IMDb-BEWERTUNG
7,7/10
16.618
IHRE BEWERTUNG
Um dem Patriarchat in der italienischen Nachkriegsgesellschaft zu entkommen, plant Delia eine Rebellion gegen ihren gewalttätigen Ehemann.Um dem Patriarchat in der italienischen Nachkriegsgesellschaft zu entkommen, plant Delia eine Rebellion gegen ihren gewalttätigen Ehemann.Um dem Patriarchat in der italienischen Nachkriegsgesellschaft zu entkommen, plant Delia eine Rebellion gegen ihren gewalttätigen Ehemann.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 22 Gewinne & 21 Nominierungen insgesamt
Empfohlene Bewertungen
"C'è ancora domani" is a very pretty film set in a post-WW2 Rome that centers around Delia and her family composed by two young children, a daughter who is about to engage, a violent husband and his father. Thematically the core of the movie is the treatment reserved to women in that era, which is still a significant discussion nowadays because though better than in the 40s' the issue is not solved at all. What I particularly liked about this discussion is the tone because it's not too dark allowing everyone to appreciate the movie and receive the message, but at the same time it's not too light thus avoiding to lose its impact. An example of this which I think was very effective is the treatment of the domestic violence scene that is depressing but there's a gimmick that lightens it while creating a bittersweet contrast. Furthermore the movie has more jokes than what I expected and it relies on a versatile cast able to be dramatic and comedic at the same time. However, even if properly done in most of the instances, few laughs were audible through the theatre because they are more tension reliefs than actual wanted funny moments. And also the final twist is pretty good. The movie did an excellent job in creating a narration that leads to something to then shift towards something else in an elegant way. There are few things that could have been better, in particular the final part of the engagement storyline which I think went outside of the overall tone, but in general they don't compromise too much the final result.
In conclusion I think that "C'è ancora domani" is a film everyone should watch for two reasons. The first one is related to the messages conveyed, while the second one is also pretty relevant: it's a good movie that will entertain all audiences for almost two hours. And this is not a small thing at all.
In conclusion I think that "C'è ancora domani" is a film everyone should watch for two reasons. The first one is related to the messages conveyed, while the second one is also pretty relevant: it's a good movie that will entertain all audiences for almost two hours. And this is not a small thing at all.
10ikgoumas
This is a masterpiece, a surprise because unexpected. Brilliant story based on true events, but full of symbolisms and deeper meanings that are all connected on the final scenes of the movie. Great directing and acting by Cortelesi, but also great choice of the characters and performancefrom the other actors. The women's universe in Italy back then was complicated and the road to the recognition of their rights was full of obstacles, with many dramatic stories happening. The movie manages also to be ironic and there are moments you laugh. Then suddenly it becomes dramatic again and you want to cry. Then you bacome angry. All these fluctuations are captivating, meanwhile represent the reason why Paola manages to give a powerful message through the art of cinema.
Very interesting debut: a mix of comedy (one-liners), drama (domestic violence), romance (love and friendship). The correct ingredients for a wonderful result. Rome in black & white appears too be a little "didactic", like a good "copy" of old times (just after the 2WW), but pleasant and very faithful to the original one. Delia is a woman like many others, in a common enough situation in those days. The final twist, which slowly makes its way, amazes and exalts the viewer. A spontaneous applause rose at the end of the movie, in a suburban cinema, in Rome. The same Rome that Paola Cortellesi makes us regret.
This movie is perfect in so many ways and I hope it will win everything it can win, from the bottom of my heart. I haven't seen such a beautiful Italian movie in so long. And to think it's Paola Cortellesi's first movie as a director and co-writer makes it even more special.
It is amazingly written, directed and acted. It's brave, powerful, original and you NEED to watch it. It tells a dramatic story with bittersweet tones, keeping it extremely real and revolutionary.
I am Italian so I could obviously understand all the homages and nuances, however I am sure an international audience will appreciate this little gem in a whole.
Go watch it and you won't regret that.
It is amazingly written, directed and acted. It's brave, powerful, original and you NEED to watch it. It tells a dramatic story with bittersweet tones, keeping it extremely real and revolutionary.
I am Italian so I could obviously understand all the homages and nuances, however I am sure an international audience will appreciate this little gem in a whole.
Go watch it and you won't regret that.
Ill start saying that an applaude rose spontaneously in the theater at the end of the movie. Everyone one was super emotional, I believe each of them for different reasons. Mine is that the movie depicted perfectly the status of women just right after the end of 2WW and the challenges they had to face in everyday life. Something that feels so far way from now, but still not so far away considering all the injustices women nowadays have to live with in every aspect of their life.
Well, the protagonist tries really hard for find a balance dealing with a violent husband, multiple jobs, 3 children and an annoying father in law, but she also surrounds herself with good friends and women with strong personalities.
The pace of the film Is entertaining, great comedy moments, costumes very on point, and the use of the camera very intelligent (at one point, I even recognize an angle that reminded of a famous painting of the Mantegna , the Cristo Morto) Beautiful selection of music as well.
But honestly what really made the film great and emotional, is the finale. It's worth going to the cinema to watch this movie just for this reason.
Obviously I'll not spoiler anything, but be ready to say: wow , what a great debut from Paola Cortellesi.
Well, the protagonist tries really hard for find a balance dealing with a violent husband, multiple jobs, 3 children and an annoying father in law, but she also surrounds herself with good friends and women with strong personalities.
The pace of the film Is entertaining, great comedy moments, costumes very on point, and the use of the camera very intelligent (at one point, I even recognize an angle that reminded of a famous painting of the Mantegna , the Cristo Morto) Beautiful selection of music as well.
But honestly what really made the film great and emotional, is the finale. It's worth going to the cinema to watch this movie just for this reason.
Obviously I'll not spoiler anything, but be ready to say: wow , what a great debut from Paola Cortellesi.
Wusstest du schon
- WissenswertesOne month after its release, the film was already the highest grossing Italian movie post-pandemic.
- VerbindungenFeatured in Zomergasten: Liesbeth Zegveld (2024)
- SoundtracksAprite le finestre
Written by Virgilio Panzuti and Giuseppe Perotti
Sung by Fiorella Bini
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Siempre Habrá Un Mañana
- Drehorte
- Via Giovanni Battista Bodoni 98, Rom, Latium, Italien(Delia's family housing)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.300.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 180.426 $
- Eröffnungswochenende in den USA und in Kanada
- 3.936 $
- 2. März 2025
- Weltweiter Bruttoertrag
- 50.205.411 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1
- 1.85 : 1
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