IMDb-BEWERTUNG
5,0/10
4101
IHRE BEWERTUNG
Eine Köchin, die ihr erstes Restaurant eröffnet, in dem sie mit Küchenchaos, einem dubiosen Investor und Selbstzweifeln zu kämpfen hat, aber der Druck wird dank des GeistesEine Köchin, die ihr erstes Restaurant eröffnet, in dem sie mit Küchenchaos, einem dubiosen Investor und Selbstzweifeln zu kämpfen hat, aber der Druck wird dank des GeistesEine Köchin, die ihr erstes Restaurant eröffnet, in dem sie mit Küchenchaos, einem dubiosen Investor und Selbstzweifeln zu kämpfen hat, aber der Druck wird dank des Geistes
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Andras Geza Marton
- Garnish Chef (Zeb)
- (as András Géza Márton)
Zusammenfassung
Reviewers say 'House of Spoils' delves into ambition, culinary pressures, and supernatural themes, blending witchcraft with high-end cuisine. Ariana DeBose's performance and the unique premise receive praise. However, the film faces criticism for its slow pacing, predictable plot, and weak horror elements. Disjointed plot points and an anticlimactic ending are also noted. Despite these flaws, the atmospheric setting and strong performances are commonly highlighted as redeeming qualities.
Empfohlene Bewertungen
The story was fairly original, but those looking for horror will be disappointed. This is something a bit closer to Practical Magic with a dash of Like Water for Chocolate magic realism and a garnish of witchy ghost. It feels like a fairly niche film, but for those who enjoy that niche; it's a delightful little unexpurgated Grimm's fairy tale of movie.
The dialogue definitely veers into clunky here and there, but I feel like this could be a sleeper late night snack film. DeBose brings a controlled physicality to her role which helps make the silent moments shine. The characters are two dimensional in the way of a slightly expanded fairy tale: where the fairy tales use archetypes, the movie adds a touch of nuance to the characters, though they could have fleshed them out a bit more. None of the other actors really throw themselves into the slightly absurd premise the way deBose does, and without that slightly unhinged commitment, they can't paper over weaknesses in the plot or writing in the same way.
But if you want a sort of Casa-de-Espíritus-light, set in a fine dining haunted house, this could be movie for you.
The dialogue definitely veers into clunky here and there, but I feel like this could be a sleeper late night snack film. DeBose brings a controlled physicality to her role which helps make the silent moments shine. The characters are two dimensional in the way of a slightly expanded fairy tale: where the fairy tales use archetypes, the movie adds a touch of nuance to the characters, though they could have fleshed them out a bit more. None of the other actors really throw themselves into the slightly absurd premise the way deBose does, and without that slightly unhinged commitment, they can't paper over weaknesses in the plot or writing in the same way.
But if you want a sort of Casa-de-Espíritus-light, set in a fine dining haunted house, this could be movie for you.
Blumhouse presents an interesting concept and an overall promising premise in this film, where Ariana DeBose plays a chef who opens her first restaurant, a venture that doesn't go quite as planned. It appears that the spirit of the estate's previous owner is sabotaging her new business, and it's up to her to withstand the mounting pressure.
Ariana DeBose portrays her role very well, and I certainly enjoyed her on-screen presence. The premise sounded intriguing and offered a refreshing departure from the typical fare that Blumhouse usually churns out. However, unfortunately, this movie doesn't reach its potential and ultimately falls into the same category as most Blumhouse productions. It suffers from tired tropes and slow pacing. Despite its 101-minute runtime, it felt much longer, and I found myself checking the time around the 60-minute mark, surprised to see over half an hour remaining.
The horror elements are ineffective, consisting mostly of cliché jump scares and futile attempts to build tension. These moments fail to leave a lasting impression, making the film feel flat in its delivery.
While this wasn't a terrible movie, it wasn't particularly entertaining either, burdened as it is with several flaws. There may be a niche audience that truly enjoys this, but I suspect the majority will view it as mediocre at best. If you thought the premise was interesting, I would suggest checking out The Menu (2022) for a more pleasant viewing experience. [4,9/10]
Ariana DeBose portrays her role very well, and I certainly enjoyed her on-screen presence. The premise sounded intriguing and offered a refreshing departure from the typical fare that Blumhouse usually churns out. However, unfortunately, this movie doesn't reach its potential and ultimately falls into the same category as most Blumhouse productions. It suffers from tired tropes and slow pacing. Despite its 101-minute runtime, it felt much longer, and I found myself checking the time around the 60-minute mark, surprised to see over half an hour remaining.
The horror elements are ineffective, consisting mostly of cliché jump scares and futile attempts to build tension. These moments fail to leave a lasting impression, making the film feel flat in its delivery.
While this wasn't a terrible movie, it wasn't particularly entertaining either, burdened as it is with several flaws. There may be a niche audience that truly enjoys this, but I suspect the majority will view it as mediocre at best. If you thought the premise was interesting, I would suggest checking out The Menu (2022) for a more pleasant viewing experience. [4,9/10]
The movie is well done, cinematography, acting, dialogues. The story contains something that's pretty out there and is at times hard to watch. I'm a chef myself, but I'm critical when it comes to fine and "haute cuisine". The main element of the cooking I find inspiring, but like I mentioned, it's hard to watch in context of the basis of the story. What I also liked was the ending but not in the sense of how it all turned out. I mean rather the scene/picture of the snobby guests sitting together with all cooks and employees outside at the fire. This scene alone could be an inspiration for a complete different story/movie, no matter which genre.
Unfortunately it's not enough for me to give it more than an average rating / 5 out of 10 stars. When I give 5 stars it means I made it to the end without getting bored. Not sure I would recommend it to friends or thus to anyone. Simply because there's just not enough in it. Better watch "The Menu" instead, if you haven't already.
Unfortunately it's not enough for me to give it more than an average rating / 5 out of 10 stars. When I give 5 stars it means I made it to the end without getting bored. Not sure I would recommend it to friends or thus to anyone. Simply because there's just not enough in it. Better watch "The Menu" instead, if you haven't already.
I just watched this movie on a whim not knowing what it was about, and I enjoyed it. I liked the aesthetic a lot and while the sudden shift at the end might be a bit far fetched..well its a movie so that is part of the experience. I liked the parts with the plants and the earthiness, and just the creativity. It is refreshing to see knew ideas, especially because these days they are far and few between. I do see the issues that people may find with it, but thats people these days, they find issues with everything. This one I am recommending you give it a go and see if you find enjoyment in it like I have.
The ambitious assistant (Ariana DeBose) of the famous Chef Marcello (Marton Csokas) quits her job to work as a Chef in a new remote restaurant in the countryside, despite the offer from Marcello to double her salary. She delivers her apartment and moves to live in the restaurant owned by Andres (Arian Moayed). The place is dirty with insects, and she has hard work to clean the kitchen. Andres is in a hurry to open the place since he has many debts and invites a group of selected friends, including his investor, to write reviews about the new place. However, there is an infestation of insects and a rabbit destroys her vegetable garden, and the Chef loses her supplies and is forced to improvise dishes. But the famous food critic Hiral Sen (Amara Karan) does not like the food, the investor gives up the business and Andres fires her. But the Chef asks for one more chance to Andres that reluctantly accepts her request. She chases the rabbit to kill it and sees a creepy garden with several plants. She tastes them with her assistant Lucia (Barbie Ferreira) and they decide to use them in her new trial with several guests. Meanwhile the Chef is haunted by nightmares, and she learns that a witch lived in that area and was the previous owner of the restaurant, but she vanished. Will the Chef and the restaurant succeed?
"House of Spoils" (2024) is neither a thriller nor a horror movie, but the story of an ambitious and arrogant woman that wants to be a Chef. She accepts the challenge of working in a new restaurant and is pressed by the new situation. The plot is confusing, and it seems that the previous owner, who was falsely accused to be a witch, haunts her to find her body and learn her true story. Ariana DeBose performs an obnoxious character and has a histrionic performance in the role of the Chef, abusive with Lucia most of the time. The pointless conclusion does not let the viewer know what is the point of the intriguing, but messy plot. My vote is five.
Title (Brazil): "A Casa Mórbida" ("The Morbid House")
"House of Spoils" (2024) is neither a thriller nor a horror movie, but the story of an ambitious and arrogant woman that wants to be a Chef. She accepts the challenge of working in a new restaurant and is pressed by the new situation. The plot is confusing, and it seems that the previous owner, who was falsely accused to be a witch, haunts her to find her body and learn her true story. Ariana DeBose performs an obnoxious character and has a histrionic performance in the role of the Chef, abusive with Lucia most of the time. The pointless conclusion does not let the viewer know what is the point of the intriguing, but messy plot. My vote is five.
Title (Brazil): "A Casa Mórbida" ("The Morbid House")
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- 1 Std. 41 Min.(101 min)
- Farbe
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- 2.00 : 1
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