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Return to Seoul

Originaltitel: Retour à Séoul
  • 2022
  • 12
  • 1 Std. 59 Min.
IMDb-BEWERTUNG
6,9/10
9977
IHRE BEWERTUNG
Park Ji-min in Return to Seoul (2022)
RETURN TO SEOUL | Official Trailer (2022) ansehen
trailer wiedergeben2:03
3 Videos
99 Fotos
Drama

Eine Französin kehrt zum ersten Mal nach Korea zurück - dem Land, in dem sie geboren wurde, bevor sie von einem französischen Paar adoptiert wurde. Sie beschließt, ihre leiblichen Eltern aus... Alles lesenEine Französin kehrt zum ersten Mal nach Korea zurück - dem Land, in dem sie geboren wurde, bevor sie von einem französischen Paar adoptiert wurde. Sie beschließt, ihre leiblichen Eltern ausfindig zu machen.Eine Französin kehrt zum ersten Mal nach Korea zurück - dem Land, in dem sie geboren wurde, bevor sie von einem französischen Paar adoptiert wurde. Sie beschließt, ihre leiblichen Eltern ausfindig zu machen.

  • Regie
    • Davy Chou
  • Drehbuch
    • Laure Badufle
    • Davy Chou
    • Violette Garcia
  • Hauptbesetzung
    • Park Ji-min
    • Oh Gwang-Rok
    • Guka Han
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    9977
    IHRE BEWERTUNG
    • Regie
      • Davy Chou
    • Drehbuch
      • Laure Badufle
      • Davy Chou
      • Violette Garcia
    • Hauptbesetzung
      • Park Ji-min
      • Oh Gwang-Rok
      • Guka Han
    • 67Benutzerrezensionen
    • 105Kritische Rezensionen
    • 87Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 10 Gewinne & 25 Nominierungen insgesamt

    Videos3

    RETURN TO SEOUL | Official Trailer (2022)
    Trailer 2:03
    RETURN TO SEOUL | Official Trailer (2022)
    Return To Seoul: Dancing
    Clip 2:01
    Return To Seoul: Dancing
    Return To Seoul: Dancing
    Clip 2:01
    Return To Seoul: Dancing
    Return To Seoul: Land Of My Birth
    Clip 1:40
    Return To Seoul: Land Of My Birth

    Fotos99

    Poster ansehen
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    Poster ansehen
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    + 92
    Poster ansehen

    Topbesetzung43

    Ändern
    Park Ji-min
    Park Ji-min
    • Frédérique Benoît AKA Freddie
    Oh Gwang-Rok
    Oh Gwang-Rok
    • Freddie's Korean Father
    Guka Han
    • Tena
    Kim Sun-young
    Kim Sun-young
    • Korean Aunt
    Yoann Zimmer
    • Maxime
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • André
    Heo Jin
    • Grandmother
    • (as Jin Heo)
    Hur Ouk-Sook
    • Grandmother
    Son Seung-Beom
    • Dongwan - the Francophone Friend
    Kim Dong-seok
    • Ji-wan
    Emeline Briffaud
    • Lucie
    Lim Cheol-Hyun
    • Kay-Kay
    Régine Vial
    • Gisèle Benoît
    • (as Régine Vial Goldberg)
    Cho-woo Choi
    • Korean Birth Mother
    Ioana Luculescu
    • Romanian Hotel Receptionist
    Nam-Soo Baik
    • Bus Driver
    Shin Dong-ho
    • Tena's Father
    • (as Dong-ho Shin)
    Gun-woo
    • Hotel Bartender
    • Regie
      • Davy Chou
    • Drehbuch
      • Laure Badufle
      • Davy Chou
      • Violette Garcia
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen67

    6,99.9K
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    Empfohlene Bewertungen

    7j-m-d-b

    Wants to tell a bigger story

    I could not watch this film without any expectation or prejudice, as I know someone who has a sibling that is an adopted Korean child. However I still tried to keep an open mind, and I think the film is executed well.

    Freddie is the only character that is really fleshed out and I think that's right. There are several other characters, notably Freddie's father, that are treated with respect by the film but they are not given a lot of depth. But since it's not their story that is being told they all have to take a back seat to the little girl that it's all about.

    After watching this I did a little digging and I found that adoption, foreign or not, is culturally, politically and therefore historically laden in South Korea. You have to want to go looking for it as the film does not push the subject too heavily, but it certainly has several scenes referring to this subject from the institutional rather than the personal viewpoint.

    I do think the film has some problems in finding the right tone and there are segments that do not help progress the story. The whole birthday party segment might be nicely shot but does not really add anything.

    All in all it's a good film and it triggered me to learning a bit more about its subject matter.
    9PedroPires90

    Raw

    What stands out the most about this film is its refusal to take the easy route. While viewers may think they can predict the direction after the first act, they are mistaken. The narrative defies predictability, mirroring the unpredictable nature of wounded souls and those who never feel truly at home.

    The protagonist's actions may seem foolish, but what truly captivates is the striking humanity portrayed with raw realism, making it impossible to abandon the desire and hope for her to find solace within. I was left speechless when I found out that this is Ji-Min Park's debut role. A role that made me shed tears on more than one occasion and that is her merit in making us see so well that everything she is, is the result of her life's circumstances.

    The experiende Oh Gwan-rok, in the role of the biological father, is also outstanding, but this is not just a film of performances. It boasts brilliant scenes, expertly paced storytelling, daring technical choices, and a secure, risk-taking direction, all complemented by a flawless soundtrack.

    PS: The main theme of this and the one of "Decision to Leave" are two haunting melodies that linger in my mind, compelling me to delve deeper into the history of South Korean music.
    7bohdanascheinostova

    Emotive search for identity

    Inspired by the life of Laure Badufle, the screen-writer, "Return To Seoul" takes us on a journey of regret, anger, sorrow and wondering what could have been. This film puts an exciting spin on the "adoptee wants to find their biological parents" genre with its depiction of all of the stages Freddie, the protagonist, goes through on her journey of reconciling with her biological parents and also finding her own identity. Davy Chou, the director, captures incredibly Freddie's stance on reuniting with her father, which shows that she is torn between wanting to meet him and being angry with him for giving her up in the first place - this ambivalence keeps the whole narrative thrilling in an otherwise slow pace/slow burn picture like this. What I must appreciate is the truly realistic approach to the legislative side of how adoptees can find their parents, that helps the film being believable. Also I completely admired the striking performance of Park Ji-min in the titular role and I couldn't believe that this was actually her first film ever.
    8lewianbra

    A shot at an explanation of her behaviour

    I saw this film yesterday and I thought that it's an original and unique film, but somewhat difficult to enjoy. An issue that many people have is that they can't connect to Freddy, the main character, and I get why. Her behaviour is often erratic, and then at times repelling and harsh to others. As she really takes centre stage in this film, it can be hard even for the spectator to put up with her behaviour, even though it is nowhere near outright evil. I thought a bit more about this, and will share my view of it. I won't reveal any detail of the film that you can't find in any generic introduction, so no spoilers, however if you want to watch this and build your own understanding unaffected by my interpretation, you may not want to read on.

    I actually know well a person in a similar situation to Freddy, somebody from outside Europe who was adopted to Europe at the age of half a year. There are clear parallels also in behaviour. Being abandoned is a primal experience for adopted children. In these cases an additional thing is that the environment can clearly see that the parents are not the biological parents, and some may think the child "doesn't belong" in the country to where it was adopted. This will add to their experience of being somewhat odd and maybe not really accepted, even though the adoptive parents themselves may not convey anything of that kind. What I see in Freddy is a very strong tendency to keep up and defend her own independence fiercely, particularly if somebody else gets closer. The biological parents have given her away, so it is hard to handle and accept for her if she meets them again and they want some closer contact. I think there is much fear of being abandoned again involved. She may also have tried extra hard to become a proper French person when growing up, potentially facing some prejudice but also encouragement there, and she may identify South Korea as a place that abandoned her, even though there is also curiosity and a certain feeling of connection that she has difficulties allowing for herself. So she develops this rather ambivalent relationship to South Korea and the people there, sometimes behaving extra strange, sometimes getting closer, then again wanting to run away when indeed somebody gets a bit closer. There may also be an element of trying to prove life wrong, trying to show to herself that ultimately she isn't rejected by South Korea and her biological parents, but with a lot of suspicion and self protection at the same time. So thinking about this a bit longer, ultimately her behaviour makes a lot of sense to me, even in its superficial inconsistency.

    So after a day I think this is actually very well done and convincing, and I'll give it 8 stars, even though I hadn't felt like that yesterday when the film ended. Note, explanations are not normally given in the film. She does what she does but she really isn't communicative about her motives, so we can only speculate. But it makes all sense to me, given also my personal knowledge of such a person.
    8Pairic

    Identity has two faces

    Return to Seoul: A stranger in a strange land, adopted as a bay from South Korea and raised in France, 25 year old Freddie (Ji-Min Park) returns. It is a bit of a culture shock but she quickly makes friends. She is persuaded to contact her birth parents through the adoption agency and eventually her father responds. All does not go swimmingly especially as Freddie's free spirit clashes with Korean reticence and patriarchal norms. Freddie herself however is self-centred and even cruel to friends and family. The film captures snapshots her life for her first two weeks as an returnee in Korea, two years later, five years after that and finally a year later, eight years since her first return visit. She develops in some ways, degenerates in others. An interesting tale of loss, acceptance, search for identity and longing on the part of Freddie. Directed and written by Davy Chou. 8/10.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The movie is based on the life of Laure Badufle, a friend of director Davy Chou. Like Freddie, she was born in South Korea, stayed a year there before being adopted in France. At age 23, she came back and lived for two years there before returning to France. A few years after that, Chou accompanied her to South Korea, when they met her biological father and grandmother. According to him, the meeting was full of emotions, of regret and bad communication, with the translator struggling to convey Badufle's anger into polite Korean.
    • Zitate

      Tena: [to Freddie] You are a sad person.

    • Verbindungen
      Featured in Amanda the Jedi Show: This Movie Saved My Life (and the one's that almost ruined it): Best and Worst of 2022 (2023)
    • Soundtracks
      Petals
      Written by Shin Jung-Hyun

      Performed by Lee Junh-Hwa

    Top-Auswahl

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    FAQ

    • How long is Return to Seoul?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 26. Januar 2023 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Deutschland
      • Belgien
      • Südkorea
      • Rumänien
      • Kambodscha
      • Katar
    • Offizieller Standort
      • MK2 Films (France)
    • Sprachen
      • Englisch
      • Französisch
      • Koreanisch
    • Auch bekannt als
      • Ohne Rückkehr
    • Drehorte
      • Seoul, Südkorea
    • Produktionsfirmen
      • Aurora Films
      • Vandertastic Films
      • Frakas Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 2.200.000 € (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 798.774 $
    • Eröffnungswochenende in den USA und in Kanada
      • 27.315 $
      • 19. Feb. 2023
    • Weltweiter Bruttoertrag
      • 2.175.376 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 59 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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