El Conde

El Conde: Pinochet as a 250 year old vampire, born in 1766, he discovers his true nature as an adult and slays the vampire hunters who attempt to stake him. An ardent royalist he rescues the head of Marie Antoinette (after locking her blood from the guillotine blade) and keeps it pickled in a jar. Faking his own death he fights against revolutions throughout the centuries changing his identity and making himself younger time after time. Eventually he ends up in Chile as the young Lieutenant Pinochet, his career proceeds and he overthrows Allende instituting a bloody dictatorship but eventually he falls and is reviled. He fakes his death once more and retires to a country retreat with his wife and faithful butler. He finally wants to die a for real but has forgotten where his ill-gotten gains have been hidden. His five children descend on the estate intent on getting their inheritance. An accountant has been hired to track down the missing loot but she is secretly an Exorcist Nun, But even here there are twists and turns as this is a house built on deceit. Madame Pinochet is truly Lady Macbeth, jealous that she was never given the rewards bestowed by Pinochet on his old army comrade/butler.

Very much a dark/satire comedy, when the Exorcist/Accountant questions Pinochet, his wife and children about their dodgy business dealings the dialogue is based in actual court findings. The horror elements and vampire lore are quire effective. Filmed in monochrome the utter darkness of Pinochet's life (and that of his brood) is well portrayed. Donning his his General's uniform and cape he flies to cities to dine on victims. This vampire prefers to rip out hearts to get the best sustenance. As a modern touch, liquidisers are now used to get the most out of these vital organs. We learn how this vampire sucked the lifeblood from a nation but he portrays himself as a victim who was bribed by crooked businessmen.. There are laughs but there is a danger that they will choke in your throat. Perhaps the real humour is in the identity of the narrator, herself a vampire who flies south in an attempt to save Pinochet from himself. A tad didactic at times which might put some people off nevertheless this is an engrossing tale of evil. Directed by Pablo Larraín, written by Larraín and Guillermo Calderón. On Netflix. 8.5/10.

I'm still not too sure what to make of Pablo Larrain's "El Conde", a movie that while artistically impressive, seemingly has a ton of historical context that's lost on anyone not familiar with the Chilean history it tries to critique and satirize. The obvious is that it portrays Chilean dictator Augusto Pinochet as a centuries old vampire, and while what follows could(?) hold a lot of interpretive value to those who are of its ideal target audience, it is almost a gimmick gradually overstaying its welcome to those who aren't.

It's undoubtedly a visual masterpiece, with some of the most surreally beautiful cinematography you'll ever see, and its exploration into themes of power and corruption are amusingly perceptive. But at the end of the day, it feels like "El Conde" was intended for a particular audience who could fully appreciate the movie, and unfortunately to those of us who aren't part of it, it might come across as just another gimmick.

Very good movie. Probably one of the best "vampire" movies I have seen. Don't expect your normal hack and slash vampire stuff. Quite more sophisticated plot than that. You never know where the movie is headed. Thumbs up.

The black and white cinematography is excellent. The classical music score is excellent. Acting is top notch.

The plot keeps delivering new angles on a politically driven baseline. Key historical figures enter into the plot. I can be certain I didn't get all of the Chilean political references which are buried here.

The humor is very dry and subtle throughout. Just another ingredient that keeps things interesting.

It is a strange film which is hard to fit any label or classification. It has great merits, but still disappointed my expectations. It also travels through multiple genres not fitting well any of them, for better or worse: gore horror, dark humour comedy, political satire, and even political thriller. Visually, the movie is very nice and Pinochet's portrayal is astonishing (how similar with the military devil makeup turned Jaime Vadell!). I loved all the vampire origin stories in Ancien Régime. It was also quite good to have a timeline drawn through Haiti, Cuba, Russia (Pinoche always against the revolutionaires)... it would be great if it were more explored indeed. The bad character of all members of the family and of the torturer butler was well depicted. However, the film also has serious drawbacks. The script is unbalanced and should have been tighter. Pace is irregular, alternating awesome moments with quite sluggish parts. The behaviour of the characters seemed too inconsistent too, being hard to understand their motivations, and not because they were deceiving them. The interviews by the exorcist nun were slightlty unconvincing as sonething to actually happen, but they did allow the script to mock and denounce a lot the multiple crimes (from corruption to murder) of Pinochet's family and their impunity.

The B/W cinematography is one of the best elements of the movie whilst the nun character is pretty useless because everything just could have unfolded in the same way without it.

Regardless the latter, the performances are great, but I think Chilean audiences should understand in a better way the jokes, allusions to Pinochet family and his actual political history than any other. I think that's not very efficiently worked in the script.

In the other hand what the script does work smartly enough is the relationship between him and his wife Lucia showing clearly who was in charge of everything.

A weird, not fully accomplished but in a way entertaining movie.