Ein Professor, der nebenbei als eine Art Auftragskiller für die Polizei seiner Stadt arbeitet, begibt sich auf gefährliches, zweifelhaftes Terrain, als er sich zu einer Frau hingezogen fühlt... Alles lesenEin Professor, der nebenbei als eine Art Auftragskiller für die Polizei seiner Stadt arbeitet, begibt sich auf gefährliches, zweifelhaftes Terrain, als er sich zu einer Frau hingezogen fühlt, die seine Dienste in Anspruch nimmt.Ein Professor, der nebenbei als eine Art Auftragskiller für die Polizei seiner Stadt arbeitet, begibt sich auf gefährliches, zweifelhaftes Terrain, als er sich zu einer Frau hingezogen fühlt, die seine Dienste in Anspruch nimmt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 19 Nominierungen insgesamt
Martin Bats Bradford
- Isaac
- (as Martin Bradford)
Jo-Ann Robinson
- Society Lady
- (as Jo Ann Robinson)
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I watched it at home while sipping mojitos one lazy night and it was what I was looking for. Nothing special but good acting and directing. Intresting plot to just keep my attention. Not too predictable too. Also I dont think the script was too bad either. If you are looking to relax and watch a movie, dont overthink it just hit Play!.
Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.
Enjoy!!
Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.
Enjoy!!
Richard Linklater's movie career has been punctuated by intense narratives originating from everyday events. 'Hit Man' somehow achieves the opposite - it's a fluffy confection based on the exploits of a psychology professor who poses as a professional hit man.
The purpose of Gary Johnson's masquerades is to help his local police department entrap those wanting to hire a killer. The film's introductory sequences show several unconvincing restaurant encounters where he assures a procession of would-be murderers he's a hardened criminal in the liquidation business. When a beautiful Latina asks him to terminate her abusive husband, Gary baffles his handlers by refusing her down-payment, and suggesting she initiates divorce proceedings instead of contracting a homicide. By this point, the narrative has departed from anything close to gritty realism - and clownish complications ensue when Gary secretly starts an affair with this 'femme fatale' while maintaining his assassin persona.
'Hit Man' could have followed in the footsteps of modern classics like 'Body Heat', but Linklater chooses to play it for comedy rather than drama. Tension is lost as the story becomes increasingly frivolous, until it arrives at a conclusion that belongs in a farce. The acting performances and lightly amusing screenplay just about hold one's interest, but the final product feels like an insubstantial appetizer that could have been a memorable main course with a different approach.
The purpose of Gary Johnson's masquerades is to help his local police department entrap those wanting to hire a killer. The film's introductory sequences show several unconvincing restaurant encounters where he assures a procession of would-be murderers he's a hardened criminal in the liquidation business. When a beautiful Latina asks him to terminate her abusive husband, Gary baffles his handlers by refusing her down-payment, and suggesting she initiates divorce proceedings instead of contracting a homicide. By this point, the narrative has departed from anything close to gritty realism - and clownish complications ensue when Gary secretly starts an affair with this 'femme fatale' while maintaining his assassin persona.
'Hit Man' could have followed in the footsteps of modern classics like 'Body Heat', but Linklater chooses to play it for comedy rather than drama. Tension is lost as the story becomes increasingly frivolous, until it arrives at a conclusion that belongs in a farce. The acting performances and lightly amusing screenplay just about hold one's interest, but the final product feels like an insubstantial appetizer that could have been a memorable main course with a different approach.
First thing's first: Glen Powell is incredible in this movie. He transforms across the spectrum of characters incredibly well. He's dynamic and believable in this role that boarders on absurdity and keeps it in bounds.
The premise of the story was entertaining and engaging, with an enjoyable secondary cast.
Adria Arjona was also fun, but her character could've better developed. The high octane romance tag transpires feels entirely too surface for how emotionally involved it becomes in the end. There were no flashes of actual connection beyond sexual intensity and discussion about murder. It would've been nice to see them have at least one "get to know you" interaction outside of the sex-murder dichotomy.
The ending is also.... Unnecessary. Maybe for laughs amongst the people who knew the real Gary Johnson, but for storytelling purposes it was a little too campy.
An entertaining watch, one of Netflix's better recent films. But it does fall a little flat in a couple places.
The premise of the story was entertaining and engaging, with an enjoyable secondary cast.
Adria Arjona was also fun, but her character could've better developed. The high octane romance tag transpires feels entirely too surface for how emotionally involved it becomes in the end. There were no flashes of actual connection beyond sexual intensity and discussion about murder. It would've been nice to see them have at least one "get to know you" interaction outside of the sex-murder dichotomy.
The ending is also.... Unnecessary. Maybe for laughs amongst the people who knew the real Gary Johnson, but for storytelling purposes it was a little too campy.
An entertaining watch, one of Netflix's better recent films. But it does fall a little flat in a couple places.
Glen Powell was blah in his last "big" movie, "Anyone But You". Here, things don't improve, although this time his female costar is just as extravangantly luscious as Sydney Sweeney, only brunette. His character, Gary Johnson dresses up in wigs and hats and costumes and assumes accents and personas to convince qould-be criminals that's he's a real hit man, but only they believe him - the audience certainly doesn't. One critic, Jason Fraley, describes the rom-com arc of the plot as "Fifty Shades Of Gary". The film is emotionless and gutless and packs zero punches. I kept waiting to laugh or be intrigued or moved or something... but nope, nothing/
In a world of Hollywood formulas and studio safe bets, there's something refreshing about Hit Man and it's quirky out of the box story.
It follows Glen Powell as the eponymous Hit Man who gets into a complicated relationship with one of his clients. I won't go into any more detail as there's lots of fun layers to unravel with this film which are best discovered in the moment, but as mentioned it feels quite fresh and unique. It has really solid comedy, drama and romance, and will keep you on your toes throughout.
Rising to occasion of the great story is Glen Powell who shines once again in a leading role. His charisma always shines through and there's an instant connection to him and his character that never wanes. Matching him perfectly is Adria Arjona, the chemistry between them absolutely electric.
My only real complaints with this film are that it took too long to get going and was over far too quickly. Aside from these pacing issues there really isn't much to complain about with this film.
So if you are in the mood for a funny, sexy and dramatic film that will draw you in to it's weird and mysterious story then look no further than Hit Man.
It follows Glen Powell as the eponymous Hit Man who gets into a complicated relationship with one of his clients. I won't go into any more detail as there's lots of fun layers to unravel with this film which are best discovered in the moment, but as mentioned it feels quite fresh and unique. It has really solid comedy, drama and romance, and will keep you on your toes throughout.
Rising to occasion of the great story is Glen Powell who shines once again in a leading role. His charisma always shines through and there's an instant connection to him and his character that never wanes. Matching him perfectly is Adria Arjona, the chemistry between them absolutely electric.
My only real complaints with this film are that it took too long to get going and was over far too quickly. Aside from these pacing issues there really isn't much to complain about with this film.
So if you are in the mood for a funny, sexy and dramatic film that will draw you in to it's weird and mysterious story then look no further than Hit Man.
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- WissenswertesThe real-life Gary Johnson passed away early in production and never got to see the film. Richard Linklater only talked to him on the phone and never met him in person.
- PatzerAt 00:06:45 you can see the camera and camera person in the reflection of Jasper's sunglasses when they are sitting in the car.
- Zitate
Gary Johnson: Seize the identity you want for yourself.
- VerbindungenFeatured in WatchMojo: Top 10 Movies of 2024 So Far (2024)
- SoundtracksNew Orleans Bump
Performed by Jelly Roll Morton
Written by Ferdinand Morton
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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- Weltweiter Bruttoertrag
- 5.348.633 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
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- 2.39 : 1
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