Eine Komödie über zwei beste Freundinnen in ihren 20ern - Charlie, gespielt von Tanya Reynolds, und Becca, gespielt von der schönen Newcomerin Melissa Saint.Eine Komödie über zwei beste Freundinnen in ihren 20ern - Charlie, gespielt von Tanya Reynolds, und Becca, gespielt von der schönen Newcomerin Melissa Saint.Eine Komödie über zwei beste Freundinnen in ihren 20ern - Charlie, gespielt von Tanya Reynolds, und Becca, gespielt von der schönen Newcomerin Melissa Saint.
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I found this show funny and genuinely heartfelt at times, with two funny leads, Sure, it was a little cringe from time to time, such as the incesty plot points, but so was Friday Night Dinner, and most leading comedy shows at the worst of times. It was easy to get into and watch, and I was sad when I reached the end of series 1. I liked that the in-jokes between the friends were explained naturally to the audience, as if you were meeting very close friends for the first time in real life. Got some real laughs out of me. Definitely needs more time to find its footing, but I can see a lot of potential in it.
When going into this show, I already knew that it had an uphill battle due to its association to other very well-known comedies and the fact that the two main characters are women. A lot of the reviews I have seen for the show are extremely misogynistic and uncharitable. Many of the common critiques can also be thrown at the Inbetweeners or Friday Night dinner. Protagonists with questionable decision making? Fine when it's a man, but apparently completely irredeemable if it's a woman. I think some of these reviewers are having trouble realising that the characters are fictional people, and their actions have no real bearing on the world.
So what would I say to someone looking to watch this show? Go into it with an open mind, there is some genuine fun to be found in this series, and try not to take everything so seriously!
When going into this show, I already knew that it had an uphill battle due to its association to other very well-known comedies and the fact that the two main characters are women. A lot of the reviews I have seen for the show are extremely misogynistic and uncharitable. Many of the common critiques can also be thrown at the Inbetweeners or Friday Night dinner. Protagonists with questionable decision making? Fine when it's a man, but apparently completely irredeemable if it's a woman. I think some of these reviewers are having trouble realising that the characters are fictional people, and their actions have no real bearing on the world.
So what would I say to someone looking to watch this show? Go into it with an open mind, there is some genuine fun to be found in this series, and try not to take everything so seriously!
Writer Robert Popper has worked on some real comedy gold like the Inbetweeners and Peep Show but this wasn't one to add to that portfolio. Despite a good cast and production values the premise and script fell short. It had some amusing moments and good one-liners here and there but the storyline was quite improbable and overall it didn't come off.
Would like to think it will get better over time but can't see a second series for this one as I'm not sure who the audience will be. Not traditionally structured and written sharply enough for older viewers and not 'hip' enough to attract a younger audience.
Bottom line neeeded to be a lot funnier. A middling sitcom that will soon be forgotten.
Would like to think it will get better over time but can't see a second series for this one as I'm not sure who the audience will be. Not traditionally structured and written sharply enough for older viewers and not 'hip' enough to attract a younger audience.
Bottom line neeeded to be a lot funnier. A middling sitcom that will soon be forgotten.
9/10, not because it is close to perfection, but it is far better than the snap-judgement harsh reviews would suggest.
It's a shame that quirky cannot make it past knee-jerk jerks. Michael Hogan in The Telegraph cites one of his irritations in a one-star review as a "Talking horse". Grossly unfair, because he seems to set out to hate the program. The horse is there, but only for two seconds at the end of the opening title sequence.
And I can't really take the opinion of a bearded fuddy-duddy seriously when his recommendations include "The Wheel", and "Saturday Night Takeaway". Pitiful. One of his scathing criticisms is that it is a storyline about two young women, written by - shock horror - a middle-aged man. Of course, J. R. R. Tolkien failed miserably with LOTR because he wasn't a wizard, elf, sentient tree, or hobbit.
But, back to what I see as plusses for "I Hate You". Two excellent leads, snappy lines, curiously amusing situations and niche comedy brilliance (Sustaining an injury after ignoring advice not to try running while listening to Jazz), and the occasional quickly handled running gags (DOG ADOPTIONS).
It's not for everyone. I mentioned the U. S. A. Because I watched the pilot of "Two Broke Girls", and two sentences in, the "audience" are in paroxsyms of laughter.
No such cues for the dim in "I Hate You".
I found Jonny Sweet's Bob Oxygen had a great name, but a stilted delivery, and a slightly irritating character. "A. Plant" was good enough, but it is Tanya Reynolds and Melissa Saint that shine. They perfectly deliver lines such as the response to "Post-punk, but also retro".
I'm not really a fan of Robert Popper's work - I thought "Friday Night Dinner" was a bit of a dud - but I found lots in "I Hate You" to enjoy, and was hoping for at least a second series. Thanks to lazy journalism and reviews seemingly given after viewing 2-3 minutes of one episode, there will be no follow-up.
I was quickly drawn in by the endearingly zany (and well-choreographed) title sequence, and the debate on whether humans have evolved from bears touches on many aspects of relationships, and fake news, without labouring for one moment.
Why oh why does "Mrs. Brown's Boys" never flushes, but something quite subtle gets culled?
I. H. Y., R. I. P. :-(
It's a shame that quirky cannot make it past knee-jerk jerks. Michael Hogan in The Telegraph cites one of his irritations in a one-star review as a "Talking horse". Grossly unfair, because he seems to set out to hate the program. The horse is there, but only for two seconds at the end of the opening title sequence.
And I can't really take the opinion of a bearded fuddy-duddy seriously when his recommendations include "The Wheel", and "Saturday Night Takeaway". Pitiful. One of his scathing criticisms is that it is a storyline about two young women, written by - shock horror - a middle-aged man. Of course, J. R. R. Tolkien failed miserably with LOTR because he wasn't a wizard, elf, sentient tree, or hobbit.
But, back to what I see as plusses for "I Hate You". Two excellent leads, snappy lines, curiously amusing situations and niche comedy brilliance (Sustaining an injury after ignoring advice not to try running while listening to Jazz), and the occasional quickly handled running gags (DOG ADOPTIONS).
It's not for everyone. I mentioned the U. S. A. Because I watched the pilot of "Two Broke Girls", and two sentences in, the "audience" are in paroxsyms of laughter.
No such cues for the dim in "I Hate You".
I found Jonny Sweet's Bob Oxygen had a great name, but a stilted delivery, and a slightly irritating character. "A. Plant" was good enough, but it is Tanya Reynolds and Melissa Saint that shine. They perfectly deliver lines such as the response to "Post-punk, but also retro".
I'm not really a fan of Robert Popper's work - I thought "Friday Night Dinner" was a bit of a dud - but I found lots in "I Hate You" to enjoy, and was hoping for at least a second series. Thanks to lazy journalism and reviews seemingly given after viewing 2-3 minutes of one episode, there will be no follow-up.
I was quickly drawn in by the endearingly zany (and well-choreographed) title sequence, and the debate on whether humans have evolved from bears touches on many aspects of relationships, and fake news, without labouring for one moment.
Why oh why does "Mrs. Brown's Boys" never flushes, but something quite subtle gets culled?
I. H. Y., R. I. P. :-(
Poor imitation of Friday Night Dinner.
Basically the same premise. Follows two people that constantly prank each other. However, instead of being siblings, they are flat mates.
This time the show is a little wackier and doesn't have the heart of FND. Acting is good, but not the same calibre.
Definitely not the worst show in the world; you might get a few giggles out of the first two episodes. After that it gets pretty repetitive.
The best thing honestly is the opening titles.
Doubt it will get a second season, so will look forward to what the creator does next. Hopefully something different.
Basically the same premise. Follows two people that constantly prank each other. However, instead of being siblings, they are flat mates.
This time the show is a little wackier and doesn't have the heart of FND. Acting is good, but not the same calibre.
Definitely not the worst show in the world; you might get a few giggles out of the first two episodes. After that it gets pretty repetitive.
The best thing honestly is the opening titles.
Doubt it will get a second season, so will look forward to what the creator does next. Hopefully something different.
So much comedy is simply not really funny and raises the odd titter. I personally have no idea why "Friends" was so massive for that very reason.
Once you take the time to get into this it has some truly laugh out loud moments.
The concept of having two very strong central characters, surrounded by a selection of very funny and quirky almost cameo performances, works incredibly well and is extremely well cast.
It's no "Friday Night Dinner" but that really is an impossible act to follow, on of the funniest shows I have ever watched and will live on in our minds for many, many years.
I would like to see more new comedy like this, not playing safe and breaking a few boundaries.
Once you take the time to get into this it has some truly laugh out loud moments.
The concept of having two very strong central characters, surrounded by a selection of very funny and quirky almost cameo performances, works incredibly well and is extremely well cast.
It's no "Friday Night Dinner" but that really is an impossible act to follow, on of the funniest shows I have ever watched and will live on in our minds for many, many years.
I would like to see more new comedy like this, not playing safe and breaking a few boundaries.
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