Girls Will Be Girls
- 2024
- 1 Std. 58 Min.
In einem strengen Internat in den Ausläufern des Himalaya entdeckt die 18-jährige Mira zum ersten Mal Lust und Romantik.In einem strengen Internat in den Ausläufern des Himalaya entdeckt die 18-jährige Mira zum ersten Mal Lust und Romantik.In einem strengen Internat in den Ausläufern des Himalaya entdeckt die 18-jährige Mira zum ersten Mal Lust und Romantik.
- Auszeichnungen
- 21 Gewinne & 30 Nominierungen insgesamt
Megha Aggarwal
- Tina
- (as Megha Singh Aggarwal)
Empfohlene Bewertungen
Absolutely obsessed with Shuchi's work-what an incredible talent! I loved "Girls Will Be Girls" from start to finish. There were some truly scream-out-loud moments (I even got shushed in the theatre at Sundance London). The sharp social commentary on mother-daughter relationships was brilliantly executed (the chai scenes broke my wee heart). The 'realness' of young female sexual awakening (the teddy scene) was amazing as it's so rarely seen on screen! The characters were complex and relatable, making the story both engaging and thought-provoking. I can't wait to watch and analyze it all over again. The cinematography, in particular, was exceptional, capturing the nuances of each scene beautifully. Shuchi has truly crafted a masterpiece with this film.
The movie is well crafted and acted. All actors were nice and were able to evoke the right emotions in the viewers.
It took us back to our school days when we first time experience bully, sexual development and how to control it. We didnt knew.
I was into the movie, found almost all the technicalities to be near perfect. How the boy and girl meet and come together. Of course it was the pre smartphone era, how to they exchanged numbers and the intricate plan to call, I am sure it brought a nostalgic memory to so many 90s kinds. It really hit the right cord. Totally loved it.
In simple, its a story about how a girl in her school days discovers about her sexuality. I must appreciate the director and the writer for this movie.
It took us back to our school days when we first time experience bully, sexual development and how to control it. We didnt knew.
I was into the movie, found almost all the technicalities to be near perfect. How the boy and girl meet and come together. Of course it was the pre smartphone era, how to they exchanged numbers and the intricate plan to call, I am sure it brought a nostalgic memory to so many 90s kinds. It really hit the right cord. Totally loved it.
In simple, its a story about how a girl in her school days discovers about her sexuality. I must appreciate the director and the writer for this movie.
The movie has your attention from the first scene, they get everything right the casting, the location, the costumes, everything!!, But this movie takes its time to build up to what it's trying to tell you. How a young
girl Mira is exploring her sexuality and love in this patriarchal world. Yet, it is one of the best school romances made in India.
Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!
I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.
Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!
I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.
Well, I haven't watched any of Shuchi Talati's short films yet, so this is my first exposure to her work. And I must say, she exhibits the finesse of a seasoned filmmaker in the coming-of-age drama genre. She's able to extract exceptional performances from her lead trio (Preeti Panigrahi, Kani Kusruti, Kesav Binoy Kiron) and offer very nuanced takes on a conflicting mother-daughter relationship, a teenage romance that gradually leads to sexual awakening, and a mother who's yet to truly come of age herself. I'm not one to complain of its unhurried pacing, minimalist score (the lack of which actually contributes more to certain scenes), and English-speaking characters in mostly non-English-speaking environments.
The boarding school setting does feel like it's part of a distinct universe, but the emotions portrayed in the film are very candid and honest. I particularly loved the plot progression-Mira's urge to understand (and quench) her sexual needs, being heckled by some of her peers at school, trying to avert her boyfriend from giving too much attention to her mother, and figuring out whether her love is just "puppy love" or "big-dog love." When a film doesn't offer answers to every question, it leaves room for further thought. Girls Will Be Girls deserves a lot more attention in my eyes.
The boarding school setting does feel like it's part of a distinct universe, but the emotions portrayed in the film are very candid and honest. I particularly loved the plot progression-Mira's urge to understand (and quench) her sexual needs, being heckled by some of her peers at school, trying to avert her boyfriend from giving too much attention to her mother, and figuring out whether her love is just "puppy love" or "big-dog love." When a film doesn't offer answers to every question, it leaves room for further thought. Girls Will Be Girls deserves a lot more attention in my eyes.
If " Boys will be Boys " is true then " Girls Will Be Girls " should equally be true. This movie more or less proves this and this is admirably done collectively by a talented girls team of actresses, cinematographer, music director and editor led by director Shuchi Lalati. A coming-of-age story which girls/women would like watching and relate to. As I started watching the movie, initially I was put off by the slow pace of the narrative but it soon turned interesting. Preeti Panigrahi plays Mira a senior school girl on the threshold of adolescence who has her hands full balancing issues like a strict helicopter mother, focus on studies, responsibility of school head girl, attraction to a boy student and satisfying her curiosities. It is a learning process for her every step of the way. Preeti has brought out the internal conflict, awkwardness, insecurity and vulnerability of the character very effectively.
Director Shuchi Talati has made a well crafted, simple, sensitive and endearing movie dwelling on a mother-daughter relationship depicting emotional nuances which are truly touching. She has extracted good performances from Preeti Panigrahi ( Mira), Kani Kusruti ( mother Anila) and Kesav Binoy Kiron ( boyfriend Sri). The sequences are framed and photographed artistically and the cinematography is top class. The different aspect ratio has been used effectively.
Director Shuchi Talati has made a well crafted, simple, sensitive and endearing movie dwelling on a mother-daughter relationship depicting emotional nuances which are truly touching. She has extracted good performances from Preeti Panigrahi ( Mira), Kani Kusruti ( mother Anila) and Kesav Binoy Kiron ( boyfriend Sri). The sequences are framed and photographed artistically and the cinematography is top class. The different aspect ratio has been used effectively.
Wusstest du schon
- SoundtracksTake it or leave it
Written by George Robertson Mcfarlane, Mary Carewe
Performed by George Robertson Mcfarlane, Mary Carewe
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Details
Box Office
- Weltweiter Bruttoertrag
- 17.156 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Seitenverhältnis
- 1.44 : 1
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