The Clearing

Being familiar with the subject The Clearing is loosely based on, I found this to be a captivating series. The slow pace adds to the suspense and each episode reveals more about the characters and how they got there and how they fit into the story. The acting is superb, especially the young actors playing "Amy" and "Sara/Asha". Miranda Otto is sublime as "Matreiya" and perfectly captures the quiet insanity and unhinged mental state of the mother figure. The supporting cast are equally unhinged, including Freya, Joe, Tamsyn, Hannah, Bryce and Henrik. It is a story of how the sin of one becomes the sin of all.

There is a very special, very excruciating place reserved in hell for those that run abusive cults, they are the utmost repulsive nadir of human weakness in the collective consciousness. The Clearing is a mostly fictitious, brilliantly complex dramatic thriller with a narrative backbone that is based on the real life Australian cult dubbed 'The Family', raided and disbanded decades ago. This utterly compelling eight episode journey examines several characters revolving around the operation and takedown of a nasty cult called The Kindred, owned, operated and presided over with treacly malevolence by false prophet guru Adrienne 'Maitreya' Beaufort, played with career best intensity by Miranda Otto. We see in non linear form how she came to power using dime-store psychological manipulation, unconventional metaphysical gibberish and thinly veiled psychosis masquerading as pied piper charisma. Woven in is the present day story of Freya (Teresa Palmer, also giving career best work), a girl who was rescued during the eventual raid and who now lives in constant fear and traumatic paranoia as she tries to shield her own children from the cult's temporarily dormant yet still permeating influence. The story is a multi timeline narrative told deliberately out of order, no doubt to emulate for a viewer how disorienting it must feel to find one's life embroiled in such a long, punishing, cruel ordeal. This may not look like much from the outside or be getting the rave reviews it should be but it's some of the best television I've seen this year, a structurally complex, emotionally intelligent, consistently unpredictable piece of work with terrific performances, eerie music and a mature, creepy, empathetic script. Streaming now on Disney Plus.

I've never even used the word superb before but it's just so fitting here! The acting was incredible, especially by the girl playing young Amy, Theresa Palmer and the actor playing Saad.

The fact that this is based on a real cult is what got me to watch it, as I've read a lot about that cult over the years. It shocks me to no end that that woman was never brought to justice, but anyway back to the show...yes it was a slow burn but it was still gripping and entertaining enough for me to keep watching. I watched it over 2 days. If you don't like slow dramas then don't watch this. If you're ok with setting the scene, slow paced mysteries then this is for you. Some twists and turns and enough different from the 'true' story to create suspense.

I found this series to be gripping, intriguing and definitely kept my attention so much so that I binge the whole series on one sitting couldn't stop watching. I'm a massive true crime/cults nerd which made this all the more interesting given that it is losely based on the really Australian Cult 'The Family'.

I thought the series was very well cast.

The story line was well written.

My only issue hence not a 10/10 is the time jumps, they are not dated or anything apart from one time. So at first it takes a while to figure out what is going on, especially at the beginning. If it wasn't for this would have been full marks.

I really wanted to like this. I love Theresa Palmer and Miranda Otto is a superstar. There is not a weak spot in the cast at all. I dont usually mind flashbacks and flashforwards, but there are too many and they are too frequent and they are too short. I guess if you set out to deliberately confuse your viewers, you would consider this a success. But when you take the incredibly great performances by the cast (and some of them are truly wonderful) and put them into a confusing and disjointed mess like this you are failing. Still young and active Joe is easy enough to distinguish from old, beat down reprobate Joe, but it is nearly impossible to tell which period Amy/Freya is supposed to be in.