The Gates

This one landed in a funny place for me...however, overall I enjoyed it (with the knowledge that I do have a bias for period horror lol). It was decently atmospheric and I saw a lot of potential in what they created.

The Gates was a bit of a roller coaster as I saw it. I continually found myself engaged and invested... and the next second I found myself being pulled out of the moment. I think that this was mainly attributed to the script, the acting and some scenery.

While the script wasn't awful by any means, I felt it a bit hokey and underdeveloped at times and certainly didn't do the actors any favors. The acting was extremely hit or miss here. By far the best of the bunch was the uncle. He carried a lot of the weight of what was successful here on his back. Along with some side characters such as some prisoners, the antagonist and the rogue wife. Unfortunately a lot of the other actors were not as successful. The main paranormal investigator guy and his buddy didn't do the production many favors either. The buddy was stiff as a board with extremely stilted delivery but as a side character, that wasn't as detrimental. The main one really had a lot of responsibility here due to the size and importance of his role... and he just didn't do it for me.

I know that it is super difficult and often times expensive to pull off a period piece so kudos for that. The majority of the time it looked really great and convincing. Unfortunately, occasionally our modern day shown through and I was pulled you out of the moment a bit.

I also think that the plot could've been refined a bit. The foundation definitely felt like it was there, but it lost its way at times and became a little convoluted. There were many subplots and interactions that got thrown to the side and felt unnecessary. I noticed this the most with the niece. By not having anything come to fruition with her mother or her potential gift... It almost made her character unnecessary. The ending also fell off the rails a bit and required a good amount of suspension of disbelief... and a bit of suspension of understanding as well.

Now, while I know this feels overwhelmingly negative... while viewing this, you will find that a lot of these issues don't seem to be super detrimental or particularly deterring (at least for me). Also many of these are pretty common while enjoying an indie horror and can be looked past.

I think they swung really big with this movie and while it wasn't 100% successful, I think they created something that was cool, decently entertaining and a production to generally be proud of. While I would love to round up, for me this gets a 5.5 rounding down to a 5, would recommend.

One known name to head the poster: Check!

Found old prison to serve as the place where to shoot almost the entire movie: Check!

Apart from above everything about this movie is awful. Terribly awful. Oh, apart from the mass murderer, because he was actually kind of cool.

This movie reminds me of a too long and drawn out episode of some campy Sherlock Holmes episode for teenagers. Everything, apart from maybe the first two minutes, is absolutely wrong. Which is quite interesting in a way. Did they use some other director for the first two minutes, I wonder, because the first two minutes were actually dark and bloody. Immediately after that everything turned horribly boring with a horribly boring script and cast.

When I stumbled upon the 2023 horror/thriller "The Gates" here in 2024 and seeing that it had Richard Brake on the cast list, then there was no doubt about me sitting down to watch it.

Writers Tim Reynolds and Stephen Hall, with the latter also being the director of the movie, put together an enjoyable supernatural thriller with a good storyline. The storyline included the creation of the EVP (Electrical Voice Phenomena), which was a nice touch. It is an atmospheric thriller, where the writers gradually builds up the suspense and piles up elements of a supernatural dread.

Something that worked against the movie was the pacing of the narrative, because it was rather slow and bland at times, without much of anything thrilling or exciting happening, and that made sitting through 111 minutes of the movie somewhat of an ordeal at times. So either a more round-handed trim in the editing or a more spruced-up storyline would have served the movie well.

The acting performances in the movie were good from the entire cast ensemble, and with the likes of John Rhys-Davies and Richard Brake at the helm, then you're in capable hands. Richard Brake brought his usual devilish charm and sinister charisma, while John Rhys-Davies brought a level of class and Shakespearian atmosphere to the movie. Michael Yare (playing Lucian Abberton) and Elena Delia (playing Emma Wickes) definitely put on good performances as well.

The colors and lighting used throughout the course of the movie were definitely enhancing the atmosphere of the movie tremendously, making it seem and feel like a distinct 1890-period set movie. As did the wardrobe, sets and props department, I liked that level of dedication to making the movie feel authentic. It worked marvelously in favor of the overall feel of the movie.

While "The Gates" certainly is a watchable movie, I was expecting a bit more from a movie with Richard Brake and John Rhys-Davies. And I have to admit that this is not a movie that I will be returning to watch a second time, because the storyline just doesn't have the contents to support more than a single viewing.

My rating of director Stephen Hall's 2023 movie "The Gates" lands on a five out of ten stars. It was as if the movie buckled in under its own ambition to deliver more than director Stephen Hall could muster.

John Rhys Davies stars in this. But at the age of 80, the blunderbuss vocal energy of his Raiders Of The Lost Ark days are gone. Then again with the stilted, monologue type dialogue he and the rest of the cast are given to work with, it's not surprising. In fact, it is so uninspiring and dull, that I found it actually painful to listen to, so only lasted 30 minutes of the 1 hour 50.

Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.

Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.

Go watch penny Dreadful instead.

I'm honestly not sure what people don't like about this movie.

Because it is pretty damn good!

It's a period piece, that takes place in the late stages of the 19th century.

In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.

We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.

So that it can't attach itself to someone, and escape the confines of the prison walls.

The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.

While the film, as a whole, is like a more dramatic version of Ghostbusters.

Either way...I thought that it was both well done, and highly entertaining!

Though, perhaps it's not what some people were looking for, or expecting.

That being said...it does seem to set itself up for a sequel.

So, if you liked it as much as I did.

You have that to look forward to, in the future.

A solid supernatural thriller, all around.

6 out of 10.