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Füge eine Handlung in deiner Sprache hinzuA documentary on Conan O'Brien's comedy tour of the U.S. and Canada after leaving The Tonight Show with Conan O'Brien (2009) and severing his relationship with NBC.A documentary on Conan O'Brien's comedy tour of the U.S. and Canada after leaving The Tonight Show with Conan O'Brien (2009) and severing his relationship with NBC.A documentary on Conan O'Brien's comedy tour of the U.S. and Canada after leaving The Tonight Show with Conan O'Brien (2009) and severing his relationship with NBC.
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I am not a big Conan O'Brien fan, but I love behind-the-scenes type documentaries. This one is excellent. It showcases Conan during a very difficult time in his life when he tries to come to terms with losing the Tonight Show and what to do with his anger. It shows a side of Conan that most people never see, and is hilarious throughout. I have so much more respect for him as a performer after seeing the film even though he comes across as a fairly arrogant jerk during most of the film. He is still very funny, even when you wish he were nicer. The director had over 140 hrs of footage and cut this down perfectly. Great audio and editing which was a huge task. Overall, it is a truly enjoyable movie.
The battle for "The Tonight Show" was the sort of TV drama you couldn't possibly have scripted nor predicted. In June of 2009, late night talk show host Conan O'Brien took over the reins of "The Tonight Show" from its long-time host and Johnny Carson successor, Jay Leno. By the time 2010 rolled around, he was out of a job, replaced by Leno, bought off by NBC, and legally prohibited from television for nine months. Left with few options to bide his time, Conan hit the road with his staff to bring a new variety show to stages across North America. "The Legally Prohibited From Television Tour" made 44 stops and was mostly a success. This documentary, "Conan O'Brien Can't Stop" focuses on the entertainer's NBC drama and the ensuing experimental odyssey that came as a result of his lack of employment.
How much you will enjoy this documentary hinges solely on how likable you find Conan O'Brien. If you never stayed up past 12:30 to see what "Late Night with Conan O'Brien" was all about or are one of the milquetoast types who preferred Leno to the creepy ginger on "The Tonight Show," then "Conan O'Brien Can't Stop" will either go over your head or bore you to tears. Director Rodman Flender (who has such titles as "Idle Hands" and "Leprechaun 2" to this name) focuses as much on the subject's road show as he does the subject himself. All of the warts and imperfections of Coco's road trip are ruthlessly committed to film, for better or worse. For the first time, we see O'Brien as a perfectionist who literally can't stop. He can't stop talking, he can't stop joking and he absolutely can't stop even if it makes him look like a jerk in the process. There's a moment deep into the documentary where O'Brien himself acknowledges that he uses his jokes to subtly insult those around him and such moments of honesty (coupled with the fact that O'Brien himself approved the release of the film) find the host/writer/comedian coming out on top as a complex but utterly fascinating character. Even as he's ruthlessly ripping into longtime friend Jack McBrayer (of "30 Rock" fame) for absolutely no reason, you just can't help but root for him in the end.
While the film may not always paint its subject in the most flattering light, "Conan O'Brien Can't Stop" is still a fascinating and engrossing experience. Although it's obvious that Flender is only scratching at the surface of Conan O'Brien's madness, he reveals something that virtually nobody outside of the man's circle has seen: Conan O'Brien is a flawed, funny and often complicated human being who will stop at nothing to get laughs. Like a car accident, don't be surprised if you can't stop watching.
How much you will enjoy this documentary hinges solely on how likable you find Conan O'Brien. If you never stayed up past 12:30 to see what "Late Night with Conan O'Brien" was all about or are one of the milquetoast types who preferred Leno to the creepy ginger on "The Tonight Show," then "Conan O'Brien Can't Stop" will either go over your head or bore you to tears. Director Rodman Flender (who has such titles as "Idle Hands" and "Leprechaun 2" to this name) focuses as much on the subject's road show as he does the subject himself. All of the warts and imperfections of Coco's road trip are ruthlessly committed to film, for better or worse. For the first time, we see O'Brien as a perfectionist who literally can't stop. He can't stop talking, he can't stop joking and he absolutely can't stop even if it makes him look like a jerk in the process. There's a moment deep into the documentary where O'Brien himself acknowledges that he uses his jokes to subtly insult those around him and such moments of honesty (coupled with the fact that O'Brien himself approved the release of the film) find the host/writer/comedian coming out on top as a complex but utterly fascinating character. Even as he's ruthlessly ripping into longtime friend Jack McBrayer (of "30 Rock" fame) for absolutely no reason, you just can't help but root for him in the end.
While the film may not always paint its subject in the most flattering light, "Conan O'Brien Can't Stop" is still a fascinating and engrossing experience. Although it's obvious that Flender is only scratching at the surface of Conan O'Brien's madness, he reveals something that virtually nobody outside of the man's circle has seen: Conan O'Brien is a flawed, funny and often complicated human being who will stop at nothing to get laughs. Like a car accident, don't be surprised if you can't stop watching.
A documentary on Conan O'Brien's comedy tour of the U.S. and Canada after leaving his post at "The Tonight Show" and severing his relationship with NBC.
Early on, we see some good humor with the mock fight at the protests (although this is more a reflection on Conan's fans than the man himself). But then, it goes wild...
I have mixed feelings on this. I love Conan, and the clips from the tour (on stage) are pretty good. But the behind the scenes moments are strange -- he sometimes comes off as angry (at the wrong people) and childish. He was wrongfully removed from NBC, but he is far more bitter than probably necessary... though this improves as the tour continues.
(Roger Ebert actually sums up the negativity nicely: "Everyone around him pays a price. He relentlessly nibbles away at his support system, picks on his personal assistant, needles his sidekick Andy Richter and dominates his "writers" so compulsively that I can hardly recall one of them being allowed to say anything at meetings. He seems to consider them more of an audience.")
Some people have commented on the anti-Semitic comment made by a fan. I do not really wish to get into it, but I will say Conan deserves a little credit for putting the kid in his place without being too harsh... it was a bad word to say, but was clearly not meant as hatred.
Early on, we see some good humor with the mock fight at the protests (although this is more a reflection on Conan's fans than the man himself). But then, it goes wild...
I have mixed feelings on this. I love Conan, and the clips from the tour (on stage) are pretty good. But the behind the scenes moments are strange -- he sometimes comes off as angry (at the wrong people) and childish. He was wrongfully removed from NBC, but he is far more bitter than probably necessary... though this improves as the tour continues.
(Roger Ebert actually sums up the negativity nicely: "Everyone around him pays a price. He relentlessly nibbles away at his support system, picks on his personal assistant, needles his sidekick Andy Richter and dominates his "writers" so compulsively that I can hardly recall one of them being allowed to say anything at meetings. He seems to consider them more of an audience.")
Some people have commented on the anti-Semitic comment made by a fan. I do not really wish to get into it, but I will say Conan deserves a little credit for putting the kid in his place without being too harsh... it was a bad word to say, but was clearly not meant as hatred.
I've heard from several people that his attitude in this documentary has damaged their perception of Conan as a person. In some ways, I can understand where they're coming from; his humor on a person-to-person basis is much more biting and acidic than it is on television, and the film's approach of basically lining up every joke told behind the scenes, back-to-back-to-back, does give the impression that he's constantly picking on anyone who dares to enter the dressing room. That it also cuts away so quickly after every punchline doesn't give us a chance to understand the context of the conversation or the target's response to his barbs. The japes are constantly funny, but that uncertainty about their reception ultimately keeps the laughs from flowing freely. There's also an impression that he's always on, telling jokes without taking a breath - even during quiet moments at home with his wife and kids. To some, that might make him seem imposing and attention-seeking, but I took it as his way of dealing with the stress of an overloaded schedule, uncertain future and relentless media attention that he was working through at the time, just weeks after his public blowup with NBC. Conan runs with a very funny group of guys, and their puns combined with the glimpses both on the stage and behind the curtains at his "Prohibited Tour" make for some great material. It's just not an entirely friendly atmosphere for unbridled comedy.
Ever since middle school, I have been a huge fan of Conan O'Brien. I would only watch his show on Fridays or over school breaks because if I got caught being up so late, I'd get in trouble. But when he started on The Tonight Show, I stayed up late and watched it anyways no matter the day. So I was watching every night as the battle for The Tonight Show unfolded and, like many, I gave all of my support to him. So after leaving the Tonight Show, he planned a 32-city live tour, which is what the film focuses on.
The tour moments are fun, especially the backstage bits. During the Radio City Music Hall show, we see Conan, Jon Stewart and Stephen Colbert backstage preparing their skit a mere 9 minutes before they go on stage and perform it. We really see the creativity that went into this tour and they pulled it off nicely. There are moments after the shows where he complains about not wanting to meet fans, but he does it anyways. He definitely shows much appreciation for them and all of their support.
We get to see a darker side of Conan in the film. At one point, he teases Jack McBrayer, calling him a hick and even making up a song on the spot that's very dark, yet I found myself laughing. Who wouldn't be able to go into a darker place after losing one of the biggest television shows of all time? Honestly the film made me love Conan even more. Even though he does act somewhat mean at times, his amazing team still sticks with him. He has such a wonderful group of people supporting him. There are some really nice moments of him with long time friend and sidekick, Andy Richter. You can really tell that they will always be there for each other. Also I have to give credit to Sona Movsesian, Conan's assistant, who handles him well at some pretty rough times.
I think documentaries about entertainers are always great to see. You get to see much more of them than you do on TV or on stage. This is one of the best I've ever seen and I'm not just saying this because I'm a Conan fanatic, but this film is very well made. We get to see moments of Conan that we normally don't get to and it's fascinating to watch. The film gets dark at times, but for the most part, it's hilarious. The film is a must see for Conan fans and it's the year's absolute best film. I don't think there will be a more honest, funny and entertaining film this year. Go Team Coco.
The tour moments are fun, especially the backstage bits. During the Radio City Music Hall show, we see Conan, Jon Stewart and Stephen Colbert backstage preparing their skit a mere 9 minutes before they go on stage and perform it. We really see the creativity that went into this tour and they pulled it off nicely. There are moments after the shows where he complains about not wanting to meet fans, but he does it anyways. He definitely shows much appreciation for them and all of their support.
We get to see a darker side of Conan in the film. At one point, he teases Jack McBrayer, calling him a hick and even making up a song on the spot that's very dark, yet I found myself laughing. Who wouldn't be able to go into a darker place after losing one of the biggest television shows of all time? Honestly the film made me love Conan even more. Even though he does act somewhat mean at times, his amazing team still sticks with him. He has such a wonderful group of people supporting him. There are some really nice moments of him with long time friend and sidekick, Andy Richter. You can really tell that they will always be there for each other. Also I have to give credit to Sona Movsesian, Conan's assistant, who handles him well at some pretty rough times.
I think documentaries about entertainers are always great to see. You get to see much more of them than you do on TV or on stage. This is one of the best I've ever seen and I'm not just saying this because I'm a Conan fanatic, but this film is very well made. We get to see moments of Conan that we normally don't get to and it's fascinating to watch. The film gets dark at times, but for the most part, it's hilarious. The film is a must see for Conan fans and it's the year's absolute best film. I don't think there will be a more honest, funny and entertaining film this year. Go Team Coco.
Wusstest du schon
- WissenswertesConan O'Brien said he approved of the film capturing darker aspects of his personality because he wanted an honest portrayal of show business and to remind the audience that "there is a yin and a yang to every person."
- Zitate
Sona Movsesian: You have forty thousand people in the palm of your hand. It's like watching Hitler... but a nicer Hitler.
- VerbindungenFeatured in Ebert Presents: At the Movies: Folge #1.22 (2011)
- SoundtracksPolk Salad Annie
Written by Tony Joe White
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 267.965 $
- Eröffnungswochenende in den USA und in Kanada
- 97.043 $
- 26. Juni 2011
- Weltweiter Bruttoertrag
- 267.965 $
- Laufzeit
- 1 Std. 29 Min.(89 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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