The Pact

Written and directed by Nicholas McCarthy, "The Pact" stars Caity Lotz as Annie, a young woman who returns to her childhood home following the death of her mother. Her sister and cousin have disappeared and it appears that there is some supernatural entity inhabiting the house. As Annie digs deeper, she learns of a serial killer whose last victim may have had some kind of connection to her mother. Annie begins putting the information together, revealing shocking and terrifying secrets.

Sound clichéd? Well believe me, it's not. What starts out as your typical run-of-the-mill haunted house film becomes one of the most intriguing and horrifying horror movies of the year. Not many movies scare me half as badly as "The Pact" did. I can tell you honestly that this film messed with my head and left me fearing my own house.

Caity Lotz does a great acting job, especially since she has such little dialogue. She really gets her feelings across by body movement and facial expressions. Another actress who really stands out is Haley Hudson, who plays Stevie, Annie's friend who just happens to be able to contact the dead. It is her character that scared me the most.

The movie also has some very good cinematography, especially when Annie walking throughout the house. Rather than constantly cut to new angle every time she turns a corner, the camera follows her with one continuous shot, immensely adding to the suspense.

The best part about the movie is that it doesn't assume that the audience is stupid. One of my least favorite things is when all questions are answered by the characters talking to themselves, or even to other characters. In "The Pact" the audience is given the information, and we are required to put it together ourselves. I have seen the movie twice now and certainly picked up on some small things that I missed in my first viewing.

The final plot surprise terrified me and I definitely won't forget it anytime soon. I didn't care for the very end (as in the closing shot), but it didn't ruin the whole movie for me.

Overall, "The Pact" is one of the scariest movies this year and a very well done horror movie. Not many low-budget horror movies are able to maintain the constant level of suspense that "The Pact" did. I highly recommend this to any horror fan. "The Pact" is currently available on Netflix Instant Streaming.

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It's a low budget horror movie, but not cheesy in the least. There is no cheesy fake blood and gore, no sex crazed teenagers, and no topples bubble headed blond's running from a psycho killer.

No cheap thrills here, just a very complex and layered plot with plenty of twist and turns. The movie never once lost my attention nor did I ever get lost in the plot. The movie moved slow enough to build likable characters and to build up suspense, but also wasn't so slow that it lost my interest.

I loved watching Annie as she went through the motions of loss and anger and then fear, and then ultimately the courage to discover clues and dig up old family secrets.

"The Pact" is a treat for fans of this type of horror/thriller film. The basic plot seems simple enough -- a young woman's sister convinces her to come back for their mother's funeral, despite the fact that the two sisters were estranged from their mother for a while. When she comes back, her sister is gone, and strange, supernatural things begin to happen...

"The Pact" has a lot going for it. First of all, there is no forced romance to make us roll our eyes. Secondly, the lead character behaves like you'd expect a person to behave! When weird things start happening, she books out of the house. When she has to go back, she brings a policeman. When she gets in danger, she screams and flails and kicks. There are still some "Why is she doing that?" sequences, but a LOT less than usual in this type of film. And finally, NO IDIOTIC TWIST ENDING THAT MAKES NO SENSE BASED ON THE REST OF THE MOVIE!

But the best thing this film has going for it is Caity Lotz. The best part, by far, of MTV's cool but sadly departed "Death Valley," Caity is very easy on the eyes and she really shines in this role -- it's a virtuoso performance. And it needed to be -- a good portion of the film is her alone, so the entire film is on her shoulders and she carries it off. Very impressive, and I hope we get to see more of her in the future.

The film is not perfect -- a major plot is given away in a serious "deus ex machina" moment, there are some plot holes that the movie ignores, and I'm still not totally sure what the very last shot of the film is supposed to mean (maybe it will be explained when the DVD is released). But there is WAAAAY more good than bad, and it's worth seeing and supporting.

As a woman struggles to come to grips with her past in the wake of her mother's death, an unsettling presence emerges in her childhood home.

First, let me praise Casper VanDien, who (to put it bluntly) did not suck. I cannot say he is particularly known for his superb acting, having done a number of cheesy movies, but VanDien shows off his acting chops here. This kind of performance could get you a supporting actor Oscar if it was not in a horror film.

I heard the judges at Sundance were praising Nick McCarthy's direction, and that is absolutely fair. Above all else, the camera is the star here. Maybe we should give that credit to the cinematographer (Bridger Nielson), but it is hard to draw that line -- could one have been great without the other? Alan Bacchus said that the film was "smart, well written and genuinely scary". He is right on all three counts. I rarely find horror films scary (I am immune to their nonsense), but I actually had to peek through my fingers at one point. I am embarrassed to say it, but this is true. Well done!

Feisty daughter returns to her dead mother's house and experiences unexplained supernatural phenomena.

Quite effective mid-budget chiller, which, at least, is largely explained at the end (although the fate of the two missing persons is rather ambiguous).

Most scares are signposted (apart from two effective jump scares), which takes away the impact somewhat, but overall it is quite effective. Similar to 'Stir of Echoes' in plot.

My main criticism is that everyone seems to do everything alone. Whereas this is understandable for the loner heroine, a cop is unlikely to go into a house alone and knock a house about to get evidence (you would hope).

I suspect the writers were subconsciously influenced by 'Salem's Lot', as some of the characters' names are similar - ie. Glick/Barlow.

At one point the heroine gets a probate cheque for thousands of dollars. In the UK this process would take at least 18 months, but here seems to be completed with the stroke of a pen.

Overall, I'm being hypercritical, as it is well worth watching and is eminently watchable, if the plot devices are somewhat familiar in films of this type.

Worth checking out.