Dying to Sleep

I recently watched "Dying to Sleep" with my teenage daughter, and it was an experience that brought us closer together.

As a parent, I'm usually cautious about the content she consumes, but this movie struck the perfect balance between being engaging for her and satisfying my love for a good thriller. The storyline kept us on the edge of our seats, and the twists and turns had us guessing until the very end.

While I recognize that this movie might not be for everyone, it felt tailor-made for us. It's not often that we find a film that resonates with both of us, but "Dying to Sleep" managed to do just that.

There was one jump scare that was a little too much for my daughter, and I know would be too much for a few of my friends, though.

Highly recommended for anyone who enjoys a gripping thriller that transcends generational gaps.

This is a greatly paced story with a fantastic ensemble, and a strong, grounded performance from SarahLydia Sophia. The film manages to maintain an eerie atmosphere, all while Mary and her family continue to be the heart at the center and drive the story forward. Director Paris Dylan's very strong sense of visual language and Muneed Rehmans's sharp cinematography gives the audience a sense of closeness, particularly to Mary's near constant state of terror. The story effectively balances Mary's ongoing troubled relationship with her family and the nightmarish journey she continues to experience, contributing overall to her journey coming back to herself.

I really enjoyed this film, that I found at the recommendation from a friend.

"Dying to Sleep" not only delves into the complexities of familial relationships (especially mother/daughter and brother/sister) but also intertwines elements of a psychological thriller, adding an extra layer of intrigue to the narrative.

Maria Pinsent's performance as the mother is a standout in this genre-bending film, as she navigates who she has always been with adjusting to new information in her life that requires flexibility.

The film's ability to seamlessly blend the psychological thriller elements with the harrowing reality of her daughter's mental health is what initially drew me to it, and Pinsent's portrayal only adds to its allure. Her compelling performance anchors the film, making it a captivating and emotionally resonant viewing experience for anyone intrigued by both psychological thrillers and poignant family dramas.

This is a solid independent film.

Layered characters that had good acting, and a story that was interesting enough to make me want to keep watching.

The camerawork was actually pretty cool, I could tell they were doing handheld shots and angles when they wanted to show Mary (the main character), uneasy or going through things in her mind.

It went a little too far into the "drama" side that slowed down the thriller parts, but it made me care for the characters more, so I didn't mind it.

I like movies that get melodramatic but keep it grounded.

I would consider watching this again in the future.

If you like Lifetime/TVMovies with more bite and depth, this film is for you.

My mom loved this movie (it has a mother/daughter theme) and she watches that lifetime stuff. I'd say it's better than most of those types of flicks though, cuz the acting in Dying to Sleep is actually good and isn't all cheesy, and the story is more gritty/interesting suspense that you can build clues with, but I'd say it's still in the same vein.

It has that mystery element/woman in peril/female gaze/relationship angle that a lot of those Lifetime movies have. But the Writing is way more engaging cuz it's funny at times, scary some times, and heartfelt also, but doesn't take you out of the movie, like those other writing can do. I'd say the Writing is the best part of this one.