Girls

In the 2012 male dominated world of TV shows, Girls has been a welcomed addition. The fact that its main character is also the show's creator, writer and often director, makes it even more welcome. But, as an avid consumer of films and TV, I cannot rate Girls more than 6 (and I am being generous for the previous reasons). The most obvious comparisons to Lena Dunham's "Girls" is Sex & the City, both because of its 4 female leads living in NYC , and because of the emphasis on friendship and relashionsips. However, to me, Girls is more similar to any mumblecore movie (think Noah Baumbach's Frances Ha) or to a certain extent TV shows like Freak and Geeks or Love (unsurprisingly, Judd Apatow is an exec producer). Ordinary stories about ordinary people with ordinary feelings and ordinary ideas who somehow believe to be extraordinary. The show is well crafted, the acting is good, and the characters are believable, but like the whole mumblecore genre, it is too focused on the inner life of middle class, self obsessed, ordinary people and so it risks to be just as boring as the people it tries to portray. I do applaud Lena Dunham's courage in exposing her imperfect naked body and inner psychological issues, especially given the abuse she had to go through (even on this website with some of the reviews gratuitously cruel). However, I doubt that is enough to make good TV for a sustained period of time. Interestingly for a show written by a girl for other girls, the male characters (Adam, Ray) are a lot more interesting and have a lot more life in them than any of the female characters, except for Hannah. While the boys in the show have interests and thoughts,the girls are defined by their relationships with men (or lack thereof). We learn more about the internal life and motivations of a marginal character like Thomas John in his two minute monologue than about Marnie or Jessa during the entire first season. It's true that except for Carrie, the characters in sex & the city were also fairly thin, but that show was a hell of a lot more fun. Finally, since Lena Dunham is now heralded as the bulwark of modern feminism, does it really matter if the writer/director/producer of a show is a woman when the female characters she creates are so thin?

I hadn't been following the show yet but decided to get caught up since all the episodes were available on demand, and since they are nice and short it didn't take much time.

I have mixed feelings about the show. I'm definitely not in my twenties anymore, and even when I was my situation was different from Hannah's (I was broke and struggling through art school without any family support, and not in New York). That was years ago--Hannah could theoretically be my daughter--yet I recognize and sympathize with a lot of what goes on in her world. A good bit of the show is funny and smart, and I do care about her--she's afraid and a little lost and going through a series of disappointments. I get how it feels to have something to say and find yourself (or others) questioning whether it really needs to be said, which must be really rough when you've spent the last few years in a crucible of complete focus on self-expression (grad school). I'm just not sure I like her. And maybe that's OK, since Hannah doesn't seem to like herself very much despite little bursts of ego and a chronic exhibitionism--but the occasional moments pop up where it feels like I'm supposed to cheer her on when I want to shake her instead. Her motives seem hollow, and too focused on trying to actively *impress* others, which could be intentional. It's hard to tell if she's having trouble being herself or if the trouble IS that she's being herself. Maybe the generation gap is to blame, or maybe there is no message and she's just packaging up and delivering a slice of life without any adjectives or claims printed on the box. And there is certainly more going on in the show besides the protagonist's character study.

I'll continue watching to see how Hannah progresses. There is value in the writing, and it's pretty original. Feels a little like a graphic novel (a la American Splendor), weirdly. Glad to see Zosia Mamet after being introduced to her on Mad Men, and hope her character (Shoshanna) is allowed to grow out of what appears to be comic relief. Also good to see Becky Ann Baker again, the warm and authentic mom from Freaks and Geeks. She's less cuddly here but just as real.

If you're in your twenties you may well like this more than I do. If you're {ahem}older you might like it more than me anyway. But it's certainly worth watching an episode or two to find out.

First season is fresh with original, young, interesting quirky characters. Their stories intertwine and we get to enjoy some weird side characters and situations.

The script is witty and often funny. The modern soundtrack offers lots of nice gems.

Except for the nonsensical last episode, the bar is pretty high and I'd give it an 8 out of 10.

With the second season instead the freshness is gone.

The writer, director, protagonist, monopolizes the scene with her weirdness and sexual life that stops being interesting and becomes trite and annoying. Until we get that under the weirdness there's something pathological.

A case study of psychological disorders? Maybe, but I don't like it mixed with the not-funny-anymore comedic attempts and the constant exhibition of unrealistic weirdness from almost all characters.

Even the soundtrack choices are bad. 4 out of 10.

I gave up with the end of season 2.

If you are looking for the next glamorous Sex and the City show, this is not it. In fact, it is the opposite. 'Girls' doesn't advertise glamour in any way, which is a complete deviation from the average American show. It is odd how much controversy surrounds Lena Dunham and her 'Girls', because she actually writes a common scenario in a very familiar way. On paper, it is quite a lot like 'Sex and the City': four women from NYC who struggle with acquiring their careers and finding love. However, there are no Manolo Blahniks or Mr Bigs. There are crummy apartments and player boyfriends.

Life after college is nowhere near glamorous, and Dunham knows this all too well. If you find yourself at that little lost place, post graduation, taking any job that comes along your way and despairing over the fact that you might never get that career you've always dreamt of, or keep ending up in a less-than-perfect relationship because you are willing to pick up any love you can get, these 'Girls' might be some comfort for you. If you are in the mood for some real-life drama that is not sugarcoated in any way, this show might find you intrigued. And if you are still convinced this show is fake and its characters are unrelatable, at least watch it for Jemima Kirke, TV's very own too-cool-for-you bohemian hipster. She's the it-girl you don't want to miss.

I am reviewing this show while I'm watching the third season. I have to say that in the beginning I was enjoying this series a lot more then right now. I just think it's going downhill in a fast way now and I don't think it will get better again. I give it a 6 star rating now as an average for all the seasons but the third season should get way lesser then that. It's not funny anymore and the constant whining of Lena Dunham is getting highly irritable. Also if I have to hear Allison Williams sing that stupid song one more time I might smash my TV screen. I try to remember what I liked about this show in the beginning because I did like it at first but that seems so long ago that the negatives from this last season erased any positive thing I had to say about Girls. I think I'm just going to finish this season and then just stop watching it because there are way better series then this one.