The Present

This reviewer has a weakness for time travel story arcs. Oddly, even now, the Gold Standard for TT movies remains Groundhog Day; and, for series, the Janeway Trekkie episodes. As consumers of entertainment, we as a culture have now come to the point where a time travel story has to be 'different' to get attention. At that, THE PRESENT 2024 delivers. It is very clever. It all takes place in the present but, paradoxically, the present keeps getting altered in subtle ways. Up to you to spot that. The script and direction are ... sharp. There is no pandering of any kind to the audience. In fact, the viewer is actually expected to approach the movie like an interactive crossword puzzle, and puzzle it out dynamically. As the story unfolds. The characters are interesting, and the actors deliver. Upbeat tone. Pleasant ending. In other words -- yet another paradox. This is the kind of light and fluffy movie they used to make ... before anyone ever heard of Time Travel movies. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

Not every plot twist will make sense in this family version of Groundhog Day. So the basic premise is not original. I've learned long ago that originality is not all that important. What matters is the fact that we've got very good roles written down for a cast who knows how to deliver when they have a very good role written for them. And it works - we quickly learn to care for this dysfunctional family, and since we care we stay through to the end. Pacing is just quick enough so we don't notice the bits that make less sense, and if we do notice, as I already said - it doesn't really matter.

It's not a masterpiece, it doesn't pretend it is. It's what my title said - a well-done fun movie. If that's what you're looking for, you'll get it here.

The main issue with this movie is how the movie cant seem to decide which demographic its for. Is this a kids movie? Definitely not. Theres sex jokes, condom jokes, implied sex, and tons of other stuff that would lead to you having some really awkward conversations with your kids afterwards ("mommy, what did that guy mean when he said that the girl was a 'virgin'?") is this a movie for adults? Ummm... nope. The tone and premise is just way too childish and silly for that either.. so who is this movie for?

Its also got plenty of other problems under the surface as well. The actor playing the therapist was just annoying, the middle child max is just an extra in the first 2 thirds of the movie before suddenly deciding he wants to be an actual character in the final act. Also some of the sources of conflict were just dumb, like oh no, the dad is renting out a bathelor pad for when he moves out? Thats terrible for... some reason. I will say though that i did like it how whenever the movie relived a day it didnt re-show everything beat for beat, it only showed the stuff that changed from the previous day, that definitely saved a lot of filler.

Its just... meh. It just feels like a movie that came out a couple decades too late, it literally feels like a movie from the 80s or 90s. Its not terrible, but its just not completely compatible with any specific demographic.

It's really sad how critics wrote this Christian Ditter film off. It's actually a pretty great family comedy, aimed at younger children, propulsive and colorful with a great message placed safely within a very mischievous faux-SF plot.

This science fiction aspect of the film is actually the easiest one to get out of the way. It's a gateway movie when it comes to science fiction and it's a nice introduction to chronomotion and stuff like Groundhog Day and maybe even Back to the Future. Of course, the real deal works are better and obviously the best version of this plot device but as an interpretation for kids, Jay Martel and Christian Ditter deliver a proper version.

So, any unfavorable comparison to science fiction classics of cinema aimed at older audiences are literally moronic. This film is actually doing a favor to the genre.

However the fundamental element of this film is not chronomotion. It's family values and the ability of family members to actually heal it and fix its issues. It's inspired by Parent Trap alright but it's an archetypal thing and Isla Fisher & Greg Kinnear play the main characters as a couple worth keeping together.

Kids are also pretty great in leading roles and Christian Ditter brings great proficiency to staging which is pacy and imaginative.

Mayve, the film fell victim to its perceived lack of Wokeness, even though there are elements of inclusion. But if you are on the lookout (no pun intended to Fisher's film Lookout) for quality family fare, check this out,

This is a comedic family drama fantasy about a couple with 3 kids who are on the verge of their separation. With the help of the old magical grandfather clock, their kids trying to stop their parents from separating. The movie showed the story from many points of view. Every time they rewind the day, it started from somebody else's point of view. And it gave the audience a chance to understand and relate to all of the family members. This is a funny, touching and beautiful family movie. I recommend this one to watch with your family. The acting is decent, the story is good, and it has a decent ending.