Vier Detektive in vier verschiedenen Zeitepochen Londons ermitteln in demselben Mordfall.Vier Detektive in vier verschiedenen Zeitepochen Londons ermitteln in demselben Mordfall.Vier Detektive in vier verschiedenen Zeitepochen Londons ermitteln in demselben Mordfall.
- Nominiert für 1 BAFTA Award
- 1 Gewinn & 6 Nominierungen insgesamt
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Bodies was much better than I thought it would be. It's one of those shows where you need to watch it and not be doing other things while watching. Pay attention because the story really pays off. Each episode just got better and better. The entire cast was fantastic, they really pull you into the story. Every episode just continues to add pieces of the puzzle in such intriguing and entertaining ways. I couldn't stop watching, I binged all 8 episodes in less than two days. After just finishing it I'm thinking of watching it again because now that I know the ending I think it would be fun seeing all the stuff I missed.
I can't count the number of Netflix movies and series I have invested in only to be hit with what I call "The Netflix Non-Ending Ending". You know the ones - dead stops where it feel as if the writers just ran out of steam, and finally said eh, forget about it...let the audience figure it out for themselves. So frustrating! Bodies stands out to me if for no other reason than it has an actual ending. There is a lot going on so pay attention or you'll find yourself constantly rewinding to figure out what they're talking about. Time travel stories are exhausting to some degree but I found this one fun and engaging. Worth the binge!
Initially, I was 'only' a little interested because it was kind of slow to start AND I knew next to nothing about it except that a friend had recommended it. We have very similar tastes in shows, so I trusted them, obviously.
Anyway, I was hooked by about halfway through the first episode but I didn't realise HOW hooked I was until the episode ended and I went straight to the next rather than to bed like I should have.
The core conceit may not be anything new (most time-travel-hijinks movies and shows seem to stick to the same two or three ideas for some reason) but the cast, and the way the story unfolds, is just REALLY well done, especially Gabriel Howell as young Elias in the 'now' timeline. He's really only kind of an afterthought for most of the show but he absolutely comes into his own at the end, and absolutely steals the entire series in his relatively short but powerful spotlight moments. That being said, the rest of the cast are equally good, especially Amaka Okafor and Jacob Fortune-Lloyd as DS Hasan and DS Whiteman respectively.
A small part of me wants more of this, because it was so well done, but that small part is an idiot because 'more' would likely ruin it since they told a complete story. I guess I just want more of each of the cast?
Anyway, I was hooked by about halfway through the first episode but I didn't realise HOW hooked I was until the episode ended and I went straight to the next rather than to bed like I should have.
The core conceit may not be anything new (most time-travel-hijinks movies and shows seem to stick to the same two or three ideas for some reason) but the cast, and the way the story unfolds, is just REALLY well done, especially Gabriel Howell as young Elias in the 'now' timeline. He's really only kind of an afterthought for most of the show but he absolutely comes into his own at the end, and absolutely steals the entire series in his relatively short but powerful spotlight moments. That being said, the rest of the cast are equally good, especially Amaka Okafor and Jacob Fortune-Lloyd as DS Hasan and DS Whiteman respectively.
A small part of me wants more of this, because it was so well done, but that small part is an idiot because 'more' would likely ruin it since they told a complete story. I guess I just want more of each of the cast?
It is a truth universally acknowledged that any plot involving time travel, especially any that attempts to deal with the so-called grandfather paradox, will necessarily be so full of holes that, if it were a fishing net, only the great whales would be endangered by it. In that regard, Bodies certainly does not disappoint, piling impossibility upon impossibility at a head spinning pace. However it is the panache and insouciance with which such concerns are dealt that determines whether a show will emerge battered to death or greatly loved. With great performances from the lead characters, particularly Jacob Fortune Lloyd as the thoroughly corrupt wartime cop whose heart is melted by a child (a charming live-action debut for Chloe Raphael), and a brilliant script that revealed only as much as necessary at each stage and kept you guessing until the very end, Bodies easily triumphs over its unavoidable absurdity.
As a weaving of four stories this works well. The sets are great and even the thirty years into the future thread wasn't too out there.
There are a few good characters, some good light and shade and some that develop nicely as the series progresses.
Everything starts with a body being discovered in a lane in London and develops with four different time lines, Victorian, World War Two, present day and thirty years into the future. At first there is a lovely kind of what-is-going-on feel to the story, but come the middle of it, you realise that it's just the same thing that's been done so many times in so many other sci-fi programmes and films that it becomes more and more disappointing and eventually so incredibly and sadly predictable.
There are a few good characters, some good light and shade and some that develop nicely as the series progresses.
Everything starts with a body being discovered in a lane in London and develops with four different time lines, Victorian, World War Two, present day and thirty years into the future. At first there is a lovely kind of what-is-going-on feel to the story, but come the middle of it, you realise that it's just the same thing that's been done so many times in so many other sci-fi programmes and films that it becomes more and more disappointing and eventually so incredibly and sadly predictable.
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- WissenswertesBased on the 2015 eight issue mini series of graphic novels from Vertigo / DC (Detective Comics).
- PatzerAt the end of Episode 8 as DS Whiteman is walking along a street in 1941 Whitechapel there are posters for an upcoming piano recital by Polly Hillinghead (the daughter of DI Hillinghead). The poster says the recital is to happen at Wilton's Music Hall in nearby Shadwell. The Music Hall closed in the 1870s and in 1941 the building was used as a mission hall by the Methodists. It became a music hall again in the 1990s.
- VerbindungenFeatured in Half in the Bag: 2023 Catch-up (Part 2) (2023)
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