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Here

  • 2024
  • 6
  • 1 Std. 44 Min.
IMDb-BEWERTUNG
6,3/10
24.161
IHRE BEWERTUNG
BELIEBTHEIT
1.334
192
Here (2024)
From the reunited director, writer, and stars of Forrest Gump, Here is an original film about multiple families and a special place they inhabit. The story travels through generations, capturing the human experience in its purest form.
trailer wiedergeben1:43
5 Videos
56 Fotos
ErwachsenwerdenPsychologisches DramaDrama

Der Film erstreckt sich von der Vorgeschichte bis in die Gegenwart und ist eine Odyssee, die von Liebe und Verlusten erzählt, die sich an einem einzigen Ort ereignen können, eingefangen von ... Alles lesenDer Film erstreckt sich von der Vorgeschichte bis in die Gegenwart und ist eine Odyssee, die von Liebe und Verlusten erzählt, die sich an einem einzigen Ort ereignen können, eingefangen von nur einer fest verorteten Kamera.Der Film erstreckt sich von der Vorgeschichte bis in die Gegenwart und ist eine Odyssee, die von Liebe und Verlusten erzählt, die sich an einem einzigen Ort ereignen können, eingefangen von nur einer fest verorteten Kamera.

  • Regie
    • Robert Zemeckis
  • Drehbuch
    • Eric Roth
    • Robert Zemeckis
    • Richard McGuire
  • Hauptbesetzung
    • Tom Hanks
    • Robin Wright
    • Paul Bettany
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    24.161
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.334
    192
    • Regie
      • Robert Zemeckis
    • Drehbuch
      • Eric Roth
      • Robert Zemeckis
      • Richard McGuire
    • Hauptbesetzung
      • Tom Hanks
      • Robin Wright
      • Paul Bettany
    • 313Benutzerrezensionen
    • 144Kritische Rezensionen
    • 39Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 6 Nominierungen insgesamt

    Videos5

    International Trailer
    Trailer 1:43
    International Trailer
    Official Trailer
    Trailer 1:43
    Official Trailer
    Official Trailer
    Trailer 1:43
    Official Trailer
    Here
    Trailer 1:54
    Here
    Here: Forrest Gump Reunion (Featurette)
    Featurette 0:31
    Here: Forrest Gump Reunion (Featurette)
    Here: What Brought Us Here (Vignette)
    Featurette 2:10
    Here: What Brought Us Here (Vignette)

    Fotos55

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 52
    Poster ansehen

    Topbesetzung72

    Ändern
    Tom Hanks
    Tom Hanks
    • Richard
    Robin Wright
    Robin Wright
    • Margaret
    Paul Bettany
    Paul Bettany
    • Al
    Kelly Reilly
    Kelly Reilly
    • Rose
    Ellis Grunsell
    • Young Richard
    Teddy Russell
    Teddy Russell
    • Young Richard
    Finn Guegan
    Finn Guegan
    • Young Richard
    Callum Macreadie
    • Young Richard
    Lauren McQueen
    Lauren McQueen
    • Elizabeth
    Grace Lyra
    • Young Elizabeth
    Jemima Macintyre
    • Young Elizabeth
    Billie Gadsdon
    Billie Gadsdon
    • Young Elizabeth
    Beau Gadsdon
    Beau Gadsdon
    • Young Elizabeth
    Harry Marcus
    Harry Marcus
    • Jimmy
    Diego Scott
    • Young Jimmy
    Logan Challis
    • Young Jimmy
    Albie Salter
    Albie Salter
    • Young Jimmy
    Zsa Zsa Zemeckis
    Zsa Zsa Zemeckis
    • Vanessa
    • Regie
      • Robert Zemeckis
    • Drehbuch
      • Eric Roth
      • Robert Zemeckis
      • Richard McGuire
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen313

    6,324.1K
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    Zusammenfassung

    Reviewers say 'Here' is an experimental film with a unique static camera shot and ambitious storytelling. Tom Hanks and Robin Wright's performances are praised, but pacing and character development are criticized. The film is seen as emotionally resonant and visually stunning by some, while others find it confusing. De-aging technology receives mixed reactions, with realism appreciated by some and found distracting by others. Overall, 'Here' has commendable aspects and significant flaws.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    6esra_u-17554

    I liked it

    This film takes a different approach to storytelling. Instead of big, dramatic events, it focuses on the small, quiet moments that make up everyday life. It's set in one house and shows the lives of the families who lived there over different generations, with most of the story following one family as they grow older together, and how time changes everything.

    It's a simple and thoughtful movie that reminds us to appreciate the ordinary moments we often overlook. It might not be what people expected, but it leaves a lasting impression if you take the time to really watch and reflect. I think the ending was emotional if you put yourself in their shoes.
    7richard-1787

    Technically clever, but with weak characters and story

    The most intriguing part of this movie, to me, was the clever use of technology to jump back and forth in time - but not space - to show what had happened at one unremarkable place in the area now occupied by New England from the age of the dinosaurs to today. Transitions are often effected by adding picture-in-picture windows on top of the one central video and then jumping to a different time in some of the smaller windows before the whole screen changes to that era as well. I'll confess that that gimmick did grow old after a while, but I still found it at least sometimes clever.

    There were, however, problems for me, which some of the previous fourteen reviewers have already pointed out.

    The main story - that of the Young family, through its three generations - is not particularly interesting. But the other, minor stories, that are woven in and out of it are really of no interest at all. Why should we care about one of Ben Franklin's sons? Or the Indian/Native American young woman and her young lover? Or even the man who invents the Lazy Boy recliner? Nothing is done to link those stories to the main one, and they are of no interest by themselves.

    That was particularly true of the short time we spent with a young African-American couple who live in the house for some unspecified time in our modern era. (They have COVID masks.) All we see of them, really, is that the woman gets along well with her Latina housekeeper. And that the father at one point gives his son what we white folk are told is 'the talk," in which the father tells the son how to behave when stopped by a white police officer so that he doesn't get killed by same. That's pretty much of a cliché, and none of my Black friends ever had such a talk with their parents.

    Nothing really holds these various stories together. Since they are not of themselves interesting, and don't reinforce the main one, that's a problem.

    I wasn't bored. I could even see watching this movie again on tv, where I could pause it for a break now and then. But once in the theater, while not boring, was enough for me.
    6dlmiley

    Technically brilliant but mediocre storytelling

    I was excited to see this film at the AFI film festival last night. But after watching it, I was disappointed with the film. Robert Zemeckis of "Back to the Future" fame loves using technology to illustrate his films. In this one, he uses different picture-in-picture panel inserts to show what was happening at various times in the same place (i.e. "Here" - someplace in New England or Pennsylvania). He also uses de-aging techniques to turn Tom Hanks and Robin Wright into teenagers (done much better than Scorsese's "The Irishman"). However, these pluses don't make up for a mediocre and predictable story that concentrates on Tom Hanks (and Robin Wright's) initially exuberant youth that is wrecked by the realities of adult life. Been there, done that. Parallel stories of Benjamin Franklin's son, a Native American, an early aviator, the alleged inventor of Laz-e-boy, and a black family who all occupied the same space at different times eventually serve more as distractions rather than enhancements. The gimmicky use of the panels eventually becomes tiresome as well as the use of AI to create ancient times and animals. The main actors (Hanks, Wright, Bettany, and Reilly) are all excellent but I only wish they were given a better screenplay to work with.
    6business-33778

    Here is not a film for everyone

    Here is not a film for everyone. It tries something different, with a single focused camera angle and a story that takes place over hundreds (or millions) of years. But that is also part of the issue that keeps it from excelling. We get little time with every story point, with most scenes taking 1-5 minutes before jumping to the next scene. It also takes a bit to get going before we get to the meat of the story.

    If it had been a bit more focused on our main group of characters, the ending would have had a much bigger impact. There was also a bit too much CGI that looked rough and a focus on getting characters right up to the camera for scenes all felt a bit too forced. It's also a bit over the top of how much stuff happens in a single space.

    In the end, 'Here' is an ambitious film that ultimately fails to deliver a fully satisfying story as it's too concerned with its notion of showing you everything that has happened in this one spot and making the camera angle the main focal point of the story.
    thereelauthority

    Surprisingly Solid

    I did not know what to expect from "Here" for two reasons. First, I have not closely followed director Robert Zemeckis' filmography as of late. I have seen all-time classics from him in the "Back to the Future" trilogy, "Who Framed Roger Rabbit," and "Forrest Gump" and underrated gems like "Death Becomes Her," "What Lies Beneath," and "The Polar Express," so I have not been exposed to any disappointments from him yet. Second, I knew beforehand that they used artificial intelligence to de-age Tom Hanks and Robin Wright. In a year with remarkable advancements in AI and almost a year after the SAG-AFTRA strikes, "Here" looks to be the first major Hollywood film to utilize the technology to a large extent. Nevertheless, I was willing to go in with an open mind. After seeing it, one vital element holds it back from being a classic, but it is good.

    To start, the actors delivered. Thirty years after their pairing in "Forrest Gump," Tom Hanks and Robin Wright give compelling performances as Richard and Margaret Young, as their story of living through the central home is the bulk of the narrative. For the other standout, Paul Bettany commits as Richard's father, Al.

    Robert Zemeckis directs this incredibly ambitious film in a way that feels distinctly Zemeckis. The story is unique, with the movie following a (mostly) unbroken shot of a house through centuries, and it deserves a director who can make it feel special. Every film I have seen from Zemeckis that I described was magical, and "Here" is no exception.

    I felt the film's opening scene was beautiful and a flawless way to open it. It showcases what the movie will offer over the following 1 hour and 45-minute runtime, making it one of its defining scenes.

    I have mixed-to-positive feelings about the film's AI usage. Aside from a few moments, the de-aging was wildly convincing, and it felt like Hanks and Wright were much younger than they are now. I more or less say mixed because I am not the biggest fan of AI usage in media, and I am one of the many who believe that creativity in Hollywood is only human.

    Moving on to the negative worth mentioning: the film's time division and utilization are not great. I liked the main storyline revolving around the Young family. However, they occasionally cut to other periods, which felt like excuses to sell the fixed frame gimmick further. The additional plot lines had emotional moments, but the characters lacked development. Any feelings of sadness worked during the time we spent with the Youngs. It may be a necessary annoyance because the main plot may not have satisfied the 1:45 runtime nearly as well.

    Overall, "Here" mainly was a success. It will not be an awards season frontrunner, as "Conclave" and "Anora" are also in theaters. However, as a film fan appreciative of Hanks and Zemeckis and intrigued by the experimental nature of this film, the movie was enjoyable.

    Technically, the performances, the charming screenplay, the impressive AI de-aging, and the overall execution make the technical score a 9/10.

    For the enjoyment score, its utilization of time is my main complaint. Though it weighs the film down, it can not remove how outstanding and entertaining it is. For those reasons, the enjoyment score is a 7/10. I can not call it a masterpiece, but it was better than it had any right to be.

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    Handlung

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    • Wissenswertes
      Based on the comic book "Here" by Richard McGuire. It was first published as a strip in the comics magazine "Raw" in 1989, and was expanded into a 300-page graphic novel in 2014.
    • Patzer
      Richard's father at one point early in the film names several cities that he states are along the Pennsylvania Turnpike, when in fact these are all cities that are along Interstate 80 in PA, which hadn't even built at the time.
    • Zitate

      [from trailer]

      Richard: You know, if you like, you could spend the rest of the night here.

      Margaret: I could spend the rest of my life here.

    • Verbindungen
      Features They Stooge to Conga (1943)
    • Soundtracks
      Concerto for Clarinet, Pts. 1 and 2
      Written by Artie Shaw

      Performed by Artie Shaw and His Orchestra

      Courtesy of RCA Records

      By arrangement with Sony Music Entertainment

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 12. Dezember 2024 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Kanada
    • Offizieller Standort
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Aquí
    • Drehorte
      • Pinewood Studios, Iver Heath, Buckinghamshire, England, Vereinigtes Königreich(Studio)
    • Produktionsfirmen
      • Miramax
      • ImageMovers
      • Canadian Film or Video Production Services Tax Credit (PSTC)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 45.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 12.237.270 $
    • Eröffnungswochenende in den USA und in Kanada
      • 4.875.195 $
      • 3. Nov. 2024
    • Weltweiter Bruttoertrag
      • 15.891.756 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 44 Min.(104 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • Dolby Atmos
    • Seitenverhältnis
      • 1.85 : 1

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