Die verfolgte Lily Pierce sucht ihren entfremdeten Vater, einen in Ungnade gefallenen Geschichtsprofessor, auf, um zu lernen, wie man gegen übernatürliche Bedrohungen kämpft, wie Ritter gege... Alles lesenDie verfolgte Lily Pierce sucht ihren entfremdeten Vater, einen in Ungnade gefallenen Geschichtsprofessor, auf, um zu lernen, wie man gegen übernatürliche Bedrohungen kämpft, wie Ritter gegen Monster.Die verfolgte Lily Pierce sucht ihren entfremdeten Vater, einen in Ungnade gefallenen Geschichtsprofessor, auf, um zu lernen, wie man gegen übernatürliche Bedrohungen kämpft, wie Ritter gegen Monster.
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I don't understand all the hate. No this isn't a super blockbuster horror movie with a huge budget. It's a slow build movie. I like the main character Lilly. She's complex & real. Of course she's pissed. Her dad was an absent father fighting his own battles. We slowly learn the reasons for their estrangement. If you want blood, gore and guts this isn't the movie for you. If you want a movie that makes you think and feel this is for you.
I think the production value is good. The scenery is beautiful. I enjoyed the way things were shot especially in the wooded scenes. The tension build was suspenseful.
The acting was good. I felt the chemistry between Lilly & Willow. As a lesbian myself I liked how the lesbian relationship wasn't a huge focus of the film. It was just part of who Lilly is.
Give this film a chance. In my opinion you won't regret it.
I think the production value is good. The scenery is beautiful. I enjoyed the way things were shot especially in the wooded scenes. The tension build was suspenseful.
The acting was good. I felt the chemistry between Lilly & Willow. As a lesbian myself I liked how the lesbian relationship wasn't a huge focus of the film. It was just part of who Lilly is.
Give this film a chance. In my opinion you won't regret it.
I think most people wanted to see a hot girl sword fighting in armor in medieval forests. That's all the poster's fault. As much as I hate formulas, movie posters are not art, they are templates designed to tell the viewer at a glance what kind of film you are giving them. In that regard, the poster was atrocious.
Instead you get a slow paced thriller about a young woman traumatized by her mother's suicide when she was a child and the subsequent estrangement of her father. The film brings in a demonic force, but it's nothing more than a symbol of the past one must overcome in order to move forward and not a horror element. The actresses are beautiful and actors (all seven of them, perhaps with the exception of the child, but you know.., child actors) do a good job. The mood is appropriate and the sets well done. The film is rich in psychological symbols and I think for someone living similar (but non supernatural) situations, this could actually be therapeutic.
All in all, for the type of movie it is, it's a pretty good movie. I agree that it could have packed more in less time, but sometimes, if you are in the mood, you can get into the atmosphere of a slow burning film and this is exactly that kind of film. If you are impatient to see sweaty chicks grunting while wielding heavy metal swords you will, of course, be disappointed. However, people that would identify with the main characters would actually benefit from the gradual exposure to possible triggers.
Another aspect of the film that unfortunately took something from the overall experience was the fight scenes in the dark. You could barely understand what was going on. It's a small point, but also a relevant one.
Addressing the lesbian elephant in the room, it was by no means woke, and it wove naturally into the plot. Did the film linger a bit too much on the personal relationships of the lead character so that absolutely nothing really happens in the first 45 minutes? Yes. But that has nothing to do with gender politics.
All in all, I think the people that would have enjoyed the film were thrown off by the poster just as the people who would not have enjoyed were lured in by it. It is a good movie that I don't regret seeing, even if it wasn't really entertaining. Good acting and directing.
Instead you get a slow paced thriller about a young woman traumatized by her mother's suicide when she was a child and the subsequent estrangement of her father. The film brings in a demonic force, but it's nothing more than a symbol of the past one must overcome in order to move forward and not a horror element. The actresses are beautiful and actors (all seven of them, perhaps with the exception of the child, but you know.., child actors) do a good job. The mood is appropriate and the sets well done. The film is rich in psychological symbols and I think for someone living similar (but non supernatural) situations, this could actually be therapeutic.
All in all, for the type of movie it is, it's a pretty good movie. I agree that it could have packed more in less time, but sometimes, if you are in the mood, you can get into the atmosphere of a slow burning film and this is exactly that kind of film. If you are impatient to see sweaty chicks grunting while wielding heavy metal swords you will, of course, be disappointed. However, people that would identify with the main characters would actually benefit from the gradual exposure to possible triggers.
Another aspect of the film that unfortunately took something from the overall experience was the fight scenes in the dark. You could barely understand what was going on. It's a small point, but also a relevant one.
Addressing the lesbian elephant in the room, it was by no means woke, and it wove naturally into the plot. Did the film linger a bit too much on the personal relationships of the lead character so that absolutely nothing really happens in the first 45 minutes? Yes. But that has nothing to do with gender politics.
All in all, I think the people that would have enjoyed the film were thrown off by the poster just as the people who would not have enjoyed were lured in by it. It is a good movie that I don't regret seeing, even if it wasn't really entertaining. Good acting and directing.
Lily Pierce (Molly Kunz) is haunted her childhood memory of witnessing her mother's brutal suicide. She has a caring girlfriend despite her volatile episodes with her supernatural visions. She is called to visit her father who is living alone on the family farm.
This is a functional spooky horror for awhile. When she puts on the armor, I can't help but snicker at it. It feels silly. I'm willing to accept the premise, but something about it feels a little amateurish and LARP. Maybe she could buy the armor from an antique store and adapt it. Also, forget about the gun. The excuse is just an excuse and I don't buy it. The acting is fine. The budget restraints the story and the filmmaking. In the end, I can't shake the silly feeling.
This is a functional spooky horror for awhile. When she puts on the armor, I can't help but snicker at it. It feels silly. I'm willing to accept the premise, but something about it feels a little amateurish and LARP. Maybe she could buy the armor from an antique store and adapt it. Also, forget about the gun. The excuse is just an excuse and I don't buy it. The acting is fine. The budget restraints the story and the filmmaking. In the end, I can't shake the silly feeling.
A very strange film for sure. How would I describe it?
Part ghost story, part LBGTQIA story, part dungeons and dragons. I think that's got the main points down.
None of it made any sense. There were some good scenes at least. Those were the creepy ones. The lesbian relationship bit had no bearing on the rest of the story.
The main character was horribly written being the most unsympathetic protagonist I have ever seen in a motion picture. She is bratty, spoilt, ungrateful and generally unhappy with everyone.
Thankfully it's a tiny budget, so at least it won't be disappointing its bank manager too much. In short, avoid.
Part ghost story, part LBGTQIA story, part dungeons and dragons. I think that's got the main points down.
None of it made any sense. There were some good scenes at least. Those were the creepy ones. The lesbian relationship bit had no bearing on the rest of the story.
The main character was horribly written being the most unsympathetic protagonist I have ever seen in a motion picture. She is bratty, spoilt, ungrateful and generally unhappy with everyone.
Thankfully it's a tiny budget, so at least it won't be disappointing its bank manager too much. In short, avoid.
I'm not entirely sure what in the world was going on here. Apparently a young lesbian must go to the countryside and wear her mother's armor and fight off some sort of demon thing that's cursed her family for generations. Or maybe not. I'm not sure how said armor remained unrusted sitting in a box in a basement for 20 years, unoiled and unpolished, but nevermind that. I like the idea of someone pulling the St George routine in our modern era, and there was a lot that could have been done with this story had a better director and writer been in charge - maybe explore the family history, or better define what the monster-thing is. The acting could have been worse tbh, so there's that. But the whole story starts slow then slows down more and finally comes to a shuddering halt, all while accompanied by some of the worst cinematic music I've heard since the '80s. I rented this for $6 from Amazon Prime, and I feel like I should get at least $5 back. I really wouldn't waste either the time or money on this film if I were you.
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- 1 Std. 39 Min.(99 min)
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