Good Night Good Morning

Now this is what I cal a perfect blend of plot, direction and music. Cinema is defined by Sudhish Kamath's second venture and boy, isn't he great? The cast is wonderful especially the leads are very appealing and apt for the characters they portray.

And I loved the music used in this piece which shows you that how can a conversation become an unforgettable sex appeal factor and can drive people to do what they are looking for so long. It depicts the lonely lives of the Y generation, although the characters here are 20 something, the situation is often experienced by the Y people. Maybe the YOLO generation might despise this theory, but for a decade or so, GNGM is fabulous and real-time.

Some parts were too gaudy and fickle that's why it goes for an 8. Also, I felt the movie ended arbitrarily and they could extend it for a little 15 minutes more. Good!

I seriously recommend watching this. Buy that DVD and you will not be disappointed. It'll make a perfect Sunday afternoon.

WATCH OUT FOR: the witty one hour long conversation.

Can be watched with a typical Indian family? NO

Language: Yes | Sex: No; implied | Gore: No | Alcohol: Mild | Nudity: No, implied | Drugs: No | Mouth-Kiss: Mild

Well if I have to sum it up, the entire film is a telephonic conversation between 2 people shown in split screen. Does not sound exciting, does it? There is not much happening apart from their conversation. But the subjects explored in the conversation are quite diverse, different and yet related to each other. It definitely makes you think. I really liked the idea of showing real events in black & white and the imaginary parts in color. It belongs to less explored genre of thought provoking entertainment. It's really sad that such films are not promoted properly. I went for a Saturday evening show and I could spot 11 people in cinema hall. I could not help overhearing rest of them ridiculing the film. I am rating it 10 to increase its rating but it really deserves seven. Good Night|Good Morning - For people who like films that make sense and more for people who never knew films can make sense too

PS: Nothing personal against mainstream cinema aka Khan monopoly

"To call Good Night | Good Morning good cinema is understatement; it's beyond good… It's original, engrossing and entertaining. But what it does most is make you think. You find yourself pondering over old relationships, realizing the need to forgo and let go and more than anything, GN|GM reinforces your faith in love… it's a conversation you'll never forget," Roshni Mulchandani, BollySpice, wrote in her review of Good Night | Good Morning after the New York screening.

"Very few times do we come across a cinema that consumes you in a way that you're delighted, awed and indulged in a single shot. GN|GM is the very kind of cinema that tugs the heart for its earnest intentions and unadulterated cinematic treat. I found myself watching and re-watching some splendid scenes, from the initial awkwardness, subdued seductions, and unspoken confessions. It all feels wonderfully real that I am almost tempted to pick up the phone and have one such rendezvous of my own," Pooja Rao, BollySpice, wrote in her review of Good Night | Good Morning after the Delhi screening.

"Special mention to Sudhish Kamath's 'Good Night | Good Morning' which is in the 'Before Sunrise' space. The script by Kamath and Shilpa Rathnam is mint fresh with some great dialogues.," Harneet Singh, Indian Express, wrote in her review of the Mumbai Film Festival that played over 200 films over a span of a week between October 21 and 28. "Good Night Good Morning is lovely. Good mood, sharp lines, super acting and that jazz," she had also tweeted after the screening.

"The standout Indian efforts were Srinivas Sunderrajan's The Untitled Kartik Krishnan Project, a film on filmmaking, made on Rs 40,000; Sudhish Kamath's Good Night, Good Morning, a romantic film about a phone talk between two strangers; and Girish Kasaravalli's Kanasemba Kudureyaneri (Riding the Stallion of a Dream), a tale of a grave-digger's loss of faith in the power of his dreams," Namrata Joshi, Outlook Magazine wrote in her review of the Mumbai Film Festival.

"I liked Sudhish Kamath's Good Night Good Morning. Touching sophisticated film with Manu Narayan, Seema Rahmani and a very cool Raja Sen," journalist Aseem Chhabra tweeted after catching the film at the South Asian International Film Festival and said on camera that it was very rare to see a film like this come out of India.

"Good Night Good Morning by Sudhish Kamath is an arresting watch. Slick shots and crisp writing," film critic Mihir Fadnavis tweeted after watching the film at the Mumbai Film Festival.

"It is touching, heart breaking and drives you down the memory lane. I can easily say this is the most daring movie ever made. It's a must-watch. I am going with 4/5," blogger Naveen Varadarajan writes on BehindWoods.

"It takes great skill to write something that sounds this off-the-cuff. Too clever, and the viewer beings to question the likelihood of two strangers spitting out one-liner after one- liner at three in the morning; go too far in the other direction, and it becomes commonplace, and not worth watching… The leads had to be charming for it to work, and they are, Narayan with his timid overtures, Rahmani playfully knowing," a movie buff called A Fan Apart blogged after the screening at the Habitat Film Festival in Delhi.

"If Woody Allen had wanted to make a conversation film based on two Americans of Indian origin, it would look like Good Night|Good morning," movie-buff Sai Prasad Narendran blogged in his review of the film, and rated it 9.3/10!

GNGM is a film of its kind, if Woody Allen had wanted to make a conversational film based on 2 American's of Indian origin... It would look like Good Night|Good morning!(well almost)

Gngm is a conversational film made in black and white and the entire movie is split screen, the film is about 2 strangers who talk to each other on the new year's eve and end up falling in love(almost again). Given the fact that the whole film has just 2 locales and is split screen dialogs are a very important thing, each word in the film is quite brilliantly written and yes they touch the chord quite easily. The screenplay(I happened to see the uncut version) is quite nice in fact it is phenomenal!

If at all you are wondering what the plot of a film about 2 strangers talking to one another and that too on a phone , the answer is quite simple-the plot is in you. It is about the demons in you that curtail you from being decisive about life, romance and most importantly... relationships. Turiya Omprakash(played by Manu Narayan) and Moira(Seema Rahmani) are 2 strangers who meet up in a bar at NY and begin a telephonic conversation and end up entering into 2009 talking to each other, the plot is quite simple but the film is quite loaded! There are just 2 locations one the hotel room from which Moira speaks from and the car from which Turiya speaks from, Turiya is accompanied by 3 of his friends JC(Raja Sen), Hussein(Vasanth Santosham) and Moira is all lonely. There is just one thing in common between the 2 they are both heart broken and how this one thing brings out the monsters within them is what the film is all about.

Applauds Shilpa Rathnam and Sudhish Kamath for writing such a brilliant screenplay, in the uncut version there is a mention about the past relationships performed beautifully well... I swear I laughed my ass out for the KKHH spoof. Coming to the performances Seema and Manu have done a brilliant job and special mention to Seema. Manu does a neat job as well, the only problem I find in the casting is that Raja Sen is a little wasted he could have been given more dialogs. Vasanth Santhosham does a great job too. The other problem lies with Seema's make up in the boy meets girl scene, where the hair style remotely suits her. Besides that she is perfect.

Coming to the locations, there is a sequence about Moira's broken relationship, according to the film it is supposed to be taking place in the USA but the it looks obvious that they have been shot in Chennai. There is a scene where Moira attempts suicide and that too looks obvious that it has been shot in a beach near Chennai. Apart from these small issues the film is phenomenal, amazing and a standing ovation to the entire team. It is the best thing that could happen to Indian Indie cinema after Little Zizou(2008)!! Sudhish Kamath has come a long way from TFLW, he makes a perfect Woody Allenish film that stands out !!! I am just hoping that someone picks it up for theatrical release.

My rating for GNGM: 9.3/10!!!!!!!!!! - Sai Prasad Narendran

Manu Narayan (as Turiya Omprakash) and Seema Rahmani (as Moira) - Top Notch Acting, perfect chemistry between the leads. Oh Wait! What chemistry are you talking about when they don't see each other through out the film? Yes, Even though they don't see each other, there is this Excellent chemistry between them. After watching the movie, you will definitely agree with me.Raja Sen (as JC) was fantastic. Vasanth Santhosham (as Hussein) was good. People involved in Casting - You are one of the reason for Film's Success!

Script is simple and straight and its got to be that way (as said in the film). It is well written. Dialogues are funny, touching, heartbreaking and to top it all, it is very natural and subtle. Screenplay is Brilliant and Well-etched and you become a character in the film. Credits to Writer Shilpa Rathnam and Sudhish Kamath. Direction - You got to congratulate Sudhish Kamath for choosing such a daring theme and Pulling it off in Style! Overall, Fabulous Job.

When was the last time you watched a Black & White movie? Yes, Sudhish Kamath's Good Night | Good Morning is 80% Black and White and Cinematographer Nischalakrishna Vittalanathan's work stands out. Nice Lighting and Perfect Framing. He makes the movie look Rich with the Black & White tone.

Editing by Vijay Venkataramanan, M. Venkatram and Murugesh Thevar works for me! It was Slick and Crisp. He is also another reason for movie's success. Music by Ray Guntrip Feat. Tina May | Manu Narayan & Darunam | Blues Conscience Feat. Sudeep is a Big Plus. Outstanding Background score takes the movie to another level. Costumes by Shilpa Rathnam are OK. Other crew members hard work is evident and they deserve a huge applause.

I also see a lot of Pre-Production has gone into making this film a grand success. Job well done!

Good Night | Good Morning is way better than many mainstream Indian films! It is a Writing Masterpiece. Exceptional Writing. It is a Great moment for Indian Indie-Filmmaking Fraternity. I was So happy to see everyone glued to their seats for the Q&A. That was the impact the movie had on the New Yorkers!

• Naveen Varadarajan, Behindwoods