Femme

A revenge drama is a tricky business. You don't want it to be a too much of exploitation trash, but you don't want it to be too safe either. 'Femme' falls closer to 'playing it too safe' team.

I found the biggest issue was that the key moments didn't ring true. The assault scene, for example, is the basis of the rest of the ensuing drama. I wouldn't have expected it to be the level of 'Irreversible'... but it definitely relied too much on camera works and editing than the rawness of the violence, thus making Jules' resulting trauma less gripping to the audience.

The following key moments of shift also failed to be convincing. How Jules re-encounters Preston, how that chance encounter leads to hook up, how that again leads to a proper steak date... all seem to just happen for the convenience of the plot. Also Preston's changes as a character, namely how he develops deeper feeling towards Jules and admits his submissive side... all come along without much development (after literally one scene after another of him using Jules like a sex toy, that is).

Together with Jules' frankly flimsy plan of 'revenge' (why would he bring Preston back to his place and let his friends meet him if he truly was serious about his revenge?), the overall result is that it made it hard to take the whole thing rather seriously. A revenge drama that keeps you at the edge of the seat, 'Femme' is not.

One of the weaknesses was also Stewart-Jarrett playing Jules. His switch between feminine-masculine persona was impressive, but his display of tension/fear/emotional struggle was pretty mono-toned. Say, his fear before the assault should have a different colour to his fear when he later faces Preston's thug friends, for example. But to my eyes, it all felt pretty generic 'fear'.

Mackay's display of explosive temper and the contrasting soft/weak side is great, but even his great acting cannot quite make up (already mentioned) lack of convincing development.

I want to see more risk taking and raw approach when the film maker took up such a controversial subject to start with.

"Femme," a 2023 thriller, grabs you and doesn't let go. It's the story of Jules, whose life is torn apart by a brutal homophobic attack. Things take a wild turn when he runs into Preston, one of the attackers, in a gay sauna. Jules is torn between revenge and something deeper.

This movie hits hard. It's gritty, real, and punches you right in the feelings. The actors bring their A-game, making every moment believable and raw. You're not just watching; you're living through Jules's pain and his complex road to possibly finding peace.

"Femme" is more than a movie. It's a deep dive into the aftermath of love & hate, showing how it scars everyone involved. It's uncomfortable, yes, but it's also incredibly powerful. It's one of those rare films that sticks with you, challenging you to see the world and its harsh realities in a new light.

I sat watching this after a heavy meal in the evening and had been afraid I might have dropped off. Not a chance. The writing and direction, let alone the two main characters, kept the tension high all the time. An hour and forty minutes seemed to speed by.

I'd been worried that I might not get into the film as the world of drag and effeminacy is not mine. However the brilliance of the acting swept all such doubts aside as Jules and Preston developed their affair.

This isn't a simple revenge film. There's more to it than that and the film starts to delve into real feelings that the two lovers develop for each other.

The ending is bleak but leaves enough scope for hope. I recommend this film.

Femme is a psychosexual thriller that's unbearably tense from the get go. A tale of revenge and repression that barely gives itself a minute to breathe. Every scenario and encounter is filled with a growing sense of dread which culminates in an explosive confrontation that's terrifying.

The power play between Nathan Stewart-Jarrett and George MacKay is incredible to witness. As it progresses Nathan Stewart-Jarrett goes from being uneasy and uncomfortable to having real power over George MacKay, who starts off absolutely terrifying and becomes more self conscious in the later moments.

Debuting directors and writers Sam H. Freeman & Ng Choon Ping announce themselves with a heavy film that depicts its violence in an unflinching fashion and has a power play that's suitably sexually charged. It's all helped by Adam Janota Bzowski's score which is always present at the right moment.

Queer movies have been hit and miss recently as they always engage in the caricature of romanticizing the pains between the queer one and the closeted one.

Femme had all the chances of ending in the déjà vu world of sad gay movies but it does the opposite.

By showing incredibly realistic characters, with their emotional anxieties and doubts evolving in real time, by building an insane level of tension and ambiguity, Femme manages the impossible. It resets the queer love story to new highs. There are no arty effects, artificial pose, comfortable moments. This is a drama where love tries to find a place in mountains of pain.

At the center is identity and where each of us fits in defining our queer sensibility. I particularly loved the moments where the closeted one tries to create casual and romantic moments the way his mind can accept it. It's groundbreaking.

Difficult to watch but absolutely outstanding.