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Füge eine Handlung in deiner Sprache hinzuJanardhan Jakhar chases his dreams of becoming a big Rock star, during which he falls in love with Heer.Janardhan Jakhar chases his dreams of becoming a big Rock star, during which he falls in love with Heer.Janardhan Jakhar chases his dreams of becoming a big Rock star, during which he falls in love with Heer.
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A New Star Is Born - RockStar
First of all, Rockstar is not a mere love story, for those people I saw drawing conclusion that this is just an extramarital affair which is justified by Imtiaz Ali, it's much more than that.
When the character of protagonist was getting built, it was told to him that it would be pain that would get the star out of him; movie is journey of making of a Rock star who goes through pain of separation, depravity from society which makes him someone he was never meant to be but finally a Rockstar. A true blue eyed boy who was always away from any sense of pain in his life until he falls in love and tore apart life of his and love of his life Heer.
I am although not a big Rock music fan but got food for thought for those posthumous rock stars that lost their lives to depression and drugs. This film gives gray shades of their tainted life which is always open to so much of public scrutiny which perhaps helped me to recon with their hysterical behavior.
It starts with a young lad trying to make big in music but who doesn't have soul to sell himself as a serious artist. He has shown a way through love and betrayal and he fancies his chances with the most admired girl of the town, little does he know that this would embark an endless journey of pain for both which would see it's penultimate end being both leads battling for their survival literally.
I don't wish to discuss movie dynamics in length as this is not about how the script has been written with/without conviction. The real sense of conviction in this movie comes through Ranbir Kapoor, he lives the character of Jordan and gives performance of his life time. Not in for a second you would think for the entire movie that he is a movie star, you would watch him struggle through his pathos. Kudos to him for pulling this off with such great ease, I couldn't imagine anyone doing this role and leave the same impression. Nargis who is the leading lady in this movie, looks no less than an angel in movie and gives a performance for which any new comer can feel proud about especially against such a strong character played by Ranbir Kapoor.
Of all the loudest praise should go to two people, A.R. Rehman for his genius music and to Mohit Chauhan, this movie is as much a milestone for him as it is for Ranbir Kapoor. Both Mohit and Ranbir jells so well that it's hard to believe that actually Ranbir's voice is backed by a singer, it's a compliment for both of them. Every song stands out and they all are superb.
I thoroughly enjoyed this journey of making of a Rock star. This movie is not about making a right statement to society and not to follow the footsteps of protagonist; it's about how much pain it goes in making a real Rock star that makes everyone feel on the cloud when he couldn't ground his foot correctly. Movie is dark in nature and this is about an anti hero Jordan who don't have sense of righteousness and he vents out his anger in form of music, a picture perfect depiction of a rebel Rock star to the core.
Watch it, if you are in for dark movies. Don't expect any Bollywood masala but an intense tide of emotions throughout.
When the character of protagonist was getting built, it was told to him that it would be pain that would get the star out of him; movie is journey of making of a Rock star who goes through pain of separation, depravity from society which makes him someone he was never meant to be but finally a Rockstar. A true blue eyed boy who was always away from any sense of pain in his life until he falls in love and tore apart life of his and love of his life Heer.
I am although not a big Rock music fan but got food for thought for those posthumous rock stars that lost their lives to depression and drugs. This film gives gray shades of their tainted life which is always open to so much of public scrutiny which perhaps helped me to recon with their hysterical behavior.
It starts with a young lad trying to make big in music but who doesn't have soul to sell himself as a serious artist. He has shown a way through love and betrayal and he fancies his chances with the most admired girl of the town, little does he know that this would embark an endless journey of pain for both which would see it's penultimate end being both leads battling for their survival literally.
I don't wish to discuss movie dynamics in length as this is not about how the script has been written with/without conviction. The real sense of conviction in this movie comes through Ranbir Kapoor, he lives the character of Jordan and gives performance of his life time. Not in for a second you would think for the entire movie that he is a movie star, you would watch him struggle through his pathos. Kudos to him for pulling this off with such great ease, I couldn't imagine anyone doing this role and leave the same impression. Nargis who is the leading lady in this movie, looks no less than an angel in movie and gives a performance for which any new comer can feel proud about especially against such a strong character played by Ranbir Kapoor.
Of all the loudest praise should go to two people, A.R. Rehman for his genius music and to Mohit Chauhan, this movie is as much a milestone for him as it is for Ranbir Kapoor. Both Mohit and Ranbir jells so well that it's hard to believe that actually Ranbir's voice is backed by a singer, it's a compliment for both of them. Every song stands out and they all are superb.
I thoroughly enjoyed this journey of making of a Rock star. This movie is not about making a right statement to society and not to follow the footsteps of protagonist; it's about how much pain it goes in making a real Rock star that makes everyone feel on the cloud when he couldn't ground his foot correctly. Movie is dark in nature and this is about an anti hero Jordan who don't have sense of righteousness and he vents out his anger in form of music, a picture perfect depiction of a rebel Rock star to the core.
Watch it, if you are in for dark movies. Don't expect any Bollywood masala but an intense tide of emotions throughout.
An emotional and powerful journey.
Even though the Indian film Industry releases countless big budget films every year, only once in a while there comes a movie like "Rockstar" which moves away from the usual story and casts an impression on the viewers.
Imtiaz Ali has created such a masterpiece this time. His story is a fresh take on romance and pain and he has shown he is one of the best directors around.
The story revolves around 2 characters Janardhan Jakhar a.k.a Jordan(Ranbir Kapoor) and Heer(Nargis Fakri) and their feelings towards each other. The special thing about this movie is that despite being a love story, the lead characters never act as the clichéd lovers..they never said "I love you" throughout the movie and still their love was so intense and powerful..The self inflicted pain of 'Jordan' is the soul of this movie and moves the audience.
Ranbir has done a remarkable act and has again proved he is an exceptional actor in the film industry. His transition from the innocent and confused 'JJ' to the ruthless, shattered 'Jordan' is flawless. The audience were in awe of him throughout the movie and rightly so.
The music blends with this movie perfectly and most of the time lifts the movie to higher levels. The voice of Mohit Chauhan along with the expertise of AR Rahman is just superb and this duo will be in demand for a long time. The joy, enlightenment, pain and suffering of 'Jordan' is portrayed very well through the songs. And this is one of those movies in which you feel that the songs weren't just forced in the story.
Despite everything being so good there was one shortcoming, Nargis. The model turned actress had weird expressions in few scenes in her debut film. This created some funny moments in the first half but she did a convincing act post interval.
One thing which the director couldn't balance was the pace..The first half was expanded into few years showing the pair's love and relationship but post interval they didn't do that, and stuck to a straight and small period with longer scenes. This gave most of the general audience an idea that it was slow. If the story in between intervals was balanced in terms of the time span, more people would have appreciated the whole movie.
This an emotional, and an intense journey of a simple man who goes on a path of self destruction. A Must Watch, this movie needs deep understanding and appreciation.
Imtiaz Ali has created such a masterpiece this time. His story is a fresh take on romance and pain and he has shown he is one of the best directors around.
The story revolves around 2 characters Janardhan Jakhar a.k.a Jordan(Ranbir Kapoor) and Heer(Nargis Fakri) and their feelings towards each other. The special thing about this movie is that despite being a love story, the lead characters never act as the clichéd lovers..they never said "I love you" throughout the movie and still their love was so intense and powerful..The self inflicted pain of 'Jordan' is the soul of this movie and moves the audience.
Ranbir has done a remarkable act and has again proved he is an exceptional actor in the film industry. His transition from the innocent and confused 'JJ' to the ruthless, shattered 'Jordan' is flawless. The audience were in awe of him throughout the movie and rightly so.
The music blends with this movie perfectly and most of the time lifts the movie to higher levels. The voice of Mohit Chauhan along with the expertise of AR Rahman is just superb and this duo will be in demand for a long time. The joy, enlightenment, pain and suffering of 'Jordan' is portrayed very well through the songs. And this is one of those movies in which you feel that the songs weren't just forced in the story.
Despite everything being so good there was one shortcoming, Nargis. The model turned actress had weird expressions in few scenes in her debut film. This created some funny moments in the first half but she did a convincing act post interval.
One thing which the director couldn't balance was the pace..The first half was expanded into few years showing the pair's love and relationship but post interval they didn't do that, and stuck to a straight and small period with longer scenes. This gave most of the general audience an idea that it was slow. If the story in between intervals was balanced in terms of the time span, more people would have appreciated the whole movie.
This an emotional, and an intense journey of a simple man who goes on a path of self destruction. A Must Watch, this movie needs deep understanding and appreciation.
Excellent piece of work
Jordan is sitting among prostitutes and strumming his guitar as they sing together -- when his manager pulls him out onto the street. Soon, a crowd engulfs them and starts chanting Jordan's name, their voices drowning the sound of the manager pleading with the musician to get his act together. "This is what I have always wanted," Jordan says, looking at his screaming fans. "But I am not happy inside."
Imtiaz Ali's Rockstar is a bittersweet journey of a man, an artist, from being an everyman to a superstar. But while Ali uncovers layers off Jordan the iconic musician -- each layer as fascinating as it is intriguing -- he keeps the core of the character, Janardhan Jakkad, alive. He hurts like anybody else, falls in love like anybody else, and also has to deal with moments of sheer frustration.
And all of it finds release in music. Music is Jordan's identity; it's what makes him rich and famous. But to Jordan, that's incidental. In the end, his artistry is what connects him with himself. For a Hindi film viewer, that is a fascinating story to watch unfold.
Then there's the opening shot, a tribute to India's original Rockstar, Shammi Kapoor. From there on, it's a tumultuous ride – one with its highs and lows, one that has anguish as also love, one that has pain, but also a sense of fulfillment. And a brilliant finale -- not a conventional one, but effective nonetheless -- which leaves you feeling like the characters themselves: incomplete but content, like an effective crescendo that leaves you wanting more.
The music itself is a delight. Each AR Rahman number is lilting, and woven beautifully in the story, the high frequency of songs not hindering the storytelling but enhancing the experience. Lyricist Irshad Kamil does an outstanding job, penning words that reflect the lead character's state of mind and complement situations aptly.
Imtiaz Ali, in trademark fashion though, isn't content with Focussing on the complexities of a troubled musician; he gives us a dose of romance too, and a generous one at that. Estrangement from family, lack of fulfillment in life, and self-discovery apart, what really drives Jordan's music is his relationship with Heer (Fakhri, beautiful but awkward). Volatile as the affair is, it's also what keeps Jordan sane, and Heer alive.
For about 15 minutes in Rockstar, the narrative tends to resort to 'Bollywoodism'; true love having the power to cure a terminal illness (almost), for example, doesn't exactly fit with what the rest of the film has to say. The story tends to meander a bit post-interval, but Imtiaz makes it work eventually, interweaving the fantastical romantic part of the film with the more gritty, dark bits deftly. In the end, how much you enjoy Rockstar will largely depend on whether the balance between the tale of a broken, discontented musician and the more conventional love story works for you.
It did for me -- though I would have preferred the former -- but you can't deny Imtiaz credit for his mastery over the romance genre. No contemporary filmmaker has dealt with man-woman relationships with as much dexterity. His films often tread a similar path (the lovers are usually confused, meet at different points in life, and there's always the 'other man'), but his fresh approach to each story is what makes them immensely watchable.
With Rockstar, Imtiaz goes beyond his own tried-and-tested format, his ambition to narrating a more complex story coming through. This is probably his most personal film, and his honesty as filmmaker is hard not to be affected by. Hopefully, he goes the whole hog next, ditching the genre he's adept at to trying his hand at something entirely out of his comfort zone. Rockstar is also Imtiaz's most technically polished film, and he benefits from the association with cinematographer Anil Mehta and editor Aarti Bajaj.
Ranbir Kapoor has been Hindi cinema's Next Big Thing for a while now. With Rockstar, he lives up to the hopes pinned on him to deliver big. Ranbir revels in Jordan's complexities; another actor may have found it to be an obstacle. The character arc undergoes constant transformation and he adapts suitably. It wouldn't be an understatement to say that Ranbir's portrayal of Jordan may go down as one of Hindi cinema's most accomplished performances by a lead actor. Just to see him work his magic on screen, Rockstar is worth a watch.
But while good acting is always an incentive, it's a director's vision that makes a film truly watchable, and Imtiaz makes Rockstar stand out from what the mainstream churns out every week. And brings back the one aspect sorely missing from Hindi films lately -- music.
Imtiaz Ali's Rockstar is a bittersweet journey of a man, an artist, from being an everyman to a superstar. But while Ali uncovers layers off Jordan the iconic musician -- each layer as fascinating as it is intriguing -- he keeps the core of the character, Janardhan Jakkad, alive. He hurts like anybody else, falls in love like anybody else, and also has to deal with moments of sheer frustration.
And all of it finds release in music. Music is Jordan's identity; it's what makes him rich and famous. But to Jordan, that's incidental. In the end, his artistry is what connects him with himself. For a Hindi film viewer, that is a fascinating story to watch unfold.
Then there's the opening shot, a tribute to India's original Rockstar, Shammi Kapoor. From there on, it's a tumultuous ride – one with its highs and lows, one that has anguish as also love, one that has pain, but also a sense of fulfillment. And a brilliant finale -- not a conventional one, but effective nonetheless -- which leaves you feeling like the characters themselves: incomplete but content, like an effective crescendo that leaves you wanting more.
The music itself is a delight. Each AR Rahman number is lilting, and woven beautifully in the story, the high frequency of songs not hindering the storytelling but enhancing the experience. Lyricist Irshad Kamil does an outstanding job, penning words that reflect the lead character's state of mind and complement situations aptly.
Imtiaz Ali, in trademark fashion though, isn't content with Focussing on the complexities of a troubled musician; he gives us a dose of romance too, and a generous one at that. Estrangement from family, lack of fulfillment in life, and self-discovery apart, what really drives Jordan's music is his relationship with Heer (Fakhri, beautiful but awkward). Volatile as the affair is, it's also what keeps Jordan sane, and Heer alive.
For about 15 minutes in Rockstar, the narrative tends to resort to 'Bollywoodism'; true love having the power to cure a terminal illness (almost), for example, doesn't exactly fit with what the rest of the film has to say. The story tends to meander a bit post-interval, but Imtiaz makes it work eventually, interweaving the fantastical romantic part of the film with the more gritty, dark bits deftly. In the end, how much you enjoy Rockstar will largely depend on whether the balance between the tale of a broken, discontented musician and the more conventional love story works for you.
It did for me -- though I would have preferred the former -- but you can't deny Imtiaz credit for his mastery over the romance genre. No contemporary filmmaker has dealt with man-woman relationships with as much dexterity. His films often tread a similar path (the lovers are usually confused, meet at different points in life, and there's always the 'other man'), but his fresh approach to each story is what makes them immensely watchable.
With Rockstar, Imtiaz goes beyond his own tried-and-tested format, his ambition to narrating a more complex story coming through. This is probably his most personal film, and his honesty as filmmaker is hard not to be affected by. Hopefully, he goes the whole hog next, ditching the genre he's adept at to trying his hand at something entirely out of his comfort zone. Rockstar is also Imtiaz's most technically polished film, and he benefits from the association with cinematographer Anil Mehta and editor Aarti Bajaj.
Ranbir Kapoor has been Hindi cinema's Next Big Thing for a while now. With Rockstar, he lives up to the hopes pinned on him to deliver big. Ranbir revels in Jordan's complexities; another actor may have found it to be an obstacle. The character arc undergoes constant transformation and he adapts suitably. It wouldn't be an understatement to say that Ranbir's portrayal of Jordan may go down as one of Hindi cinema's most accomplished performances by a lead actor. Just to see him work his magic on screen, Rockstar is worth a watch.
But while good acting is always an incentive, it's a director's vision that makes a film truly watchable, and Imtiaz makes Rockstar stand out from what the mainstream churns out every week. And brings back the one aspect sorely missing from Hindi films lately -- music.
Rockstar - An amazing love story---Saddaaaaaaa Haqqqqqqq
JJ aka JORDAN / Ranbir Kapoor Rocks.....Saddaaaaaaaa Haqqqq......Loved Rockstar movie a lotttttttttt......From Screenplay to story or Direction to Music N above all acting from the all the character is like mind-blowing ...........Will be watching it again tomorrow...This is not a feel good movie and I know a lot of people will not like it but yes it will make you think even after the lights are on.....This movie is the best film of 2011....RK is amazing and ARR score rocks....Deserves all major awards....OVERALL AN OUTSTANDING FILM which is connected to most of us...Rating 9/10....oh ya ya ya y...o yaaaaaaa.....
No words for describing it...
Rockstar is a film made once in a lifetime. Hats off to Imtiaz Ali for story, Ranbir Kapoor & Nargis Farkhri for scintillating performances, A.R. Rahman & Mohit Chauhan for great soundtrack & background Music.
Rockstar is a must watch film. It'll leave you feel-good hangover of itself. This Movie shows how Love Stories should be made. This movie has something, which is hard to see in other Hindi/Bollywood Films. Something which would make you think about the whole movie even after so many hours of watching it. Watch it deeply and you'll enjoy it.
I loved the movie and enjoyed it thoroughly after so watching so many movies this year, I'd say Watch it Again, if you've seen it once...
Verdict: Don't Miss it!!!
Acting & Performance: 9/10
Story: 8.5/10
Music: 10/10
Overall: 9/10
Rockstar is a must watch film. It'll leave you feel-good hangover of itself. This Movie shows how Love Stories should be made. This movie has something, which is hard to see in other Hindi/Bollywood Films. Something which would make you think about the whole movie even after so many hours of watching it. Watch it deeply and you'll enjoy it.
I loved the movie and enjoyed it thoroughly after so watching so many movies this year, I'd say Watch it Again, if you've seen it once...
Verdict: Don't Miss it!!!
Acting & Performance: 9/10
Story: 8.5/10
Music: 10/10
Overall: 9/10
Wusstest du schon
- WissenswertesThe film was shot in reverse as the crew didn't want to break the continuity of Ranbir Kapoor's hairstyle. So the climax with long hair was shot first.
- PatzerAt around 35 minutes mark when Jordan and mandy are playing a game together at heer's house, the monitor shows a single player version of a racing game whereas it should've been multiplayer game.
- Zitate
Janardan Jakhar: Out beyond ideas of wrongdoing and rightdoing, there is a field. I'll meet you there.
- Crazy CreditsA picture of Shammi Kapoor is shown with "Yahoo!" written around it in the start as a tribute.
- Alternative VersionenThe CBFC (Indian Censor Board) required the filmmakers to mute several English and Hindi expletives-specifically words like "sex," "bastard," and a Hindi profanity-throughout the film's audio if they wanted the U/A (PG-12) certificate. Otherwise, it would have received an "A" (adults only) rating. In one of the film's key songs, "Sadda Haq," a crowd scene shot at Dharamsala included people holding "Free Tibet" banners and Tibetan flags. The CBFC demanded these visuals be either deleted or blurred to avoid political controversy with China. The filmmakers ultimately chose to blur the banner to obtain U/A certification. This decision led to protests by Tibetan supporters and activists, calling it a suppression of free speech .
- VerbindungenFeatured in 57th Idea Filmfare Awards (2012)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Ngôi Sao Nhạc Rock
- Drehorte
- Prag, Tschechische Republik(Czech Republic)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.920.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 986.697 $
- Eröffnungswochenende in den USA und in Kanada
- 612.235 $
- 13. Nov. 2011
- Weltweiter Bruttoertrag
- 11.227.859 $
- Laufzeit
- 2 Std. 39 Min.(159 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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