IMDb-BEWERTUNG
4,6/10
1694
IHRE BEWERTUNG
Der Film folgt einer knallharten Kleinkriminellen aus der Arbeiterklasse, die sich in der düsteren Unterwelt des Diamantenschmuggels in eine Antiheldin verwandelt, mit der man rechnen muss.Der Film folgt einer knallharten Kleinkriminellen aus der Arbeiterklasse, die sich in der düsteren Unterwelt des Diamantenschmuggels in eine Antiheldin verwandelt, mit der man rechnen muss.Der Film folgt einer knallharten Kleinkriminellen aus der Arbeiterklasse, die sich in der düsteren Unterwelt des Diamantenschmuggels in eine Antiheldin verwandelt, mit der man rechnen muss.
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This low budget, British action film has a very shaky start. The dialogue is silly. The camera work not great. However, this one takes a turn for the better along the way and becomes much better than it starts. It is a revenge film and it has decent action and fight choreography. The film is done very much in the style of Jesse V. Johnson and Scott Adkins' The Accident Man; however, it is not as good. It grew on me in a way many movies of this genre do not. The film also goes under the name Scarlett, which confused me a little when trying to find it. The cast is pretty good in this on, especially, the ancillary characters.
Surely, no Oscar material, or a match to Guy Ritchi's Gentlemen, but this movie gave me a very entertaining two hours with a well told story, massive efforts from not very talented actors (but efforts go a long way) and a consistent use of practical effects.
Surprisingly, the few well-known names (Meany and Pertwee) deliver the films least memorable moments, but Colm Meany's worst is still on par with the lead actors' best. But the lead cast do try to "steal the show" from them. Kirk delivers a solid performance as lead and I do not felt that I ever dropped my attention or got bored of her as the lead.
Altogether, I enjoyed this move and I wouldn't mind seeing it again in a few months' time.
Surprisingly, the few well-known names (Meany and Pertwee) deliver the films least memorable moments, but Colm Meany's worst is still on par with the lead actors' best. But the lead cast do try to "steal the show" from them. Kirk delivers a solid performance as lead and I do not felt that I ever dropped my attention or got bored of her as the lead.
Altogether, I enjoyed this move and I wouldn't mind seeing it again in a few months' time.
Duchess starts off well. The titular heroine, Charlotte Monaghan, falls for a charming, dynamic man who pulls her into his high-flying drug-funded lifestyle. The twist is that she's more than tough enough to make a go of it. Their relationship seems perfect.
From the outset, Marshall uses a variety of visual touches reminiscent of Guy Ritchie movies - freeze-frames, bold text captions, colorful narration in the heroine's distinctive voice (the most shameless over-the-top cockney accent since Dick van Dyke in Mary Poppins).
The performances make it work. Charlotte Kirk is not entirely convincing in the lead role, but she's very likable in a deliberately cartoony way. Philip Winchester is effortlessly charming as her crime-boss beau - I'd like to see much more of him in other roles. Sean Pertwee, a Neil Marshall regular, is welcome as always, doing his crusty supporting part. And Colm Meaney is meaner than we've ever seen him, in a single scene as the heroine's low-life father.
So far, so good. But about midway through, Duchess takes a turn for the more conventional and somewhat less enjoyable. What started as a quirky underworld romance morphs into a fairly straightforward revenge yarn. The flavorful characterizations of the first half are de-emphasized, in favor of over violently over-the-top action.
I'm okay with the violence, and with the revenge theme - but not so pleased about the predictability and occasional loose logic. It's still entertaining, with some nice set-piece moments - but not as fresh and original as the romance of the first half, nor as clever as we might expect from a director of Neil Marshall's accomplishments.
Nonetheless, I would definitely recommend Duchess to anyone who enjoys a wacky, ultra-violent crime send-up. It's an entertaining film, worth seeing if only for the off-beat performances.
From the outset, Marshall uses a variety of visual touches reminiscent of Guy Ritchie movies - freeze-frames, bold text captions, colorful narration in the heroine's distinctive voice (the most shameless over-the-top cockney accent since Dick van Dyke in Mary Poppins).
The performances make it work. Charlotte Kirk is not entirely convincing in the lead role, but she's very likable in a deliberately cartoony way. Philip Winchester is effortlessly charming as her crime-boss beau - I'd like to see much more of him in other roles. Sean Pertwee, a Neil Marshall regular, is welcome as always, doing his crusty supporting part. And Colm Meaney is meaner than we've ever seen him, in a single scene as the heroine's low-life father.
So far, so good. But about midway through, Duchess takes a turn for the more conventional and somewhat less enjoyable. What started as a quirky underworld romance morphs into a fairly straightforward revenge yarn. The flavorful characterizations of the first half are de-emphasized, in favor of over violently over-the-top action.
I'm okay with the violence, and with the revenge theme - but not so pleased about the predictability and occasional loose logic. It's still entertaining, with some nice set-piece moments - but not as fresh and original as the romance of the first half, nor as clever as we might expect from a director of Neil Marshall's accomplishments.
Nonetheless, I would definitely recommend Duchess to anyone who enjoys a wacky, ultra-violent crime send-up. It's an entertaining film, worth seeing if only for the off-beat performances.
It's a shame Neil Marshall has gone down to this level. After his magnificent start (Dog Soldiers, Descent, Doomsday) it appears he peaked very early in his career.
The dialogue is very predictable. The story been told a million times and much better.
Unconvincing fights and overlong back and forth shoot outs become tiresome.
Tiger pit was hilariously overused.
The lead actress isn't as drop dead gorgeous as the director seems to think she is.
Her accent grates. Her fighting is terrible.
When so many kick ass female characters out there (Atomic Blonde, Red Sparrow, Nikita, Ava. Anna, Salt to name just a few) all done so much better it's kinda been done to death so if going to do it. Do it well and maybe a little different.
Sean Pertwee is always a fun watch, even if okays the same character in every film. He's a regular with Neil since Dog Soldiers.)
Stephanie Beecham is hilarious as "Charlie" the supposed dangerous hhead of a criminal organisation. But was cringe. Maybe they thought this would be her new breakout rolel playing against type (like Hugh Grant in The Gentlemen) of so then big fail.
Ita not all terrible. Just forced and cliché. The narration by the female lead was irritating straight away. Yes. That Snatch Guy Ritchie era narration wasn't good as the less you heard her voice the better.
Credit to the surprise desert death which I didn't see coming. One of only a few good moments.
Oh Neil. What happened?
Just go watch Atomic Blonde again.
The dialogue is very predictable. The story been told a million times and much better.
Unconvincing fights and overlong back and forth shoot outs become tiresome.
Tiger pit was hilariously overused.
The lead actress isn't as drop dead gorgeous as the director seems to think she is.
Her accent grates. Her fighting is terrible.
When so many kick ass female characters out there (Atomic Blonde, Red Sparrow, Nikita, Ava. Anna, Salt to name just a few) all done so much better it's kinda been done to death so if going to do it. Do it well and maybe a little different.
Sean Pertwee is always a fun watch, even if okays the same character in every film. He's a regular with Neil since Dog Soldiers.)
Stephanie Beecham is hilarious as "Charlie" the supposed dangerous hhead of a criminal organisation. But was cringe. Maybe they thought this would be her new breakout rolel playing against type (like Hugh Grant in The Gentlemen) of so then big fail.
Ita not all terrible. Just forced and cliché. The narration by the female lead was irritating straight away. Yes. That Snatch Guy Ritchie era narration wasn't good as the less you heard her voice the better.
Credit to the surprise desert death which I didn't see coming. One of only a few good moments.
Oh Neil. What happened?
Just go watch Atomic Blonde again.
This movie is not that bad as some reviewers say. To start, the voice over of the main character (Duchess) is great, I like that always, gives a bit of background and story telling idea. The famous trick that the beginning scene is a teaser and then back to how it all started, makes you immediately curious. It's fast paced, maybe a bit too long though, never boring. Great performance of. Charlotte Kirk, perfectly casted. Less good in my opinion is the extreme violence showed, not functional and not to my taste. The humor is great, compensates this a bit, the story is not intended to be taken too seriously. The British accents are funny on themselves. All in all worth watching when you expectations are not too high.
Wusstest du schon
- PatzerRobert says he won't willingly buy conflict diamonds, then immediately tells the story about how he bought a conflict diamond.
- SoundtracksDiamonds in my heart
Written and performed by Barbara Falzoni
Produced by Rudy Perez
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Details
Box Office
- Weltweiter Bruttoertrag
- 60.869 $
- Laufzeit
- 1 Std. 54 Min.(114 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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