The Rooster

Did not have overly high expectations of this one, but 15 minutes into it, I found it to be quite moving, and was looking forward to it continuing in that vein. But the next 45 minutes ( I gave up at the hour point) just left me confused, bored, semi depressed, and struggling to make sense of the two men's behaviours? There have seemed to have been a rash of 'men in crises' films these past few years, some good (Whale) some not so good (Beau is afraid), with Rooster falling into the not so good category IMO.

Production values are good, with atmospheric visuals and soundtrack, editing is neat and tidy, apart from a couple of jarring scene transitions.

There are only two main characters, one likeable the other not, but ultimately ( well, up to 60 minutes) I found I did not care what happened to either of them, even though their unremarkable back stories were explained (in unremarkable ways).

Maybe the final 40 minutes makes it all make satisfying sense? I will likely never know.

"The Rooster" is an exquisitely crafted cinematic masterpiece that enthrals viewers with its exceptional performances, particularly the mesmerizing on-screen chemistry between the lead characters. Their interactions convey a depth of emotion that resonates throughout the film, making their journey feel authentic and relatable. The screenplay is artfully intertwined, exploring themes of love, trust, and vulnerability with nuance. Its director executes the vision precisely, utilising stunning cinematography that enhances the narrative. The film bravely and boldly ventures into the complexities of human fragility and apprehension, fearlessly laying bare the intricacies of our shared human experience, leaving a lasting impact on audiences.

In dark, bleak but quietly classy Aussie drama "The Rooster" the troubled psyche of rural cop Phoenix Raei plunges when brain-damaged pal Rhys Mitchell kills himself out in the remote woods. Spiralling towards his own suicide in those same woods Raei meets reclusive hermit Hugo Weaving, and the two forge an unlikely relationship... with details emerging of Mitchell's death - and Weaving's disturbing past. Avoiding cliché in his debut, writer / director Mark Leonard Winter delivers more of a moody character-study (requiring excellent performances, that his leads deliver) than a gripping thriller, which won't be for all - but folk who for example liked "Pig", should love this one.

I honestly don't get all the naysayers here. Yes, it's a slow movie. Yes, it's depressing. Yes, not much happens in the typical sense. None of that makes this a bad movie. I personally really liked it. I enjoyed watching this unlikely friendship happen at its own abnormal pace. I thought the actors were quite adept at making me believe this. And I also enjoy where this story went and where it ended. I recommend anyone who's OK with this type or cinema that's not meant to have you at the edge of your seat, but rather witness life happen, to give this film an honest try and watch it any way they can. I certainly hope you aren't disappointed.

I thoroughly enjoyed this film written and directed by Mark Leonard Winter. An amazing performance by Phoenix Raei and Hugo Weaving. The film touches on mental health issues as well as the loneliness that many people face. To me It inspired many emotions which change throughout the film. The policeman played by Phoenix. Raei was outstanding and highlighted the stresses and mental issues that some police officer may be subject too. Hugo Weaving's performance was brilliant. I loved the film setting and the cinematography. The sound editing was amazing with a special mention to the excellent work by the foley artist whose work was outstanding.