerful film. I would very much like to see it again so I can absorb that excellent dialogue all over again.
Technically it does not stand out but it's servicable for the themes and story. Was this the perfect long-game psychological crime? That last scene speaks volumes. The last courtroom scene with the kid was devestating and conclusive, even if that lawyer tried to flip it. Even him knew the conclusion at that moment. It was cathartic.
It was a very devastating and powerful film. I would very much like to see it again so I can absorb that excellent dialogue all over again.
Anatomy of a Fall is an engrossing courtroom drama that packs a miniseries' worth of story in two and a half hours. I totally see why it garnered so much acclaim from the festival circuit! It is exactly the kind of legal drama I've wanted to see for years. THIS is the standard of crime genre that all other films now have to live up to. Thoughtful, intricate and emotional. The writing is phenomenal - it takes a lot of guts to do two hours of court proceedings but wow, it's enthralling; so meticulously plotted and presented, with such intricate explorations of the complexities of relationships. It's the kind of thought-provoking procedural where the truth is never certain and the power is granted to the audience to determine its true outcome. Sandra Hüller is extraordinary in a cant-look-away performance that will grip you from beginning to end, but if I'm being honest, everyone here is incredible. It has one of the best child performances I've ever seen in a film. Even the dog put in a performance of a lifetime! Taut, suspenseful and compelling until the final moment, the film progresses like a heady puzzle that tackles the messiness of existence and the often elusive nature of truth itself. Anatomy of a Fall is truly all-around exceptional filmmaking!
The beauty of the film truly lies in how delicately it's paced throughout. Even when it takes the shape of a courtroom drama with great attention to detail, it still rests firmly on the emotional bonding between the lead characters - in this case, a mother (Sandra), her son (Daniel), and their dog. That never takes a backseat, despite the film turning into a murder mystery (of sorts) at several points. I absolutely loved the performances here, be it Sandra Hüller, Swann Arlaud, Milo Machado Graner, and Samuel Theis. And for all it's worth, the standout here is Snoop (the dog), and his presence not only drives the story forward at a pivotal juncture, but this wonderful canine also takes the audience's perspective in the beginning and at the end of the film. He's travelling with these characters just like us, while also playing the role of an unconditional guardian angel to Daniel.
When the writing digs deep into the intricacies of a marriage, it is poignant, relatable, and hard-hitting. Both the husband and the wife are writers essentially, and that makes their struggles and little victories all the more accessible. The changing dynamics in their relationship is brought to light through superbly shot flashbacks (just as their audio recordings are being played in court), and we as audiences, understand what each half of the couple is going through. The journey is dramatic alright, but since the outcome determines whether the mother gets to reunite with her son after a long, drawn-out trial, it always remains riveting to watch. The "lesser" moments - like a scene that depicts Sandra and her lawyer friend drinking together, are also beautifully staged.
When the writing digs deep into the intricacies of a marriage, it is poignant, relatable, and hard-hitting. Both the husband and the wife are writers essentially, and that makes their struggles and little victories all the more accessible. The changing dynamics in their relationship is brought to light through superbly shot flashbacks (just as their audio recordings are being played in court), and we as audiences, understand what each half of the couple is going through. The journey is dramatic alright, but since the outcome determines whether the mother gets to reunite with her son after a long, drawn-out trial, it always remains riveting to watch. The "lesser" moments - like a scene that depicts Sandra and her lawyer friend drinking together, are also beautifully staged.
A lonely chalet in the French Alps. A dead man laying in the snow in front of it. Apparently he fell out of the third floor window under the roof.
Was it an accident? Suicide? Or a murderess attack? Whoever expects a conventional crime thriller with a final simple solution will be badly disappointed by this complex psychological drama about a female author fighting for her independence, dignity and her own truth in the courtroom, where she stands under suspicion to have killed her husband. But beware: truth has different aspects and different sides, depending on whoever tries to catch it. It comes in disguises, often invisible, always subjective.
In the end it's up to the viewer to make up his own mind about the case. While the investigation is unfolded Triets movie proudly walks in the footsteps of Ingmar Bergman, a classic analyst of complicated couple relationships and she truly succeeds in doing so.
Was it an accident? Suicide? Or a murderess attack? Whoever expects a conventional crime thriller with a final simple solution will be badly disappointed by this complex psychological drama about a female author fighting for her independence, dignity and her own truth in the courtroom, where she stands under suspicion to have killed her husband. But beware: truth has different aspects and different sides, depending on whoever tries to catch it. It comes in disguises, often invisible, always subjective.
In the end it's up to the viewer to make up his own mind about the case. While the investigation is unfolded Triets movie proudly walks in the footsteps of Ingmar Bergman, a classic analyst of complicated couple relationships and she truly succeeds in doing so.
It's a great movie, without a doubt. Excellently directed with the best handling of the shots and the cameras of the year. The acting of Sandra Huller and the boy (whose name I'm forgetting) are impressive, worthy of award nominations. Not in vain the actress was in two of the best movies of the year. Her handling of languages and how she makes each dialogue credible is fascinating.
It's a hard and pure trial movie, in my opinion it has 2-25 minutes left over and I lack a soundtrack. In the end it leaves me wanting more because I was expecting a plot twist that would surprise. For the rest, highly recommended.
It's a hard and pure trial movie, in my opinion it has 2-25 minutes left over and I lack a soundtrack. In the end it leaves me wanting more because I was expecting a plot twist that would surprise. For the rest, highly recommended.
Wusstest du schon
- Wissenswertes'P.I.M.P.' wasn't the first choice for the song. It was meant to be Dolly Parton's 'Jolene', but Dolly Parton's team wouldn't give them the rights to have it in the film. Specific dialogue scenes that later analyzed the lyrics of that song had to be removed from the screenplay.
- Zitate
Sandra Voyter: Sometimes a couple is kind of a chaos and everybody is lost. Sometimes we fight together and sometimes we fight alone, and sometimes we fight against each other, that happens.
- VerbindungenFeatured in WatchMojo: Top 10 Best Movies of 2023 (2023)
- SoundtracksP.I.M.P.
Words and music by Mr. Porter (as Denaun M Porter), Brandon Parrott and 50 Cent (as Curtis Jackson)
Performed by Bacao Rhythm & Steel Band
© Derty Werks / EMI April Music Inc / Hipgnosis SFH I Limited and Notting Hill Music and FBC Publishing (ASCAP)
administered by Kobalt Music Publishing Ltd
(p) 2016 Big Crown Records
By authorization of Big Crown Records, EMI Music Publishing France, Kobalt Music Publishing Ltd
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Anatomía de una caída
- Drehorte
- Les Crevasses, Villarembert, Savoie, Frankreich(Maleski and Voyter's mountain house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.200.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.076.369 $
- Eröffnungswochenende in den USA und in Kanada
- 117.848 $
- 15. Okt. 2023
- Weltweiter Bruttoertrag
- 36.053.387 $
- Laufzeit
- 2 Std. 31 Min.(151 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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