A Maple Valley Christmas

I loved the way this movie started. A horse ride through maple trees, sap buckets and candy canes, a warm loving family, a handsome stranger who returns a lost horse and... a very un-Hallmark early kiss between the two leads (and a bold and surprising kiss at that). I loved it. I'm so tired of the "almost kiss" that gets interrupted and isn't attempted again until the end of the movie. Ugh. It's easily one of the most annoying Hallmark tropes. But here, they tried something different. The boldness of that early kiss was very modern and a wonderful change of pace.

The handsome stranger was played by Hallmark all-star Andrew Walker. He's a sure thing. But I didn't recognize Peyton List, who played Erica. Although bold and interesting in the beginning, Erica is revealed to be rather unpleasant. She's quick to unfairly judge Aaron, disrespectful to her own sweet sister, acts like a bully, and is beyond thoughtless with her loving mother.

And it all goes on way too long. She comes across as a spoiled brat and that makes it hard to root for her to find love with Aaron.

There are also a few lines that cut like a knife:

Erica: "You're a rich kid who's lost and thinks he'll find himself by putting on a Stetson hat and playing cowboy." Aaron: "Maybe you don't pick the wrong guys. Maybe you pick the right guys, and just drive them away." Erica: "Maybe so, but like I said, I don't date tourists"

Ouch.

Her mother actually expressed what I was thinking when she told Erica to "pull it together". And the whole plot about turning over the business to her daughters, to the point where one talks about buying out the other? What's mom going to live off of? It's not like she sold the business to a third-party and banked the proceeds. It sounded like she just gave the business to her kids, without taking anything, not even a salary. That's all too typical in Hallmark movies- a complete disregard for financial realities. In real life, mom might leave her kids in charge but they'd have to wait until she passed before taking ownership.

Erica's sister Heidi was played by Ella Cannon. In contrast to her sister, Heidi comes across as sweet and kind. And she's in a healthy marriage to a good guy. And she's even more beautiful than Erica. I wish the movie had starred Ella Cannon as the lead (and as a nicer character than Erica).

Aaron's father was played by Paul Jarrett and he nailed that horrible character.

I did like the running gag about "the hat" (which looked good on Erica, less so on Aaron). And though unearned, the ending was lovely. But I really didn't like the way Erica was written and Peyton List couldn't make her more likable (in fairness to her, it's not within her power to change her lines).

'Maple Valley Christmas' (2022)

Opening thoughts: There is always at least one reason for wanting to see a film etc with me, in 'Maple Valley Christmas' case it was Andrew Walker. He is one of Hallmark's most regularly used actors and very popular, and to me the appeal is more than understandable. As he is one of the better and more consistent regulars, despite his filmography being very up and down. The premise did intrigue, could feel myself relating to the issues that were being explored, and had real potential to work.

'Maple Valley Christmas' however is another one of those films with a premise that sounds good but the execution underwhelms, for reasons that have been summed up already very well. It is not one of the worst 2022 Hallmark films, neither is it quite one of the worst 2022 Miracles of Christmas films (it is certainly better than 'Christmas Bedtime Stories'). It is unfortunately not good and is a waste of potential. Walker comes off quite well, but he really is well above this.

Good things: He is the best thing about 'Maple Valley Christmas', making a conscientious effort in bringing charm and heart as well as nuance. Actually did think that the male cast did well, with Francisco Trujillo bringing some welcome vim.

It is a nice looking film, with beautiful scenery that the photography doesn't waste. The music is also pleasant enough and fits.

Bad things: On the other hand, quite a lot doesn't work. The female cast are poor, Peyton List doesn't inject much personality, while also trying too hard. Frances Flanagan and even more so Ella Cannon overact dreadfully, the latter being a whiny spiteful cartoon. Absolutely agree with all regarding the complete absence of characters worth rooting for or liking, exaggerated character flaws with little to no growth has been a major problem in Hallmark films in the past few years and this is one of the worst cases of the 2022 output. List's character's constant rudeness, disrespect and over-bearing-ness became exhausting fast. List and Walker indeed have no chemistry together, very cold, distant and awkward.

Furthermore, the ending is very unrealistic, the pacing is rushed from trying to cram in a lot in too short a space of time and what happens is too convenient and not warranted. The dialogue is not natural and can be too soapy. The pace is erratic, sometimes fine, sometimes draggy from over stretching and then too hasty in the over-stuffed final quarter. Pretty much all the character decisions and motivations are at best vague, and that is whenever effort is made to explain, and wildly improbable, so much making no sense.

Concluding thoughts: Overall, very underwhelming.

4/10.

My wife and I watch every darn movie these channels put out and this is one of worst. I genuinely don't like any of the characters and especially hated all of the lead characters. Yes I expect the ones on the movies and mysteries channel to be more dramatic and schmalty. But this one has presented very two dimensional characters with no redeemable qualities. I normally like Andrew Walker but his stunted development and lack of warmth is terrible. Honestly I have not even finished watching the movie yet but I had to get this off my chest. I'm sure everyone will live happily ever after but in the meantime I feel like yelling at the tv every two minutes.

This movie has a lot more meat to it than most of the Hallmark Christmas films. On the one side a believable division between two sisters, and on the other side a believable division between father and son. Then there is the surprising decision from the mother, ready to retire and let her daughters take over the business.

While some viewers didn't see a connection between the romantic leads, we did. They had plenty of screen time together doing the types of things that build friendship which can transition to more than friendship.

So despite some of the reviews, we do like Andrew Walker in most of the stuff we've seen him in, and that gave us a reason to check it out. I'm glad we did.

I really enjoyed this movie and will 100% watch again. I truly don't get why so many felt there was no chemistry between the leads. Perhaps having a female that is atypical is what turned them off?

The story starts with a successful (a nice change from the usual fare, to be honest) family-run maple syrup business looking to buy the property next door when it finally goes on the market. But lo and behold, a developer from a large city arrives to outbid the heroine. Our heroine and protagonist, almost from the start, works and grows with her love interest to try to keep the deal from happening. There aren't any big misunderstandings or hidden secrets here. It's just honest communication and two people being surprised about their feelings and healing from their past broken hearts. Our female lead is guarded, but I found her relatable and likable.

The meet-cute was finally not a ridiculous over the top trope, but original, without the female lead being unnecessarily rude or snapping to judgment or having that "You" moment when they run into each other later. There weren't any eye-rolling misunderstandings to get past; everyone was fairly honest from the start. There wasn't the overdone scene of an interrupted kiss: it happens spontaneously in the first 10-15 minutes. There wasn't some widower's/divorcée's kid trying to move the plot forward with an overly sweet and far-too-old-to-be-acting-as-babyish-as-they-typically-do act. The scenery was realistic and what wasn't winter or Christmas-y was overall well-hidden. And finally, I didn't find this with any of the usual cheesy professions of love that generally make me cringe with embarrassment for the actors who have to do them. Again, I will 100% watch this in the future.