Die Missetäter

I liked the movie more as an existential story than a heist one.

The working question and the what do we really want to do with out lives is what most liked about this movie, as well as the cinematography and the music, both really good. There's not more to add to the plot than the very description of the movie.

On the other hand, a few things I did not like: It's extremely long, excessive, unnecessary. Some sequences were really looong, I don't really need to see a 5 minutes sequence of the character climbing a mountain or crossing a river. I do understand the aesthetic of this but it's counterproductive.

If you need 3 hours to tell your story, you are failing at storytelling in my opinion.

The other thing I wasn't that comfortable is with the acting. They don't act so natural, sometimes seems forced.

Wrapping it up, is a good movie if you like thoughtful olots and good landscapes, but if you cannot handle slow pacing, avoid this movie.

This is an incredibly original piece of cinema. It mixes philosophical tale with a bank heist which really is not the centre part of this movie. The centre part of this movie is a reflection on modern living and the insanity of the race to do things faster the pointlessness of the modern lifestyle, or something akin

The slow deliberate rhythm of this film seems to be a stumbling block for many personally I wish it carried on for a couple more hours ; it leaves us at the end with a lot of unfinished business a lot of untied loose ends

And maybe that is exactly what is needed but it could've gone so many other ways

The director and the scriptwriter (one and the same) made some choices here and they will please some and leave others guessing

It can take a while to see that something is happening that is worth watching if you stick at it you will be rewarded with a very unusual tale .... touch of Rohmer (the highest accolade possible) touch of Antonioni (also the highest accolade possible) 🙂🙃😉

A movie for thinkers romantics and dreamers ...... others will not like this i would surmise ....

For me a solid nine. Oh yes and this is definitely a comedy not hahaha but subtle and simmering ....

PS and then the penny dropped the face of Esteban Bigliardi kept reminding me of another actor and it was French-Italian Yves Montand ... so an Italian face then.

Warning: three hour movie incoming!

No worries, split this sprawl in two, and away we go. First half is a bank caper, the second an existential quest for idyllic existence. Nice.

Moran is a frumpy, bald bank teller, stuck in a nine to five glum who decides to shake up his life with an inside heist. His anagram Roman is an lanky bank teller who becomes an odd accomplice. Their anagram Norma is an effervescent hippie and the object of their desires. Their anagram is Namor and that has nothing to do with this film.

Moran is a man of simple means, who calculates exactly how much he needs to swipe to match his cumulative pay upon retirement, allowing escape from the rat race. Seems fair. His other calculation is three and a half years, which is the time spent in jail upon surrender with good behavior. Again, what could go wrong? Roman is reluctantly roped into the audacious plan, which surprisingly seems plausible, save a couple of hiccups.

Part two: the major hiccup: Norma. A dark-haired, free spirit prancing about the countryside with her film-maker friends, collecting eggs, riding horses, splashing in a swimming hole. Sweet. Moran and Roman fall for her in separate story lines, and it looks like we are headed for an anagram triangle confrontation. Also the bank starts to close in, and the tension begins, but when the movie should start to ramp up, it instead meanders and lingers on mundane passages instead. Sigh.

Lots of filmy things going on here, starting with the beautiful expanse of the Argentine countryside, and the savouring of life's simple pleasures. An actor plays two characters and it somehow makes sense. Split screen shots feature Roman and Moran pondering their individual fate over cigarettes in different time lines.

For a heist and love triangle film, there's a dearth of action, and not much return on your buck. This is a very small film with a very lengthy running time. Three hours may be a tall ask, but there is something weirdly captivating to savour, not just the characters, but the whole experience. "Delinquents" is quite captivating in an offbeat way.

• hipCRANK.

This movie is so good, just a long, sweet mediation. The actors are great, the scenery is lovely, the story has a neat twist - I just can't say enough about what refreshing change of pace it was, a very 70's-late hippie sensibility to the film, like Easy Rider, say, laid back but with meaningful social commentary with a very respectful portrayal bordering on documentary of a sweet, simple land and life, none of which had to be explained or described or tediously walked through in a simplistic narrative fashion as is the case with most movies. It was a very satisfying aesthetic experience. The poem of the Great Salt Flats was new to me and I look forward to reading it again, I hope sales go through the roof thanks to the movie.

I am a bit sad giving a low rating in this movie, because there were many positives here. There is a great movie inside this movie but unfortunately, it was buried beneath Moreno's overambitiousness. There is a lot of originality and creativity in this movie, i liked both the first and the second part but it should have been AT LEAST one hour shorter.

I love slow paced movies but this was too much to endure. At times, it's unbearable to watch and this is a strong word to describe it, but it's not a hyperbole. It didn't need to be like this. Many scenes were pointless. Even the pace was terrible at times, i don't want to see a man walking for 3 minutes in the city. Bela Tar and other similar directors can pull it off. This movie shouldn't be that slow.

I managed to watch the whole movie because i wanted to give this a fair rating, besides there were many positives as i said and most of the time, i liked it. Great acting, an interesting story, beautifully shot, it's obvious that the creator had an artistic vision and he served it, without caring about the outcome. I respect that and i love overambitious movies even if they failed. But this shouldn't fail. It was too good and unique for a 20's movie.

Sadly, also about 60 minutes longer than it should.