3 Days in Havana

Quick ways to describe this film: funny, odd, exotic, sexy, edgy, sublime, obvious, witty, quirky and surprising. With one foot firmly planted in a melting pot of film noir references, and the other foot stomping about those "crime gone wrong" style flicks, thrown up on the screen with saucy and unique Canadian humour, "3 Days in Havana" is the kind of film you just can't help but love. Shot gorgeously all over Havana, it's part crime drama, buddy comedy, thriller and exotic travel expose, filled with the raw, decayed beauty and a myriad of historical pasts from revolutions to Mafiosos. Written, produced and directed by life-long pals Tony Pantages and Gil Bellows for under $1M (you'd be amazed at how great they made it look with such a tight budget), "3 Days in Havana" might not impress film buffs who take themselves too seriously, but if you enjoy your stories spicy, twisted, exotic and odd, this one is for you!

"Jack" is played by Gil Bellows, who also wrote and directed this film, along with Tony Pantages. Jack finds himself in Havana, and is shown around town by Harry (Greg Wise), which leads to more and more trouble as we go along. Harry seems to have temper issues. It's all very noirish and mysterious. We're never sure what's going on, but it's all a grand adventure. About halfway through, we see what's going on. Jack has managed to get himself in the middle of a murder plot, and doesn't seem to have anyone to help him get out. One odd, interesting connection - The actress playing the "broker" is Phyllida Law; she is the actual mother in law of Greg Wise (Harry). The music throughout is AWESOME, as one would expect from Cuba. Also beautiful scenery. Great photography of the Cuba sunrise and sunsets. Really good. Hats off to the writers and the actors. Tight script and good performances by all. I enjoyed watching this one.

"3 Days In Havana" is as cool and handsome as it is playful and intelligent. The kind of film the Coen Brothers would write and direct if the Coen Brothers' sensibilities were rooted in the Canadian manner. This film has all kinds of beauty and heart and yet, it is equally relentless in its dark humour, political skullduggery, and sexy espionage.

Think of it this way: What if you were travelling to Cuba, beholden only to an ostensibly sorry-assed, several day business Conference in Havana. And then along came a dose of seduction. Followed by a second dose of underground allure. "Hey!" You might think to yourself... "I'm where I don't need to be me, at least until the Conference begins. What's the worst that could happen?"