Special ID

The last time Donnie Yen officially put mixed martial arts on screen was Flashpoint, which arguably in my opinion was his artistic peak as an action choreographer and on screen fighter. He successfully made real martial arts combat cinematic. The choreography was shot in a way that allowed the viewer to visually break down why move A was countering move B. So with that said, my expectations of the MMA fights coming into Special ID were high.

My high expectations aren't out of place. Donnie Yen himself has said he wanted to go further with displaying MMA on film. In Special ID, Yen does this by integrating the urban environment into the choreography. The fights are set in tight spaces and narrow hallways, showcasing the physical precision it required from all the stunt performers. The group fights look convincing. Everything looks less staged and the moves don't land as cleanly, giving a gritty sense of realism. On pure cinematic terms, Yen succeeds. The choreography is another story.

The only wee complaint I had about the mixed martial arts choreography in Flashpoint was that Donnie Yen was the only one who fought with MMA techniques. Everybody else was essentially a kickboxer fighting the main character that had groundwork and wrestling skills up his sleeve. I let that go for Flashpoint, but in Special ID it has now officially become problematic.

This makes me think that Yen was solely concerned with making himself look good on screen. Yen has been guilty of this in the past but this is too blatant. Yen's fight with Ken Lo, a stuntman popular for being the villain from Jackie Chan's Drunken Master 2, is one such example. There were moments designed in their fight that purposely made Ken Lo look clumsy and stupid. Anybody who has seen Ken Lo in an on screen fight will know that he is anything but clumsy. Don't get me wrong, these are good fights. They are are tense and grueling, but it's too dramatically convenient if only the hero knows Brazilian Jujitsu and all the villains have no knowledge of countering it.

Much of the story problems -and there are many- with Special ID are the common problems I have with current Mainland-Hong Kong co-productions. There's a penchant for shooting dialogue scenes in a perfectly decorated restaurant or apartment. No matter what happened in the scene before, the actors are always seated perfectly still reflecting upon what happened. The dialogue is often on-the-nose that is stating things that the filmmakers are supposed to be showing. It is television-like and I don't know why it is the trend. The dialogue scenes in Special ID are plodding and murder every sense of dramatic tension. It's a narrative mess.

The female police officer character played newcomer Jing Tian was a severe plot contrivance and another example of a bad Mainland film trope. Her character Fang Jing was constantly spewing preachy dialogue about how police work should be ideally done, and acted too naive to be a convincing policewoman. It's like her character was written to secure an approval from the Chinese Film Bureau. She had too much screen time and it was like watching Hello Kitty fight crime.

I particularly hated the manipulative choppy musical score. It was in the vibes of "Hey, it's time to feel this emotion now!" One minute there's the metal music for the fights, and then the next minute it's pensive piano music when Jing Tian yaps on about following rules is the key to a good life.

Collin Chou shows up for what ends up being a disappointing role. It's actually a cheap marketing ploy to tease the martial arts film fans that there is going to be a fight at some point in the story. Collin Chou and Donnie Yen have fought before, so as fans we expect there will be something that will at least try to top the Flashpoint fight. But sadly, that didn't happen. After that, I was only half awake for the final showdown with Andy On.

I'd recommend people see Flashpoint again. Sure, the plot wasn't anything new, but Wilson Yip told a proper story. He gave little dramatic touches to the heroes and villains, which created proper stakes and made me care about the characters. Special ID has no developed characters, plot or any sense of flow or consistency. This was a perfectly marketed soulless product designed to take our money. And it was just plain mean-spirited.

I will probably watch Special ID again, but probably only the fight scenes in the form of online Youtube clips. I like these fights, but wished they belonged in a better movie. Special ID was just all flash, but without the "point".

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Oh dear, this is really sad. Following something of a career revival with the outstanding Sha Po Lang, Ip Man and Wu Xia, Donnie Yen has really been unable to maintain the quality of his efforts. I fear he is slowly falling back to the ranks of cheesy unrespected action movies with which he had been associated for most of his career. With The Last Bladesman, The Return of Chen Zhen, 14 Blades and now Special ID, he's been having more misses than hits.

When teasers for Special ID started to appear, Internet excitement started to mount that this could be the sequel to SPL that we had all hoped Flash Point would have been. Alas, that is not the case.

Yen plays undercover cop Dragon Chan, doing the usual bad guy routine to get into the good books of the triad bosses. When trouble starts to brew in China with connections to one of his former underlings, his boss, Captain Cheung (Ronald Cheng), sends Yen out to work with Mainland Chinese police to crack the case. One last case before he can return to being a normal beat cop. Sounds good on paper but the execution is a sad state of affairs.

In China, Yen uses his usual unorthodox methods to meet up and reacquaint with his old buddy turned crime boss, Sunny (Andy On). Yen, predictable for a movie, is an unpredictable and reckless cop, which rubs his China police partner Fang Jing (Tian Jing) the wrong way. This is intended to introduce some spark and chemistry between the two but sadly falls flat, mostly due to the fact that Tian Jing looks like she's about 12 years old besides Donnie.

Of course while out in China, some rather unnecessary twists are introduced to keep things exciting, but they just didn't work and really didn't make a lot of sense.

In the end, what we have is an extremely forgettable action movie and another strike out for Yen.

What I liked about this movie was Tian Jing, with some of the best stunts in the movie and a memorable car chase sequence; she stole the best scene in the movie. Agreed she appears too small and frail to pose any real danger. She is, however, surprisingly quite convincing as a martial artist, exhibiting some pretty fancy and gutsy moves.

I look forward to seeing her in Jackie Chan's upcoming Police Story 2013.

What I didn't like was Donnie Yen's character. It is repeatedly reiterated that Yen's character is stupid but he can fight. We're no longer in the 80s where an action hero can get by just on brawn. No one wants to root for a stupid character but unfortunately that's how Yen's character is written. This is a far cry from Yen's character in SPL, a smart, super cool detective who wasn't afraid to get his hands dirty. Yen's character in this is just a silly caricature, like something out of a kid's movie. Also worthy of note is the criminal underuse of Collin Chou. Nope, no Donnie vs Collin this time.

Andy On is pretty good as the bad guy and did a decent job of making his fights against Yen believable. Though what was not believable was why he would be doing all the dirty work himself if he was such an up and coming big-time crime boss, surely he would have sent some of his lackeys to take care of business.

Agreed, no one comes to a Donnie Yen movie expecting Shakespeare, they want to see some ass kicking. So how are the action scenes? Again, mediocre at best. The earlier fights were sloppy, likely in an attempt to make our protagonist appear human and vulnerable. Later fights improve somewhat but could have been cut and pasted from so many other generic action movies. The final fight is good but a lot of us would have already seen it in the most recent extended trailer.

Special ID is a pretty solid disappointment on all levels. What I loved about both SPL and Wu Xia is that they were both powerful dramas, the fighting was restrained and there were actually only a few fight sequences. This served to make the movies more believable and actually made the action sequences more memorable and impactful.

I can't bring myself to recommend this. Rather I recommend, if you haven't seen SPL – go and get it now!

Rating 5 out of 10.

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bad casting, directing and worst of all, the careless decision by using the every actor's original voice. how could it possible that the mother's tone and accent is pure mandarin Chinese, a northern dialect accent, while the son speaking in cantonese accented Chinese? unless this so-called undercover son is adopted by a hongkongness foster parents and later reunited with his real mother, we could never get used to such big difference of accents between mother and son. and then, this guy's superior officer, my, is such a bad cast, who not in the least like a pencil pusher high ranking police office but an accounting clerk. then, the other two gang-bangers' stereo types are so lame and so formulaic, no big difference from their other roles in so many similar genre movies. i just wish donnie yen and all the cast in this movie speaking pure cantonese that at least the whole movie might look more convincing. but the stupid production people decided to cast a fragile Chinese doll to be the case officer from the mainland china and forced a awkward and embarrassing romance between the hongkongness undercover and her, their scenes just looked so contrite and unnatural. the mother role was also a cast of totally unnecessary. the dialog is also so stupid and contrite. this movie in general is a disaster from the very beginning to the end, simply ruined by a stupid screenplay, wrong cast, wrong accents, wrong arrangements almost every thing. to me, giving this movie 3 stars is already over-rated.

Pardon for my bad English, I am not writing a full review but only posting some of my personal thoughts after watching the movie.

1. The trailer spoils some of the exciting fight scenes in this movie. 2. Lower your expectation and you will still be entertained. 3. Not quite the martial art movie if you come all the way from SPL and Flashpoint 4. The fighting choreography does not come from Donnie Yen himself, I suppose. 5. The fighting is realistic, however, more true to the real street fighting than ever. 6. The car chasing scenes and the stunts are awesome, better than the fight, maybe. 7. Not a bad story, but without twist and very straight forward. You will not get the same story impact and the strong feeling for vengeance like SPL and Flashpoint. 8. I am a little disappointed that the final battle does not carry the same furiousness I experienced from SPL and Flashpoint. 9. Having saying that, it makes both SPL and Flashpoint a classics. 10.I should have just give it a 5-star, but 1 more star to salute Donnie Yen for trying something new, trying to create another variant to his already awesome movie collections.

My rating : 6/10

PS I found that the Young Detective Dee is a more entertaining movie if you want some cool fights.

"Special ID" (or "Te Shu Shen Fen") is not your average Donnie Yen movie, where he takes on the entire world and lives to tell the tale. This is a more down to Earth kind of movie, with the right amount of action thrown into the mixture.

The story is about an undercover police man whose cover is on the line as he has to unravel a gang to expose the leader. But when his former friend and protégé shows up, things take an unforeseen turn.

I will say that the story itself was fairly mediocre, and there wasn't really anything out of the ordinary or anything that hadn't been seen before. But what made it work was the way that the characters were portrayed, as being fairly average people unable to take on a whole gang by themselves.

The fight scenes and action scenes were well choreographed and they had a very realistic feeling to them, whereas many Asian action movies tend to go an extra mile and throw a bit too much gasoline on the fire.

Donnie Yen seems fairly mellow and lenient in this movie, and it served him well, because it adds a good flavor to the movie, making it more realistic and enjoyable.

I am a big fan of Asian cinema, but "Special ID" hardly revolutionized the Asian action genre, nor did it push any boundaries. If you enjoy Donnie Yen's movies, then you should take the time to sit down and watch "Special ID".