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Since literature and movies usually need a kind of conflict they center on, this movie is about a writing group breaking apart by jealous feelings.

The members of the writing group meet again and again to read and comment on each others writing. These meetings are recorded by a camera team - much in the way "like the Kardashians'" as one character would put it. In between these meetings the camera follows each member of the group on their quest to be read authors.

"Authors Anonymous" is listed as a comedy, though I most certainly would not categorize it as one. There was no chance to interrupt the movie with heartfelt laughter, a chuckle or even a smirk. Rather, one/I felt rather sorry, uncomfortable or bored by a plot that could be foretold and characters that where pure chliché.

I really like Kaley Cuoco on "The Bing Band Theory". I just felt a little disappointed that the character she plays in this movie is so alike to the one in the series. I'm very positive her range is much wider and it would have been interesting to see that. She plays her part uniquely just as everyone else in the movie does.

Still, this comedy is rather depressing. In case you are looking for something uplifting, this might not be the right time to watch "Authors Anonymous". In case you need a little Hollywood-reality insight topped with stereotypes, then enjoy!

Writers, aspiring authors, and journalists seem to get flack no matter where they turn in an increasingly math and science driven world that, while undoubtedly improving the life and sanctity of humanity through unforeseeable technological and scientific innovations, still inherently neglects the humanity and the eccentric qualities that the aforementioned groups of people work to establish within nearly everything they do. In such times, where opportunities for jumpstarting their writing projects have been given more accessibility but, in return, less professional credibility, we logically turn to other writers to discuss this problem or, ambitiously enough, seek out films to help us deal with the common struggles of a writer, to which Ellie Kanner's Authors Anonymous seemed like a solid bet for a film attempting to profile a group of aspiring writers.

Authors Anonymous never really establishes whether or not it wants to be a practical account of a group of goofy writers whose ultimate goals are to get published and become recognized for what they do or if it the film wants to be a broadly done satire profiling the common caricatures of writers. I have a feeling the film leans more towards the second category than the first, however, that only makes my ongoing review even harsher, for the film not only squanders opportunities and commentary with this approach, when it should be overflowing with them, but also greatly diminishes the resonance this film could have with writers everywhere, myself included.

The film has a plethora of great stars, all of whom I hope to see in better films as soon as possible. The film revolves around a group of aspiring/struggling writers, whom gather at their authors anonymous meeting - although they openly state their names, which defeats the purpose of the group's name, yet I digress - to discuss their stories and their ambitions, while giving and receiving personal feedback. The group is run by Henry Obert (American Pie's Chris Klein), an amiable pizza delivery man and carpet cleaner, who is suffering from a wretched case of writer's block and disillusioned by his monotonous existence all the more. That is until he meets Hannah Rinaldi (The Big Bang Theory's Kaley Cuoco), a woefully dim but cheery and attractive writer who, while never reading a book in her life, let alone naming a famous author, manages to score a publishing deal for the book she wrote. Once she manages to become a regular at the authors anonymous (but not really) meetings, she is quickly envied by the other authors in the group, including the uptight David Kelleher (Jonathan Banks), the do-nothing William Bruce (Jonathan Bennett), and the annoyingly delusional but incomparably ambitious John K. Butzin (Dennis Farina), who aspires to one-up everyone in the group by looking to get his novel published and made into a movie, directed by Clint Eastwood, to disastrous results.

The way I see it, each author is supposed to represent a different kind of author we encounter or read about. While Henry is optimistic, he's also burdened by the inability to capture his thoughts adequately on the page, while Hannah is the kind of person who's ignorance and lack of any real fundamental knowledge of the field are neglected by others and, of course, she walks away with a publishing deal. Meanwhile you have David, who carries a tape recorder along with him to voice his spur-of-the-moment ideas, however, never actually using them, William, who is simply in it for the ride, talking a lot but never actually writing, and John, the writer who deludes himself by saying all is going well and on the up-and-up for his writing career when it's anything but.

Yet, writer David Congalton doesn't really acknowledge or dive into the purpose of these caricatures, making them lumber through tiresome setups with every scene, allowing their same flawed personality traits to be seen. This does nothing more than erect a tired, one-note joke where we become so caught up in the character's naivety and inherent stupidity that we don't care anymore. We came to see a version of ourselves, but all we get are the broadstrokes of actual human beings that exercise in that odd cinematic void where complete and total stupidity is passed off as reality. Not to mention, the film is also shot like a reality show, ironically adding realism to the one film this year that has about as much realism as Transformers: Age of Extinction.

Authors Anonymous bears some positives amidst a whirlwind of issues. The cast is always watchable and committed to their roles, regardless of how obnoxious or undercooked they are, the film bears the kind of original setups that you're interested in, even on a small note, just to see where they end up, and the film isn't without certain moments of humor. However, Authors Anonymous, like a muddled adventure book, lacks an identity or a resonance with broadly-drawn satire or attempts at a comedy authors can relate to, never identifying with either and unfortunately failing if classified as both.

Starring: Chris Klein, Kaley Cuoco, Johnathan Banks, Johnathan Bennett, and Dennis Farina. Directed by: Ellie Kanner.

Having been in several small writers groups in different Nevada and California locations I found it true to life in that a non-writer controls the group. The one problem I had with the film was the screenwriters identifying a Vanity Press indicating Roaring Lion as a Print-On=Demand. Nothing could be farther from the truth. I have found POD to be quite rewarding and not nearly as expensive as depicted in the film.

I do believe that all three writers landed publishing contracts not because of what was written, but who they knew. I am sure that is the way it works in Hollywood and I understand it working in the print world as well.

There were some chuckles, but as I found it too true to life in the writers group segments, I couldn't give it higher than 4 stars. For someone who has never experienced the writers groups BS they may find it extremely funny.

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Well I love everything literary, but I certainly didn't love this movie. As soon as I saw Kaley Cuoco of Big Bang fame I decided to watch it. I'm also a fan of Chis Klein but he fails to impress in this movie. Kaley appeared exactly the same as her ditzy character in Big Bang, I sincerely hope this is not her true personality and she is just being type cast which is a real shame. All the characters were overblown and farcical, I presume this was intentional. I found nothing funny about it, didn't laugh once and dare I say it, didn't even smile. What another waste of time and effort. How do they get the money to make these movies? Very disappointed yet again. The premise was interesting, but the heavy handed script writing ruined any chance of an enjoyable movie. Why do they insist on treating us the paying viewers as if we are dumb? Shame, shame, shame.

I went to see based on a recommendation from my writer's group, dragging my husband along with me to a theater over an hour away. We had seen the trailer, but didn't realize that it would be laugh-out-loud funny so often. The semi-documentary style of the movie made it feel like you got to know each of the characters really well. The movie took you through all of the emotions that you experience as a writer; the heartache of rejection, the envy of others' success, and the fear that you might never get a contract yourself.

This movie is not 'easy' watching. As with many indie movies, there are times between laughs that are really uncomfortable, and you just have to sit with them and let them sink in. I was impressed by how each of the actors were able to show their characters struggle with the awkwardness of their own emotions in various situations.

Both my husband and I were impressed with the movie. We both think that it felt 'real'. It's definitely worth a watch - even if you're not a writer - if you've ever competed for anything and watched someone else win, you will get something from this movie. There was a powerful message in there as well - always keep writing.