Nebraska

Alexander Payne is one director who marches to the beat of his own drummer - films in Nebraska, uses black and white, and casts some parts locally to get the correct flavor. He doesn't miss a note.

Nebraska is the story of a family of usual dysfunctionals living where else but Nebraska - a quiet, distant father with a little dementia, Woody (Bruce Dern), his two sons, David and Ross (Will Forte and Bob Odenkirk), and their perpetually complaining mother Kate (June Squibb). David sells home electronics and just broke up with his girlfriend; Ross works for a news station and recently replaced the "talent" up front.

The current major problem is that Woody has received something akin to a Publisher's Clearing House certificate telling him he's won a million dollars. All he has to do is buy these magazines and check if the numbers are his. All Woody sees is that he won a million dollars. No one will take him to Lincoln to claim his prize so he starts walking - more than once - until David says he will take him.

On the way, they stop by his parents' home town and drop in on Woody's brother and his family - a scary bunch. Kate takes a bus in and shows David around the cemetery in a scene you'll never forget, trust me. Woody runs into his old partner, Ed (Stacy Keach), and as word spreads that Woody is going to be a millionaire, everybody wants a piece of him, including Ed, who says Woody owes him quite a bit.

This is really a character-driven film, with some of the most vibrant, fleshed-out characters ever on screen and some of the starkest landscapes, filmed in black and white, and giving the viewer the feeling of what it's like to live among miles and miles of farmland interspersed with small towns.

Bruce Dern gives an Oscar-worthy performance as a lifelong alcoholic who has escaped inside himself, a man out of touch and seemingly untouched by any events around him. As the outspoken Kate, June Squibb is absolutely hilarious - always yelling at Woody, threatening to put him in a home, complaining about him, but just don't let anybody take advantage of him, or you'll have to deal with her.

The sons mirror their parents, with David quiet and thoughtful but trying to bond with his father, and Ross, more confident and less sympathetic.

In learning about his father's background, in talking with his old girlfriend (Angela McEwan) David begins to see the man that his father once was and what shaped him. And he finds out that love is sometimes an unspoken thing, but it's there all the same.

A wonderful film, powerful in its simplicity. Don't miss it.

NEW YORK FILM FESTIVAL: There is a magical and profound power that is exuded from Alexander Payne's film "Nebraska." I loved just about every second of it. Written by Bob Nelson, the black-and-white dramedy takes us through the beautiful and rural Midwest showcasing opulent and lavish cinematography by Phedon Papamichael. And let's not forget the trio of stunning performances from Oscar-nominee Bruce Dern, Will Forte, and June Squibb. The film tells the story of an aging and ailing Woody (Dern) and his son David (Forte) as they venture off from Montana to Nebraska to collect a million dollar prize that Woody believes he has won.

I've long thought that Alexander Payne was one of the more overrated writer/directors working today. Winning two Oscars for screenplay, only one of them was warranted. I merely enjoyed his film "Election" over ten years ago, couldn't find the emotional connection in "About Schmidt" and found myself perplexed by the love that poured in for "The Descendants." His Oscar-winning film "Sideways" was the only film that lived up to the promise and still retains its magic on repeated viewings. The Paramount Vantage film presents an impeccable example of Payne's directorial skills and style when they're utilized with the right material. "Nebraska" is Alexander Payne's best film, bar none. He creates an intimate setting, even when driving cross-country or walking around an abandoned home, Payne keeps the story close and the responses authentic.

Bruce Dern is perfectly used and exquisitely raw presenting the actor's best outing of his career. As the co-anchor of the story, Dern is finally given a chance to show what Hollywood has been missing out on for over fifty years. Touchingly reserved through most of the narrative, Dern allows Woody to open up to the audience for the briefest of moments that works beautifully. It's an Oscar-worthy performance.

Will Forte surprisingly underplays and buries his normal comedic ticks and beats that made him so successful on "Saturday Night Live." His David searches and finds many of the mysteries that embody the enigma of his alcoholic father, giving Forte an ability to connect fully with the audience. He is equally as affecting as Bruce Dern and this will hopefully lead him into more complex and audacious roles like this in the future.

The wonderful and delightful June Squibb steals the show. Getting the film's biggest laughs and in many ways, offering herself up as the emotional pillar in many aspects of the narrative, Squibb is someone that could walk her way to an Oscar. Nelson's writing, especially in the creation of Kate, Woody's wife, is freshly executed. Say hello to one of your Supporting Actress nominees.

Other supporting players giving their all is Stacy Keach playing a sleazy old friend of Woody's and Bob Odenkirk as David's brother Ross, who bounces well off comedian Forte in some of the film's best scenes.

One aspect that I fell in love with was the score of Mark Orton is musical accompaniment lands precisely with every bar and in every scene. Editor Kevin Tent, who has worked on all of Payne's previous films, finally has found his groove and maintains a steady pace to tell our story. I have to admit that when I first heard that the film was going to be shot in black and white, I'm immediately thought it was going to used as a gimmick. Nearly five minutes into the movie, you can see exactly why he chose to use it. Papamichael captures the natural elements of light in several scenes, some involving a simple living room, others when we're in the car with the family. "Nebraska" is one of the year's best pictures. Something that will surely appeal to a certain demographic of the Academy. It runs as a light and comedic companion piece to Michael Haneke's "Amour." It's a film that will surely be in contention for several Academy Awards including Best Picture.

" Nebraska " is :

1- Heart-breaking , how and when: you don't get to know , it just breaks your heart in many moments and also along the general themes .

2- Very thought-provoking , especially if you're in your 20s or 30s .

3- Too deep without even getting near to being complicated and with very little dialogue .

4- Too realistic and too believable , although unpredictable in the least sense with top-notch performances , mainly Bruce Dern who completely swept me off my feet and is too absorbing , thanks to Director Alexander Payne .

One of the best movies I've ever seen , thought about and deeply felt . It will make you wonder about and feel many things , maybe for the first time , like what it is like to get old or have traumas and never talk about or even try to explore the inside of you after them , not loving your children enough and realizing that too late , being hopeless and leading a meaningless life at one point , what ambitions and hope do to a man's soul and many more ..

Strongly recommended for whoever wants to feel and explore genuine themes , which , I warn , are really sad , hopeful , depressing , happy , hilarious , strong and beautiful all at the same time .

Bruce Dern gives the performance of his life. He is wonderful. He maintains the quality of tuning in and out of reality throughout the film. Typical of someone with dementia, you are never really sure if he's there or not. There is a moment in the film when he drives and you can just see him glow and come alive.

This is not a film for everyone because it moves slow, but true movie buffs will love it.

Filmed in black and white and bleak (if that were a color) it's a son that takes his father on a road trip

It's quietly poignant, with a lot of very funny moments in it. When the mother is in the scene, she steals every one.

The cousins are a riot and the family members are a cast of characters. This is the sort of film that you leave but doesn't leave you.

Director Alexander Payne "Sideways" (2004) and "About Schmidt" (2002) deftly handles the road-movie plot structure once again with dark humor and satirical depictions of contemporary American society, yielding fantastic results yet again, as a heartfelt journey to examine his frail and flawed characters. Payne himself is a Nebraska native who felt strongly that the movie be filmed black and white to capture the mood of the old American heartland, and in order for the film to receive funding from Paramount, he had to settle for a smaller budget. As a result, Payne films and casts the movie in local communities with actual residents which provides a realistic texture to the family bonding tale. "Nebraska" is a humorous and heart-rendering story of family, but it also sheds a light onto the people of America's heartland, and our countries economic, moral, and cultural decline.

"Nebraska" starts as a road movie, with a father and son traveling from Billings, Montana to Lincoln, Nebraska. David (Will Forte) has decided to indulge his father Woody (Bruce Dern), who is struggling with dementia and thinks that he can pick up his $1 million in winnings from a magazine distributor in Lincoln. En route, they stop for the weekend in Hawthorne, Dern's hometown, where they're joined by his wife (June Squibb), and his other son (Bob Odenkirk) amidst your stereotypical Midwestern relatives and friends, all of whom are extremely interested to learn that there's now a millionaire before them.

The central relationship between Dern's stubbornly gullible dad and Forte's passively irritated son gradually deepens as the movie makes its way through middle America. What makes the film such a delight to watch are the individuality of its characters. Each one is fun to watch in their own right; the father's relentless determination, the mother's humorous outbursts, and the son's sympathy and desire to bond with his father. "Nebraska" reaches an emotional conclusion that echoes of "About Schmidt" and "The Descendants" (2011) with an underlying sense of lives largely squandered, but handled with grace and finesse that feels innately genuine. "Nebraska" is another finely tuned, superior slice of cinema crafted by Alexander Payne who achieves a more mature, sentimental tone than previous films. The all-around marvelous performances from the cast and supporting non-professional actors add an unmistakable authenticity to this slice of Americana.