Thank You

In few words if I am asked to write about THANK YOU then I would say - There must be many young energetic directors working as under-employed or struggling on the roads of Mumbai for their one chance, capable of giving a much better movie than this present one coming from Aneez Bazmee. And why I am very much confident in this statement, that's because you cannot go more wrong than THANK YOU.

In other words, in this net age of digital entertainment, it's a shame that our directors and producers still consider 'we viewers' as brain dead, desperate and silly to accept such kind of utter crap. What a waste of precious resources both for the makers and as well as the viewers?

Sometimes I really feel confused that do these actors, directors or producers ever see their own self-made film in the theater before releasing it? And if they really do then Is there nobody who can tell them that what they have actually made and how its going to do at the box office? On second thoughts a film like THANK YOU clearly confirms that the Industry is full of mean and self-concerned persons who would never reveal you the real truth and would only appreciate you and your product at your face.

Content wise, the film has nothing new in the name of a story and is mere an extension of films such as NO ENTRY, PARTNER & MASTI made on the subject of cheating husbands and their escape routes. So it's indeed very surprising that its whole team of writers and director decided to just repeat the subject and nothing else. In fact the opening few minutes are only ones when you enjoy the most and then the rest purely makes you repent. Besides the last moment addition to the script, where Vidya Balan comes in as a special appearance simply makes you think, "What the hell is happening?".

Musically, it's a very average kind of score from the otherwise good Pritam, which also gets full support from some highly low standard and weird lyrics. Cinematography is nothing above the usual and background score doesn't give you anything to take notice of itself.

In the acting department, there is only one saving grace of the movie and he is Irfan Khan, who remains the only person who is able to make you laugh at times and that's it. Other than Irfan the entire cast can easily put this film in the list of their worst choices made. Akshay seriously needs a break which specifically needs to be a more educative break for him where he should learn how to judge a product after having so much experience in the field by his side. I agree you cannot predict or judge a Hit, but you can surely sense a BAD film coming your way without any doubt. Though he looks smart and young in the film doing his role well, but unfortunately that is not enough for the audience who come to the theater with their own set of expectations. Supporting Akshay Kumar, Suniel Shetty tries very hard and Bobby Deol seems to be completely lost somewhere else.

Among the ladies, it's the worst film of Sonam till date where she is really looking awful at places with very poor make up and looks. As reported in the news, she very much looks like ill and tired throughout the film. Celina Jaitely is hardly there in the movie but Rimi Sen gives her best to her allotted role. Both Mallika Sherawat in the item number and Vidya Balan in the climax are wasted and the film could have easily been made without their deliberate insertions.

In all, after the end credits role, one starts thinking that the apt title of this film should have been SORRY instead of THANK YOU and I think that explains it all.

Hail Irrfan Khan and his comic timing.

It's not thank you . it's re-entry. Just the same successful formula of 'no entry' has been repeated. While making a lol entertainer it goes beyond it realms and ridicules the sanctity of relationships and marriages. In it's account of relationships it seems to be very one sided. But an objective look at relationship can never be expected from Anees Bazmee. The movie does what was expected from it - makes you laugh real hard. A large share of laughs come for Irrfan's performance. He proves once again his mantle and versatility in acting. His comic timing is phenomenal. The kind which Akshay kumar once showed in Mujse shadi Karogi. But as it has been for quite some time his performance seems repetitive. As for others, bobby acts bad as usual, Suniel overacts as usual again. Sonam kaoor irritates with cardboard character. Reema sen surprises with her quirkiness. Celia jaitley is hardly there. Songs are just burden as usual yet again. The ending goes overboard and tries to make a pigheaded soulless movie into a serious inquisition into relationships and fails miserably. The only low point of movie comes at the end.

This movie just belongs to Irrfan's incredible comic timing and Anees Bazmee's ability to pen funny insincere jokes. A timepass. :)

The movie is bad, and so is the script. Akshay and Sonam just don't go together and neither Sonam and Bobby. Basically Sonam was the misfit. But what I loved was Rimi and Irfaan's pair. Wish they'd done another movie together with a similar theme of a couple who hate each other or a situation where they hate each other. They were so natural. Too late now :( RIP Irfaan.

It's been rather quiet on the Bollywood mainstream front given the build up and subsequent hangover with India winning the Cricket World Cup, but I suppose releases will be back on track soon, with one of the earliest off the blocks being Anees Bazmee's Thank You, a typical comedy broaching on the topic of marriage infidelity starring one of the most hardworking and overexposed stars in Akshay Kumar in an ensemble together with Bobby Deol, Suniel Shetty, Irrfan Khan, Sonam Kapoor, Celina Jaitley and Rimi Sen.

So shouldn't it sound like fun, given a bevy of stars in situational set ups about philandering husbands who fool around behind their wives' backs, and having their own support group set up as credible alibis. Bobby Deol's Raj manages to fool his wife Sanjana (Sonam Kapoor) with his sweet nothings, his boss Vikram (Irrfan Khan) overpowers his submissive wife Karthika (Rimi Sen) with unreasonable demands, probably because the latter wants to continue enjoying the high life thanks to her husband's booming luxury yacht business. Then there's Suniel Shetty as Yogi, perhaps the least skillful of the lot, being caught out by wife Radha (Celina Jaitley), and also because of the latter's engagement of a private investigator Kishen (Akshay Kumar) who she introduces to Sanjana to wake the simpleton to see beyond the wool pulled over her eyes.

Honestly, the first half of the film before the interval is the stronger portion of the story, and probably where it's most fun given the interesting battle of wits premise set, even though it was not exploited to the full extent. With Radha and Sanjana reluctantly engaging Kishen's services, the latter is adamant in exposing the three husbands in one fell swoop, but discovers that the counter-brilliance of the mastermind Vikram won't make this an easy walk in the park. Strategies get employed involving technology, divide and conquer tactics to make the guys turn on one another, and frankly the set comedic pieces hit more than missed. The complication arises when the guys also engages Kishen's services, and find out that he too is a ladies man, though his loyalties, under wraps, belong to his earlier employers.

A small romantic subplot also involved Kishen and Sanjana with a hint of a conflict of interest from the get go that was cursory at best, and the remaining saving grace of the film belonged to the chemistry between Irrfan and Bobby Deol as buddies who find their lifestyle under threat. But it all spiraled downward after the interval with plenty of melodrama being poured into it such as the tired and silly suicide attempt of Sanjana at the Niagara Falls (this was partly shot in Toronto and Vancouver), and when Kishen progresses into his next role as a pseudo-marriage counsellor out to teach the guys a thing or two about fidelity, and reconciliation. However I suspect that the jokes here were less slapstick and direct, relying on funny dialogue that got lost in translation through the subtitles, which was a pity for non- Hindi speakers like myself.

Song and dance sequences were nothing to shout about unfortunately, even with Mallika Sherawat popping up as an item girl in Razia. No subtitles came with the lyrics to the songs, so I'm left to my own devices to determine what shenanigans the characters were into. Would have been a much engaging film if the second half managed to keep pace with the eclectic first, but instead opting for a more conventional approach and finale that makes you wonder why the females can't just walk out of a relationship that is already on rocky grounds no thanks to mistrust and dishonesty, lessons learnt notwithstanding.

Typical Akshay Kumar movie.....

Lots of semi-naked phoren babes--and shots of Akki cavorting with them ( what else ? ) , like they are in aaaaaalllllll of Akki's films .

To join him this time are Bobby ( out of work ) Deol , Irrfan Khan ( can a bollywood movie do without a Khan nowadays ? ) and Suniel Shetty ( even the change of name from Sunil to Suniel wont change the luck of this non-actor ,the way it has for Irfan to Irrfan ).

All are sleazy guys who get caught by their wives cheating with other women and end up to ask help from Akki , who himself is a womanizer ( so whats new about Akshay , even in real life )

Little do they know that Akshay is upto games of his own.......

The movie is funny in some parts , though the ending is corny .

Verdict--okay for some timepass.