IMDb-BEWERTUNG
6,2/10
6167
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA widow falls for a guy who bears a striking resemblance to her late husband.A widow falls for a guy who bears a striking resemblance to her late husband.A widow falls for a guy who bears a striking resemblance to her late husband.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Brigitte Buny
- Student
- (Nicht genannt)
Kim Farris
- Hostess
- (Nicht genannt)
Deana Molle'
- Couple #2
- (Nicht genannt)
Empfohlene Bewertungen
Nikki Lostrom (Annette Bening) is devastated by loss of her husband Garret Mathis (Ed Harris). Summer (Jess Weixler) is their daughter. It's 5 years later. She stages open houses. Roger Stillman (Robin Williams) is her neighbor and friend. She starts stalking and then dating college professor Tom Young (Ed Harris) who looks exactly like his dead husband. She hides his resemblance from everyone. He's still friends with his ex Ann (Amy Brenneman).
Arie Posin sets up an interesting premise. I wish he had taken more chances. The movie never really raises the tension. This could be a highly emotional character study. Annette Bening is definitely a good enough actress to carry that out. This could be a case of obsession but it's not really. This could have been a lot of things but it never gets there. I kept thinking she could just tell him the truth. The movie could have moved to an even more compelling emotional landscape after Nikki comes clean with Tom. The movie feels stretched out as we wait for the inevitable reveal.
Arie Posin sets up an interesting premise. I wish he had taken more chances. The movie never really raises the tension. This could be a highly emotional character study. Annette Bening is definitely a good enough actress to carry that out. This could be a case of obsession but it's not really. This could have been a lot of things but it never gets there. I kept thinking she could just tell him the truth. The movie could have moved to an even more compelling emotional landscape after Nikki comes clean with Tom. The movie feels stretched out as we wait for the inevitable reveal.
"Am I a bad person?" Nikki (Benning) is madly in love with her husband. While they are on vacation he unexpectedly and suddenly passes away. A year later she is still trying to get over him. When she goes to a museum she spots Tom (Harris), a man who looks exactly like her dead husband. This begins a complicated romantic relationship. First thing I have to say about this is that the acting is great and the movie is very emotional. The emotion that is invokes though is a mix between sadness and anger. Nikki makes you feel sorry for her and makes you despise her at the same time. You know why she is doing what she is doing but you can't help but see and feel how selfish she is being. The movie is a little slow moving but the anticipation of her coming clean is what keeps you watching. She is a woman who is hard to root for but at the same time you can't really root against her. That is the sign a a beautifully written movie. Overall, a slow moving movie that keeps the anticipation high which keeps you watching. I give this a B-.
The Face of Love (2013)
There is a terrific movie in here somewhere, but it misses on several subtle points here and there and ends up being good, totally watchable, and a nice view on Ed Harris (as Tom) and Annette Bening (as Nikki), the leading actors.
At its best, the movie dug into the nature of mourning and loss, and in love. The two main actors were struggling with losses, each, and ran into each other and some confused sparks flew. But the hook to the movie, and the problem really, is a quirk. Nikki sees Tom and he looks exactly like her dead husband (Garrett). So she has a weird attachment to him, and leads him on (a little like Vertigo in the second half). It's a fun idea, but it doesn't quite fly.
So really the movie follows this couple in their 50s falling in love. With the constant worry that the woman's psychosis will screw things up. You'll have to see. Warm, with perturbations.
Oh, and Robins Williams has one of his last roles here. He's nice and sympathetic, and maybe not quite enough for the role, which is the third leg to the whole thing in theory.
There is a terrific movie in here somewhere, but it misses on several subtle points here and there and ends up being good, totally watchable, and a nice view on Ed Harris (as Tom) and Annette Bening (as Nikki), the leading actors.
At its best, the movie dug into the nature of mourning and loss, and in love. The two main actors were struggling with losses, each, and ran into each other and some confused sparks flew. But the hook to the movie, and the problem really, is a quirk. Nikki sees Tom and he looks exactly like her dead husband (Garrett). So she has a weird attachment to him, and leads him on (a little like Vertigo in the second half). It's a fun idea, but it doesn't quite fly.
So really the movie follows this couple in their 50s falling in love. With the constant worry that the woman's psychosis will screw things up. You'll have to see. Warm, with perturbations.
Oh, and Robins Williams has one of his last roles here. He's nice and sympathetic, and maybe not quite enough for the role, which is the third leg to the whole thing in theory.
Maybe a better choice to have played Ed Harris' character would have been Annette's real life husband, Warren Beatty. Now that would have been something. I loved this movie. The acting was superb, and I think that Ed Harris did an awesome job. I was not bothered by his bald head. Love is love no matter what you look like on the outside. It's the feelings inside you have for each other that makes you never want to be without that other person. This movie showed how hard it was for Nikki to let go when her husband died so much so that when she met Tom who looked exactly like her deceased husband she went into this fantasy mode pretending he was still with her. I think the realization of what she had been doing when Tom found out that he looked exactly like Garrett shocked Nikki into coming to her senses and finally being able to move forward.
Along with 'The Angriest Man In Brooklin' this is an example of a film that Robin Williams made late in his life that was released straight to DVD (in the UK at least).
I think it is one that is well worth seeking out though because although Robin only plays a supporting role, he says so much through his lovely characterisation and facial expressions that you really believe in his character of Roger.
Annette Benning and Ed Harris are the ones that really carry the film though and although the ending is perhaps a little rushed, the rest of the film is an engaging and interesting love story.
So overall although the cover of the DVD (I can only vouch for the UK edition) will lead you to believe that Robin Williams is in it a lot more than he is, the film itself is well worth watching.
I think it is one that is well worth seeking out though because although Robin only plays a supporting role, he says so much through his lovely characterisation and facial expressions that you really believe in his character of Roger.
Annette Benning and Ed Harris are the ones that really carry the film though and although the ending is perhaps a little rushed, the rest of the film is an engaging and interesting love story.
So overall although the cover of the DVD (I can only vouch for the UK edition) will lead you to believe that Robin Williams is in it a lot more than he is, the film itself is well worth watching.
Wusstest du schon
- WissenswertesInspired by a real life incident when director Arie Posin's mother was convinced she saw her late husband walking down the street.
- PatzerWhen Nikki and Roger are sitting at the kitchen table reminiscing about Nikki's late husband Garret, Nikki puts a vegetable spread on a cracker. She goes to take a bite of it, but in the next camera shot the cracker is gone, and a new one (without any spread on it) is suddenly in her hand.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Reinventando el amor
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 350.006 $
- Eröffnungswochenende in den USA und in Kanada
- 24.660 $
- 9. März 2014
- Weltweiter Bruttoertrag
- 1.806.548 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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