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The Last Elvis

Originaltitel: El último Elvis
  • 2012
  • 0
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
7,0/10
1706
IHRE BEWERTUNG
The Last Elvis (2012)
A tragic accident causes an Elvis impersonator and family man to reassess his priorities.
trailer wiedergeben2:44
2 Videos
13 Fotos
DramaMusik

Füge eine Handlung in deiner Sprache hinzuA tragic accident causes an Elvis impersonator to reassess his priorities.A tragic accident causes an Elvis impersonator to reassess his priorities.A tragic accident causes an Elvis impersonator to reassess his priorities.

  • Regie
    • Armando Bo
  • Drehbuch
    • Armando Bo
    • Nicolás Giacobone
  • Hauptbesetzung
    • John McInerny
    • Griselda Siciliani
    • Margarita López
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1706
    IHRE BEWERTUNG
    • Regie
      • Armando Bo
    • Drehbuch
      • Armando Bo
      • Nicolás Giacobone
    • Hauptbesetzung
      • John McInerny
      • Griselda Siciliani
      • Margarita López
    • 9Benutzerrezensionen
    • 35Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 14 Gewinne & 10 Nominierungen insgesamt

    Videos2

    Sundance Version
    Trailer 2:44
    Sundance Version
    El Ultimo Elvis: Oh My Love
    Clip 0:49
    El Ultimo Elvis: Oh My Love
    El Ultimo Elvis: Oh My Love
    Clip 0:49
    El Ultimo Elvis: Oh My Love

    Fotos12

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 6
    Poster ansehen

    Topbesetzung43

    Ändern
    John McInerny
    • Elvis…
    Griselda Siciliani
    • Alejandra Olemberg
    Margarita López
    • Lisa Marie Gutiérrez
    • (as Margarita Lopez)
    Alberto Ajaka
    Alberto Ajaka
    • Empleado Oficina de Talentos
    • (as Alberto Ajaca)
    Charles Anthony
    • Taxista Menphis
    Elena Arancibia
    • Recepcionista Hospital
    Cristina Blanco
    • Mujer Borracha
    Jorge Busetto
    • Doble Freddie Mercury
    Fernando Calabresi
    • Ace Freheley
    Patricia Camponovo
    • Doble de Madonna
    Pablo Campos
    • Doble de John Lennon
    Lucrecia Carrillo
    • Prostitute
    Osvaldo Chiarelli
    • Trabajador Fábrica
    Nora Childers
    Nora Childers
    • Airport…
    Rodolfo Corbeta
    • Tecladista
    Gabriel Coria
    • Doble de Gene Simons
    Eugenio De Cortazar
    • Bajista
    • (as Eugenio de Cortazar)
    Germán De Silva
    Germán De Silva
    • Supervisor Fábrica
    • (as Germán de Silva)
    • Regie
      • Armando Bo
    • Drehbuch
      • Armando Bo
      • Nicolás Giacobone
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen9

    7,01.7K
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    Empfohlene Bewertungen

    8Chessurrr

    If you really believe in something, you must pursue it till the end.

    The main character, Carlos, is an Elvis impersonator, greatly fond of the singer, to an extent that his daughter shares her name with Elvis's daughter. He has two lives: in one of them, he's an ordinary assembly-line worker, and in the other one, he performs at tiny events, singing his heart out - and he does it very well, as Carlos, indeed, possesses talent.

    From the very beginning this movie starts to tug at your heartstrings when you see Carlos quietly "biding his time" at the factory, while wishing for the time he can go back on stage. Music in his headphones is the only solace for him; also, it's a way for him to remain in his dream life, at least partially.

    However, in this dream life his wife and daughter were unable to find a place for themselves, and had to go their separate way (although Carlos still loves his family).

    It's heartbreaking to see how the character is suffering because he feels so lost; the reason for that is the feeling that he's living not the life he is supposed to be living, but there is nothing he can do about it.

    Throughout the movie you keep guessing to what extent Carlos is obsessed with Elvis: whether he tries to give credit to the singer's work or he no longer realises that they are two different people.

    Putting aside any delusions, what makes an impression is how, with religious zeal, he sticks for what he believes in - one way or another.

    'If you really believe in something, you must pursue it till the end. Those who don't are unhappy.'

    I guess many people will feel for Carlos and his torments. Show me a person saying they have never howled inside, desperate to believe that their "real" life has been misplaced by some cosmic error. Show me this person - and I'll show you a liar.
    9wellloaded

    A masterpiece

    This is one of those movies you find yourself still thinking about, days after you watched it.

    It's simply pure, brilliant, cinema.

    It tells about passion, work, obsession and love melted into a unique thing.

    It reminds me a lot "the wrestler" but this takes it one big step further

    The director did a great job in unveiling the story line, and what a performance from the main character (considering he's not an actor himself!)

    In one word: masterpiece
    6mcasaburi

    An Argentinian review: Very well filmed, a bit boring plot.

    I have no doubt that John McInery was chosen for his skills as a singer rather than their acting ability. With a monotone almost chewing the words takes a film that has little to tell. Carlos (John McInery) believed to have a gift for Elvis impersonator. An accidental event delays (doesn't change) plans had probably long ago. This fact approaches him to her daughter, nor this way leave his ego aside, should be an Elvis until the end of the film. Technically very good, and very good interpretations of Elvis's classic songs, but just those scenes are not transcendental to the argument, are merely decorative. 90 minutes of film, if we subtract the musical moments will be 70-75 minutes to tell a little story slightly boring.
    1kurtisjvandermolen

    If You Really Believe Something, You Must Make Sure It's Real

    The martyr theme was overwrought. If genuine life belongs to someone else, someone before that must be emulated down to the details, what can be said of its imposter? Talented? Of course. But what if his daughter chose to be Marilyn and copied her into her own early demise? Would the father still undaunted support? Given the set up of the movie, it was hard to understand whether Elvis was distraction away from real life sensibilities or was an obsession that naturally crowded out such sensibilities. Either way, the overwhelming feeling is pity and not congratulations. Maybe dusting off the blue suede shoes and applying some dark hair dye could have prolonged the memory... let alone the life.
    2badtothebono

    One of the worst endings of any film I have ever seen.

    Don't believe a word of it. They all just pretend the ending doesn't exist

    If you read these reviews and then watch this movie, you will know what I mean. I won't disclose the ending because that seems to be the parlor game for this film. Well, ask yourself this, if nobody wants to discuss the ending of a film, do you think the ending makes the film a "masterpiece" (not a chance) or the ending makes the film a mess? Even the IMDb summary is not true:

    "A tragic accident causes an Elvis impersonator to reassess his priorities."

    No it doesn't. No it doesn't. That is simply not true. There is no way to read that into the ending.

    ps: up until the ending, it is pretty good, not great, but pretty good

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      In the plane scene, minute 67, the director Armando Bo, and writer Nicolas Giacobone had a cameo, sitting two rows in front of Elvis.
    • Verbindungen
      Referenced in Antes que sea tarde: Guillermo Coppola (2012)
    • Soundtracks
      Also sprach Zarathustra
      Composed by Richard Strauss

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    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juni 2013 (Deutschland)
    • Herkunftsland
      • Argentinien
    • Offizieller Standort
      • Official site
    • Sprachen
      • Spanisch
      • Englisch
    • Auch bekannt als
      • El último Elvis
    • Drehorte
      • Buenos Aires, Bundesdistrikt, Argentinien
    • Produktionsfirmen
      • Anonymous Content
      • Instituto Nacional de Cine y Artes Audiovisuales (INCAA)
      • K&S Films
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    Box Office

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    • Weltweiter Bruttoertrag
      • 841.317 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 31 Min.(91 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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