Hochzeit auf Umwegen

I'm not sure why they made this a movie. It's clearly a play. The monologues are play worthy, the acting is play worthy, even the blocking is stage worthy. While the acting IS stellar, it's awkward as a movie. The main cast is fantastic, and the 4 parents definitely play opposite their usual. The couple in love have very little chemistry, and her lines border on slapstick. The thing is, I don't remember any of their names because it was SO strange to watch on screen. I would love to see this written as a play script and acted on stage with the same cast. It would read so much better if it was seen live.

The story isn't bad but the conversations are unbelievably bad. None of them flow and most of time not even believable. I can't imagine anyone one in any of the situations would behave the way every single characters does in every scene. It's like they are all awkward individuals that can't communicate or act appropriately. Maybe one person might be weird and a bad conversationalist, but everyone in the movie? It makes the whole movie hard to get into and believe. I don't think it's bad acting, although it comes off that way, because it's a good cast. I think it is the writing that ruined the whole movie. It seems lazy and not thought out at all. There isn't a single articulate conversation in the whole movie. Such a bummer because the cast is great.

I grew up with boy meets world and am lucky to call Michael jacobs an acquaintance so I had to support this film, but it was very odd. Like someone else said, it was almost like it was meant to be a play. The plot is basic enough. A couple try to decide if they're meant to be together forever and marry so they bring in their parents. Problem is the parents have been cheating on each other. With each other. It was hilarious at first, especially when everyone all arrived at dinner together, but it slowly unravels. Emma roberts character and her boyfriend basically just disappear from the film at one point. The movie just becomes everyone having inner dialogues, with each other. The movie goes in so many circles and Michael can't seem to decide what he wants to say ultimately. Sadly I can't recommend it. Such a waste of a talented cast too.

This was a movie of such contrived drivel that having to watch 'mature' characters who hadn't learned anything about how to be in this world along the way of their collective 260+ years on this planet made me squirm uncomfortably in my seat that the only saving grace was that the movie came in at 92 minutes in length.

So fed up was I, that without wanting to, a fairly loud sigh of exasperation left my upper respiratory tract and caused the biggest laugh of the night in the theater I attended of this star studded dud of an attempt at movie making. You shouldn't be surprised if something similar happens at your theater also. Hard Pass!!

Deep sigh.... you know that sinking feeling right at the beginning of a movie WHEN you immediately recognize the movie you are watching is a STINKER, a FLOP, well there you have it...

The bad: this movie shouldnt have been made. It was made anyway AND advertised SOLELY to attract an OLDER audience who recognizes these fabulous names of Richard Gere and Diane Keaton. Even William H. Macey was (and still is) a great actors, but this is a SENIORS movie with only some young B-actors thrown in to at least try and attract SOME youngsters to go watch it. I doubt any youngsters will go watch this FLOP. And deservedly so...

I feel sorry for anyone who decided to go watch this empty vessel, this hollow surrogate of a movie.

Recommended to be AVOIDED like the plague. You have been warned....