Baavgai Bolohson

'If Only I Could Hibernate' is a must-watch for anyone who appreciates cinema that not only entertains but also inspires and moves. It's a beautiful reminder of the power of storytelling and the art of film.

From the very first scene, it captures the viewer's imagination, taking them on a journey that is as heartwarming as it is thought-provoking

The performances in this movie are nothing short of stellar. Each actor brings a level of authenticity and emotional depth to their character, making the story come alive in the most beautiful way. Their ability to convey complex emotions with subtlety and grace adds a layer of richness to the film that is truly captivating.

In a one-room ger in the Mongolian capital, Ulaanbaatar, lives lanky teenager Ulzii; his widowed, alcoholic mother; and his three siblings. His mother is unable to earn enough to feed all her children and it falls to Ulzii to supplement the family income by doing odd-jobs - unloading a van or delivering meat, for example. But he has a special, intuitive talent for physics, and an inspirational schoolteacher suggests he enter the national physics competition (yes, such things exist - introducing the film at the 2023 London Film Festival, editor Alexandra Strauss explained that although this film is a work of fiction, it is based on a documentary). If Ulzii wins, he will get a scholarship. But with all of his family responsibilities, can he put in the time required for study?

For Western audiences, a film from Mongolia is a rare treat. As well as the central plotline, the film also provides a look at modern Mongolia, where ancient traditions meld with today's way of life: in one scene Ulzii is sent to visit his aunt in her modern, high-rise flat in order to place his big toe in his infant nephew's mouth - this, apparently, is a sure-fire way to cure a facial rash. As the film progresses (writer/director Zoljargal Purevdash cleverly marking the passage of time by every so often changing Ulzii's hairstyle) we see Mongolian teenagers acting like teenagers anywhere: play-fighting, playing sports, lusting after a pair of stylish trainers.

The adventures of a physics student does not sound like a promising subject for a film and it is interesting to speculate whether this film would have worked if it were set in the UK or US; I suspect not. But set in a country that rarely features in Western entertainment, it works a treat.

First of all, i think this is the first ever Mongolian film that represented actual reality of Mongolian suburb life which is below average living family. As of my perspective, some people do not aware of the situation of other people's living situation because they never had a chance to experience those situations even if we live under same society, government and country. Maybe this film will give people an inspiration and to being grateful for what they have now.

The slangs, it is pretty disturbing i would say but it is not fake at all. The way this film is just being the mirror of reality but not focused on make people like some other mediocre movies.

Raw and real, i will say.

Really very good. Poignant socio-economic portrait of city life in modern Mongolia, more particularly of poor people who wish to get by by acquiring a good education, among other things. The harsh and cruel side often associated with extreme poverty, hard to receive, is relevant, effective and striking. We also see all the resilience, mutual aid and generosity that human beings can demonstrate. The point presented can be transposed almost anywhere in the world, even in so-called rich countries. Excellent soundtrack to support the story. The recurring musical theme is very beautiful and moving. However, at the beginning of the film, there is an error in the translation of a mathematical term, in the subtitles, surely coming from the fact that the translation was done from Mongolian to English, then to French (confusion between ''integrals'' and ''integers'' which gives ''integers'' in the translation rather than the correct term ''integrals''). A relatively open ending, as is customary in films from the Orient. This work presents us with beautiful life lessons. Good duration.

As I say, brilliant, but.... It is maybe part of the plot to leave us wondering?

Is it sufficiently well constructed to feel good as you leave the cinema?

It won't sell Mongolia as a holiday destination, but it will make you wonder whether a country with such inequality, needs a movie like this?

A sad story beautifully illustrated, portrayed, evaluated, constructed and made.

I know nothing about the makers of the film, but they themselves know a lot about making a film, even if you feel uncomfortable, part of the beauty?

Makes you want see more, about Mongolia, its people, its culture, its future and its film industry.

What I do know is that Chinese exploitants have ruined probably their best option to develope their economy by producing probably the finest Cashmere clothing. By creating so many goats to produce the wool that the land is laid bare.

Probably, European and other businessmen required the Chinese to ruin the commercial future?