IMDb-BEWERTUNG
6,3/10
24.389
IHRE BEWERTUNG
Als seine Frau wegen hoher Schulden 40 Jahre ihres Lebens an ein Zeitspendenprogramm abtreten muss, lernt ein Mitarbeiter die dunkle Seite der Biotech-Firma kennen.Als seine Frau wegen hoher Schulden 40 Jahre ihres Lebens an ein Zeitspendenprogramm abtreten muss, lernt ein Mitarbeiter die dunkle Seite der Biotech-Firma kennen.Als seine Frau wegen hoher Schulden 40 Jahre ihres Lebens an ein Zeitspendenprogramm abtreten muss, lernt ein Mitarbeiter die dunkle Seite der Biotech-Firma kennen.
- Auszeichnungen
- 3 Nominierungen insgesamt
Egle Lekstutyte
- Mrs. Steiner
- (as Eglė Leksuthytė)
Empfohlene Bewertungen
A rather dull approach to an interesting subject.
Unfortunately, neither of the characters emerge as multi-faceted human beings, they simply pop out of the script like two-dimensional caricatures, and while the cast does its best to bring these personae to life, their hard work can only go so far in carrying a piece that doesn't hold its ground.
With a few plot twists, the movie tries to gain our attention, but they appear predictable by the time we've finished watching the film.
Despite introducing us to a formidable antagonist, the CEO of the evil AEON corporation, who's capable of eliminating innocent lives for her own profits and interest, we don't get to know much about her either, and the whole characterisation falls flat. Neither does her character design present her as a grey shadowed presence, nor does it do much to make the viewer hate her.
Even the opposing fraction ADAM fighting against AEON is led by a woman with firm beliefs, but that side of the story doesn't contribute anything except bodies dropping left and right. It ultimately leaves us with a question - what really was the point of it all, if neither the negative forces leading the controversial ageist agenda had anything to speak for themselves, nor the resistance party trying to reinstate the status quo.
Although classism and ageism are the obvious themes being dealt by the movie, the social commentary in that arena also feels very thin, resulting in merely a crumbling down of the whole idea that could've created a larger than life image, but never does.
Personally, I was looking forward to this release owing to my own cravings of a good science fiction thriller, but again that ship has sailed without leaving me with much to remember in the end.
Unfortunately, Boris Kunz's feature has only resulted in a run-of-the-mill forgettable viewing experience. As much as I wanted to like this one, it didn't really hand out a significantly building up narrative, nor did it lay out worthy character developments. Its sole dark vision of a society falling apart with a classist billion-dollar company set up at the centre only brings out the obvious view of a dystopian setting, but nothing more than that.
Initially, the German film pushes a great deal to cement its foregrounding issues about the socio-economic divide between different classes of society, ageism, relationships, technological advancements overtaking emotional human ground and more.
But in the end, it reels out a dystopian concept merely on the surface, as a selling point. It lacks profundity and fails to ask the right questions.
Unfortunately, neither of the characters emerge as multi-faceted human beings, they simply pop out of the script like two-dimensional caricatures, and while the cast does its best to bring these personae to life, their hard work can only go so far in carrying a piece that doesn't hold its ground.
With a few plot twists, the movie tries to gain our attention, but they appear predictable by the time we've finished watching the film.
Despite introducing us to a formidable antagonist, the CEO of the evil AEON corporation, who's capable of eliminating innocent lives for her own profits and interest, we don't get to know much about her either, and the whole characterisation falls flat. Neither does her character design present her as a grey shadowed presence, nor does it do much to make the viewer hate her.
Even the opposing fraction ADAM fighting against AEON is led by a woman with firm beliefs, but that side of the story doesn't contribute anything except bodies dropping left and right. It ultimately leaves us with a question - what really was the point of it all, if neither the negative forces leading the controversial ageist agenda had anything to speak for themselves, nor the resistance party trying to reinstate the status quo.
Although classism and ageism are the obvious themes being dealt by the movie, the social commentary in that arena also feels very thin, resulting in merely a crumbling down of the whole idea that could've created a larger than life image, but never does.
Personally, I was looking forward to this release owing to my own cravings of a good science fiction thriller, but again that ship has sailed without leaving me with much to remember in the end.
Unfortunately, Boris Kunz's feature has only resulted in a run-of-the-mill forgettable viewing experience. As much as I wanted to like this one, it didn't really hand out a significantly building up narrative, nor did it lay out worthy character developments. Its sole dark vision of a society falling apart with a classist billion-dollar company set up at the centre only brings out the obvious view of a dystopian setting, but nothing more than that.
Initially, the German film pushes a great deal to cement its foregrounding issues about the socio-economic divide between different classes of society, ageism, relationships, technological advancements overtaking emotional human ground and more.
But in the end, it reels out a dystopian concept merely on the surface, as a selling point. It lacks profundity and fails to ask the right questions.
I think that Germany is a step ahead here in Europe, lots of European production such as the French one or the Italian one are still attached at the old way of doing cinema, such as Nouvelle vague or Neorealism, Germany during these last few years has demonstrated that has a lot to offer, Dark, Kleo, 1989 and now Paradise. It was not a perfect movie, but it was not predictable and it perfectly show how fragile human nature is and how humans way of thinking can change.
The main protagonist really did an amazing job, his character is very well written like the rest of the script. I wouldn't mind if they do a sequel to this movie. If you liked In time, you'll definitely like this one!
The main protagonist really did an amazing job, his character is very well written like the rest of the script. I wouldn't mind if they do a sequel to this movie. If you liked In time, you'll definitely like this one!
I see there are a lot of mixed reviews for this German sci-fi, from people that didn't get it to people that found it clever. Count me in the people that enjoyed this movie, and so did my wife. I thought the plot was interesting, certainly food for thought. The only thing that could have been a bit better was the acting from certain actors but overall it was all pretty decent. I didn't think the plot was complicated at all so I don't get what others didn't understand about the story. The lesson of the movie is don't do to others what you don't want others do to you. If everybody would think about that a bit more, life on earth would be so much better.
I loved the issues brought up and how it used a Sci-fi concept to highlight them, and it had some lovely details; but I think it had a bit of a slow build up. Like I feel the pacing of the film would have made an excellent TV series.
I do feel like the concept and the things brought up were very interesting. I also felt there were a lot of side characters who seemed like they had a very interesting stories to tell that were barely touched on.
It was overall interesting, and enjoyable it just had more to give. And I think the film suffered a tiny bit because of that. It was clearly a very well thought out concept.
I do feel like the concept and the things brought up were very interesting. I also felt there were a lot of side characters who seemed like they had a very interesting stories to tell that were barely touched on.
It was overall interesting, and enjoyable it just had more to give. And I think the film suffered a tiny bit because of that. It was clearly a very well thought out concept.
I have to say the start of this movie really catches you, it definitely caught me, the German film style is really unique and enjoyable. I love the idea of this movie and the plot is strong. But the problem is there wasn't much context, maybe it was the English/German language misunderstanding, I just thought they came up with a really good idea for a movie but ruined it slightly with the 2nd half of the movie. I wish they gave more information on it as a whole Instead of just an individual chase. I think I'd definitely watch it again, great acting I thought so anyway, and the cinematography was top tier.
Wusstest du schon
- WissenswertesThe difference between the ages of the actresses that played the role of Sophie is the same that of the actresses that played the role of Elena: 35 years old.
- PatzerMax is talking to Erika by phone after he leaves Denys Bondar. He removes his ear bud after talking to her and puts it in his pocket. A few seconds later, the ear bud is back in his ear.
Top-Auswahl
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- How long is Paradise?Powered by Alexa
Details
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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