IMDb-BEWERTUNG
7,4/10
1737
IHRE BEWERTUNG
Eine Dokumentation über den Komiker und Filmemacher Albert Brooks mit Interviews von Sharon Stone, Larry David, James L. Brooks, Conan O'Brien, Sarah Silverman und Jonah Hill.Eine Dokumentation über den Komiker und Filmemacher Albert Brooks mit Interviews von Sharon Stone, Larry David, James L. Brooks, Conan O'Brien, Sarah Silverman und Jonah Hill.Eine Dokumentation über den Komiker und Filmemacher Albert Brooks mit Interviews von Sharon Stone, Larry David, James L. Brooks, Conan O'Brien, Sarah Silverman und Jonah Hill.
- Für 4 Primetime Emmys nominiert
- 9 Nominierungen insgesamt
Clifford Einstein
- Self - Brother of Albert Brooks
- (as Cliff Einstein)
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One of the important funny men of the 70s-90s gets his own documentary from his friend Rob Reiner.
If you're not familiar with the stand-up by Albert Brooks, which I was not, you should know some of his movies - Modern Romance (1981), Lost in America (1985), Mother (1996), etc. And if you're not familiar with his movies, then perhaps with his performances - Broadcast News (1987), Finding Nemo (2003), Drive (2011), etc. And if you're still not familiar with him, geeze, I don't know how you've gone through life without seeing at least of these movies.
I've always held Brooks in my mind as a toned-down Woody Allen kind of figure, presumably because he did share some of the stylings in the movies that he wrote-directed-featured-in. He has worked on so many good films, regardless of his part in it, that it's hard to ignore him as an important artist of his era. Proof to that is the quantity and quality of talking heads who took part in retelling his story, from Stephen Spielberg to Ben Stiller to David Letterman (and many more). You get a good sense of the kind of guy Albert Brooks is and a taste of some of his memorable works, but a lot of the focus is on his irreverence as a stand-up comedian - which is probably where the value is in this, because the movies will always stand on their own.
Other than that, the documentary is traditional to a t, going over the career of AB while adding some context via a one on one interview between him and Rob Reiner. There's a fair amount of funny stuff in it, if not riveting, and a warm portrait of a guy who has left his own distinctive mark in "the business".
If you're not familiar with the stand-up by Albert Brooks, which I was not, you should know some of his movies - Modern Romance (1981), Lost in America (1985), Mother (1996), etc. And if you're not familiar with his movies, then perhaps with his performances - Broadcast News (1987), Finding Nemo (2003), Drive (2011), etc. And if you're still not familiar with him, geeze, I don't know how you've gone through life without seeing at least of these movies.
I've always held Brooks in my mind as a toned-down Woody Allen kind of figure, presumably because he did share some of the stylings in the movies that he wrote-directed-featured-in. He has worked on so many good films, regardless of his part in it, that it's hard to ignore him as an important artist of his era. Proof to that is the quantity and quality of talking heads who took part in retelling his story, from Stephen Spielberg to Ben Stiller to David Letterman (and many more). You get a good sense of the kind of guy Albert Brooks is and a taste of some of his memorable works, but a lot of the focus is on his irreverence as a stand-up comedian - which is probably where the value is in this, because the movies will always stand on their own.
Other than that, the documentary is traditional to a t, going over the career of AB while adding some context via a one on one interview between him and Rob Reiner. There's a fair amount of funny stuff in it, if not riveting, and a warm portrait of a guy who has left his own distinctive mark in "the business".
Albert Brooks has always been criminally underrated, first as a stand-up comic, then as a filmmaker and casting himself as the leading man, and finally as a character actor in other people's movies ("Broadcast News", "Drive"). His off-the-ledge audacity and unique sense of the absurd didn't go over with everybody, but he is revered by fellow comics and those of us dazzled by his laser-sharp wit. It was smart to have his best friend Rob Reiner direct and interview him in this fleet but invaluable 2023 documentary. Their casual rapport not only helps offset some of the more zealous comments from his celebrity fans but provides insightful context to the most memorable moments of his career including two of my favorite films, "Lost in America" and "Defending Your Life". They also delve into his fascinating star-studded childhood when his successful comedian father died at a Friars Roast for Lucille Ball and Desi Arnaz. It made me wonder if it was Brooks' idea for his character to die in the opening moments of "Private Benjamin" when his zealous bridegroom has a fatal wedding night coronary while having sex with Goldie Hawn. After all, he finds humor in the least likely situations.
Such an amazing way to see the shape of Albert Brooks' career. The standup featured in the opening, much of which I had never seen before, sets the stage for an amazing filmmaking career. He is both cerebral and meta and makes the viewer laugh at what their laughing at. So many people will get a glimpse of rarer movies, such as Real Life and Modern Romance and then delight in seeing Lost in America and Defending Your Life. I love the scene in Looking for Comedy in the Muslim World and it makes me want to see it agin. The personal component about his childhood and family, gives it heart. I loved this documentary.
Not as much a documentary as two old friends having a long discussion. It's Rob Reiner's MY DINNER WITH EINSTEIN.
Einstein here is, of course, known to the world as Albert Brooks. Reiner and Brooks have been friends for some 60 years. It's a very chummy look at his life and career. The clips are good, if not long enough to really capture Brooks' sense of humor. The guest interviews include a lot of mutual friends such as Larry David, Judd Apatow, Steven Spielberg etc. And they never hit very deeply either. Brooks fondly recalls his show business upbringing as his parents were both performers (curiously, Brooks' late brother, comedian Bob Einstein, is given almost no mention at all).
Most interesting here are the pre-SNL and Tonight Show footage showing the young Brooks developing his routines on variety programs hosted by the likes of Johnny Cash, The Everly Brothers and Helen Reddy. Brooks is working out his thoughts on the nature of comedy itself. His act occassionally veers into Andy Kauffman level conceptual art - with a less dangerous edge, perhaps. Even in this nascent stage, Brooks' greatest strength is that his "characters" are really just himself. What sets Brooks apart from most comics is his willingness to be unlikeable - often, deeply so. Narscistic. Venal. Mean. Conceited. It's that lack of traditional warmth that explains why for such a famed and lauded creator, he's only made seven films over a 50+ year career (although it's never directly explored here). Of course, it's Brooks' sarcastic humor and intelligent irony that has made him an icon.
DEFENDING MY LIFE is an enjoyable look for fans of Brooks but don't expect anything probing or challenging (curiously, unlike his actual work).
Einstein here is, of course, known to the world as Albert Brooks. Reiner and Brooks have been friends for some 60 years. It's a very chummy look at his life and career. The clips are good, if not long enough to really capture Brooks' sense of humor. The guest interviews include a lot of mutual friends such as Larry David, Judd Apatow, Steven Spielberg etc. And they never hit very deeply either. Brooks fondly recalls his show business upbringing as his parents were both performers (curiously, Brooks' late brother, comedian Bob Einstein, is given almost no mention at all).
Most interesting here are the pre-SNL and Tonight Show footage showing the young Brooks developing his routines on variety programs hosted by the likes of Johnny Cash, The Everly Brothers and Helen Reddy. Brooks is working out his thoughts on the nature of comedy itself. His act occassionally veers into Andy Kauffman level conceptual art - with a less dangerous edge, perhaps. Even in this nascent stage, Brooks' greatest strength is that his "characters" are really just himself. What sets Brooks apart from most comics is his willingness to be unlikeable - often, deeply so. Narscistic. Venal. Mean. Conceited. It's that lack of traditional warmth that explains why for such a famed and lauded creator, he's only made seven films over a 50+ year career (although it's never directly explored here). Of course, it's Brooks' sarcastic humor and intelligent irony that has made him an icon.
DEFENDING MY LIFE is an enjoyable look for fans of Brooks but don't expect anything probing or challenging (curiously, unlike his actual work).
This documentary shedded the light how being raised properly by both parents is the greatest influence on a persons characteristic development. Gives a touch of nostalgia. Shows the beauty of a 60 year friendship between men never changes. These are the rare gems you should enjoy stumbling upon in the documented world of old Hollywood that will hold your intention with informative events in entertainment history, smalls jests mixed with with raw emotion, and high praises from some of the industries most iconic faces (Steven Spielberg, Larry David, Chris Rock, etc) making it an easy to watch & fun to learn about it. This isn't the awe-inspiring, award worthy documentary but what it does hold is value and if you can take anything from something to apply it in real life for growth, it's weight is worth more than gold.
Wusstest du schon
- WissenswertesTitle is a play on the title of 1991 film, Rendezvous im Jenseits (1991) directed by Albert Brooks, starring Brooks and Meryl Streep.
- VerbindungenFeatures New Faces of 1937 (1937)
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Details
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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