Kooman

Movie starts off well with excellent acting by Asif and others.. however, the second half of the movie is a bit of a let down and feels rushed and written quite poorly.

The background score and cinematography is top notch as usual for Malyalam movies. It captures the mood quite well, something similar to Drishyam. I love how they captured the small town Kerala feel.

The first half of the movie is really quite well made, but the second half it felt like the writer was just trying to finish the script. I would've gone for a higher rating of they had just stuck to the story of the first half instead of making it a mystery thriller.

A nice one from Jeetu Joseph. First half was a breeze. Asif Ali played to perfection the character of a police officer ably supported by Ranji Panicker,although certain scenes reminds of previous characters played by him. Senior Police officer-Jayaraman was a bit disappointing. Lacked the usual punch expected from a police. Its all about Asif how he potrays different shades of his character. Baburaj has played similiar roles. The second half just pushed the movie to a different direction. Climax could have been shot better. Some of the characters that appear in the tea stall dont add any further value except during the first bit. Jaffer Iduki once again proves his mettle in a short role. What an actor he is.

A decent thriller.

One of jeethu josephs strongest field is investigative suspense thriller. He has made a few good movies and a few bad movies but none of his investigative suspense thriller movies are bad. This one is a really good movie. The strongest point is it's story and writing. I love jeethu Joseph as a writer. He knows how to handle exposition in a amazing way in his suspense thriller movies. The writing is so good as usual in this movie also. Asif ali gave a decent performance. I liked the way his character was treated (gave me a kind of nightcrawler vibes). The background music in few places were nice. The cinematography was decent, liked the way they used dolly zoom in a few places.

Jeethu Joseph usually waves away criticism regarding his making style. His previous movie Drishyam 2 got a lot of praises but a few criticism regarding it's making style. Personaly i think Drishyam 2 is a masterpiece. Even though the movie had very simple treatment, the writing just shines like a star, so the making style never really bothered me. But in this movie it becomes very evident. There needs to be a little upgrading in the making style. So many movies with simple story and basic screenplay just gets enhanced into a nice movie experience with its making style. This movie has a strong base but the movie somehow dosent feel utilised to it's full potential.

I would argue Kooman and Memories are the best-directed works by Jeethu Joseph regardless of what someone's personal opinion is about his best film. The protagonist is almost an anti-hero, a regular police constable with a criminal mind. But at the same time, that greyness of the character is treated almost like how Krishna's despicable acts are glossed over as his naughtiness in retellings of Hindu mythology so that even though it's shown like that, there's still space for the audience to perceive the truth of it. Asif Ali fits into this role perfectly and this finally looks like the film that will be successful at the box office which he's in desperate need of right now.

The release of this movie is timed perfectly. The audience can easily relate to the twists in the second half because of recent news and the impact of it, that otherwise would have been considered a little bit far-fetched.

Kooman is a testament to Jeethu Joseph's skill in crafting seat-edge thrillers. It also extracts an insanely good performance from Asif Ali - playing a fairly intelligent cop named Giri, who also decides to embark on a series of burglaries as a means to get back at his superior officer. The first half shows his ruthlessness at exacting revenge on people who shame or ridicule him at the slightest, and Asif's subtle expression changes during these stretches are fantastic to watch. The screenplay (by KR Krishna Kumar) is also good at tapping into the vulnerable side of a steadfast policeman, and we as viewers are driven to get behind his criminal choices.

In Kooman, we actually get two films instead of one - it's a tale of two halves. While the first focuses on his nightly shenanigans which itself keeps you interested, it further dives into a series of murders happening in the area, and Giri finds himself tied to one of them in unexpected ways. Giri's obsession with robbing people just for kicks is what gets him embroiled in this issue. The film then moves ahead from its initial central conflict and starts to revolve around Giri's unofficial investigation on finding the murderer. If not for the recent events that unfolded in Kerala, the climax would have come across as rather absurd and unbelievable in this day and age. But kudos to the writer and director in their ability to prophesize a ghastly incident, and for executing it in a sufficiently thrilling way.

The villain reveal (and the extended climax) do not fetch any points, mostly since it became rather obvious in the scenes preceding it. The action set-piece is also pretty tame, and the mere mention of a character's queerness (as an excuse for villainy) takes away ½ a star. All said and done, I'll recommend the appropriately-titled Kooman to those who relish thrillers. Special mention to Jaffer Idukki for his wicked performance as a semi-retired thief, especially in that scene where he elucidates the "high" he gets from thieving. Vishnu Shyam's score is also top-notch. Give Asif Ali more such roles, please!