Joyland

Wiping away sexual taboos in countries where the culture's tolerance for such things is, shall we say, somewhat "limited" can indeed be a slow, painful and difficult process. Such conditions are presented with remarkable candor on a number of fronts in this groundbreaking debut feature from Pakistani writer-director Saim Sadiq, who unflinchingly depicts the frustration that many are feeling in a nation yearning for greater social acceptance and personal freedom when it comes to alternate lifestyles. And this work is certainly commendable for the bold, courageous steps it has taken in this regard. However, these ideas are far from anything new in the world of cinema, and, as I watched this film, I couldn't help but think that the praise that has been heaped on it is somewhat hyped, primarily because of the venue in which the story is set. Don't get me wrong - this is a well-made picture, and I would imagine that the impact it has had on its country of origin is substantial, but I don't believe it's quite on par with the sweeping accolades that have been showered upon it. (Its victory at the Independent Spirit Awards for Best International Film, for example, was an overstatement in my book compared to some of the other nominees.) As a first feature for the filmmaker, it's a fine work that shows a great deal of promise for its creator, who clearly possesses an abundance of talent that I can't wait to see further developed. But there are elements of his craft that could use some further refinement to elevate him to the level of the big leagues (case in point, a conclusion that has been done several times before and almost comes across as trite here). "Joyland" certainly makes a powerful statement that needs to be said (and acted upon), and it does so in a highly capable way, but aspects of it could have been improved upon to make this a truly great film worthy of the honors that have been bestowed upon it.

I guess people have forgotten the difference between the meanings of "promotion" and "depiction". For those who really don't know what these words mean: promotion means to encourage, to support something. And depiction means to show something, to make people aware of something by showing it to them.

Now, Joyland, nowhere in its 126 minutes run supports or encourages or "promotes" homosexuality or anything that is anti-Islamic. In fact, this isn't even the only theme of the film. It covers pretty much every aspect of the domestic life of a lower middle-class Pakistani man and a woman (I didn't mention transgender person because those poor things have only one class of lifestyle). It shows every harsh reality of our society. It shows all the plagues our country is being devoured by, those which aren't remotely related to Islam but have become a part of our tradition despite being highly toxic. These are the stigmas that we suffer from in our lives but no one wants to get rid of them because they have been here for so long that they have become normal. And a life without them would be abnormal or even disgraceful and shameful according to our "elders".

The film does show the homosexuality that exists in our country. It doesn't tell whether its good or bad, it just shows it. The only thing that could be a negative point in my opinion would be the graphic scenes. They weren't really that necessary.

In the end, I would say that Joyland is probably the best film that's come out of Pakistani industry in a long time. We need to support such films and accept the existence of all the brutalities of the society they make us aware about. And lastly, try to do something about them.

The prison you call home has let you go, exchanging places with your wife to earn some dough, leaves her trapped and isolated, while you become more animated, and discover what deep down, you've always known; as you fall for dancer Biba who you're supporting, on the stage but after hours you are cavorting, in a world that can be rigid, you find yourself no longer frigid, then you misjudge the whole vibe, with your contorting.

It's a wonderful and brave piece of cinema that breaks boundaries by some measure (and quite rightly so), as Haider falls for the elegant transgender Biba, and his wife Mumtaz pays the penalty for his indiscretions.

Joyland is a deep, emotional and quite sad film. The moments of happiness are quite often also wrapped in pain and guilt and the sad moments take the lead in the whole story.

Joyland is a film about a Pakistani man that finds a job as a background dancer in an erotic theatre. The main dancer is trans, who you can see struggles with how she is perceived in society as "not a real woman". The two fall in love which causes problems between the man and his wife. Who live with the father, brother, wife in-law (and their kids), of the man. Who are more conservative.

This film shows the struggles of people who fall out of order in the traditional Pakistani society. Women who want to work although they are married, trans people who are not perceived as the gender they embody no matter what they do and men who don't fit in the masculine stereotype set out by society.

The cinematography and ambience is great in this film. The reason why I gave it a 7 ( although more of an 7,5) was because at times the story felt somewhat slow and boring in a sense, although quite some stuff was happening. I would say over all you should absolutely watch this beautiful film, it will bring you in touch with a world you probably haven't seen before.

Sad that after recieving clearance for release by a special committee formed by PM Shehbaz Sharif, the film #Joyland gets banned by Punjab Government; And that politicians/ adults in Pakistan would be so petty and spiteful as to deny people their fundamental right to live.

The film that's giving the LGBTQ community in Pakistan a voice, has been banned yet again in Pakistan. Can't use personal religious belief to ignore morals that demand equality among all humans. Love is understanding.

Telling people what to do with their body has emerged as a social sickness of the 21st Century. People who cannot change, are telling people not to change. Future isn't something you passively wait for, but something you create yourself.

We have to start making sense as humans. That every human has the right to live is a moral, not a religious issue.