IMDb-BEWERTUNG
6,5/10
10.950
IHRE BEWERTUNG
Suzie, eine Amerikanerin, die in Japan lebt, und Sunny, ein Haushaltsroboter, der von der Firma ihres Mannes hergestellt wurde, decken die dunkle Wahrheit auf.Suzie, eine Amerikanerin, die in Japan lebt, und Sunny, ein Haushaltsroboter, der von der Firma ihres Mannes hergestellt wurde, decken die dunkle Wahrheit auf.Suzie, eine Amerikanerin, die in Japan lebt, und Sunny, ein Haushaltsroboter, der von der Firma ihres Mannes hergestellt wurde, decken die dunkle Wahrheit auf.
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I guess Apple's strategy of releasing multiple episodes at the start of the season is a good one since it was the first couple of episodes that got me hooked. In the first 2-3 episodes, the tone was darkly funny, the mystery engaging, and the development of the relationship between Rashida Jones's character and the robot was interesting. After that, though, the show pretty much fell off of a cliff, devolving into inane subplots involving the Yakuza and spinning its wheels for several episodes with the plot going nowhere, the relationships taking a backseat, and the central mystery suddenly being ignored. It's too bad because there was a good show in here somewhere, but it seems to have gotten lost in effort to stretch things out over 10 episodes.
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
I'm only through 5 episodes but am pleasantly surprised. I tuned in because of Rashida Jones but have stayed for its delicate moments. For a sci-fi thriller this show takes a softer hand and is more creative than I expected. The plot is nicely decorated with philosophy and culture, of which none is overtly stated. The plot develops nicely and preserves its mysteries but it's the scenes in between that are memorable. My favorite so far comes at 23 minutes into Ep 5 and prompted me to write this review. No spoilers from me so if you can handle its loose grip then you may be as pleasantly rewarded as I've been for staying tuned.
Apple have done it again. Their content is often quirky and unusual and Sunny is no exception.
Rashida Jones's Suzie is a great character, spiky and sarcastic. As her relationship develops with Sunny her robot it becomes normal watching them interact.
Having Japan and Japanese culture, mixed with an American protagonist, and the difficulties this brings when a tragedy happens is interesting.
The futuristic elements are also really well conceived as they are believable, and not too unlike our present world.
I love to watch foreign films and series as subtitles don't bother me. Don't let it put you off.
Rashida Jones's Suzie is a great character, spiky and sarcastic. As her relationship develops with Sunny her robot it becomes normal watching them interact.
Having Japan and Japanese culture, mixed with an American protagonist, and the difficulties this brings when a tragedy happens is interesting.
The futuristic elements are also really well conceived as they are believable, and not too unlike our present world.
I love to watch foreign films and series as subtitles don't bother me. Don't let it put you off.
First of all I would like the creators of this show to acknowledge their love of Quentin Tarantino's Kill Bill, because they named a character Boss Tanaka and he's even the same actor as Boss Tanaka in Kill Bill 1. THEN they name another character Boss Matsumoto. Oh, c'mon! And there are no mentions of this obvious influence in any interviews, but it's so obvious.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
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- WissenswertesThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- VerbindungenReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- SoundtracksSukiyo Aishite
Performed by Mari Atsumi
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