IMDb-BEWERTUNG
5,0/10
4105
IHRE BEWERTUNG
Eine Köchin, die ihr erstes Restaurant eröffnet, in dem sie mit Küchenchaos, einem dubiosen Investor und Selbstzweifeln zu kämpfen hat, aber der Druck wird dank des GeistesEine Köchin, die ihr erstes Restaurant eröffnet, in dem sie mit Küchenchaos, einem dubiosen Investor und Selbstzweifeln zu kämpfen hat, aber der Druck wird dank des GeistesEine Köchin, die ihr erstes Restaurant eröffnet, in dem sie mit Küchenchaos, einem dubiosen Investor und Selbstzweifeln zu kämpfen hat, aber der Druck wird dank des Geistes
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Andras Geza Marton
- Garnish Chef (Zeb)
- (as András Géza Márton)
Zusammenfassung
Reviewers say 'House of Spoils' delves into ambition, culinary pressures, and supernatural themes, blending witchcraft with high-end cuisine. Ariana DeBose's performance and the unique premise receive praise. However, the film faces criticism for its slow pacing, predictable plot, and weak horror elements. Disjointed plot points and an anticlimactic ending are also noted. Despite these flaws, the atmospheric setting and strong performances are commonly highlighted as redeeming qualities.
Empfohlene Bewertungen
I just watched this movie on a whim not knowing what it was about, and I enjoyed it. I liked the aesthetic a lot and while the sudden shift at the end might be a bit far fetched..well its a movie so that is part of the experience. I liked the parts with the plants and the earthiness, and just the creativity. It is refreshing to see knew ideas, especially because these days they are far and few between. I do see the issues that people may find with it, but thats people these days, they find issues with everything. This one I am recommending you give it a go and see if you find enjoyment in it like I have.
Food movies have been all the rage the last few years. And almost all of them have been pretty good. 'House of Spoils' is sadly the first real letdown in the sub-genre that I've seen. It felt very much like a film that didn't have enough of any one thing, so tried to throw multiple things at the wall in the hope that one of them would stick.
The end result is a bit of a chaotic mess - and not a particularly interesting one either. The film is probably at its most interesting when it is just being a regular kitchen drama. But even then all the drama and obstacles feel very forced.
I had hopes that all the grind of the first hour was just setting up for a strong finish. Unfortunately the final 20-30 minutes are probably the most dull part of the film. It really does whimper home. This one wasn't for me. 4/10.
The end result is a bit of a chaotic mess - and not a particularly interesting one either. The film is probably at its most interesting when it is just being a regular kitchen drama. But even then all the drama and obstacles feel very forced.
I had hopes that all the grind of the first hour was just setting up for a strong finish. Unfortunately the final 20-30 minutes are probably the most dull part of the film. It really does whimper home. This one wasn't for me. 4/10.
Director duo Coke and Krudy manages to set up a an interesting starting point, that even, lo and behold!, seems to bring some new settings and approaches to the horror genre. As "House of Spoils" progresses however, it turns into a repetitive odyssey of insecure filmmaking. Constantly failing to pack a punch and stir up any scares, the convoluted ending gives "House of Spoils" a strong flavor of early 2000s made-for-TV movies. Whatever the directors serve you, it's impossible to work out what they want to tell us. Are they satirizing pretentiousness? Some vague environmental themes? This film leaves you hungry for a horror movie that goes its lengths to actually scare you. Like craving McDonald's after dinner at an overpriced restaurant.
The movie is well done, cinematography, acting, dialogues. The story contains something that's pretty out there and is at times hard to watch. I'm a chef myself, but I'm critical when it comes to fine and "haute cuisine". The main element of the cooking I find inspiring, but like I mentioned, it's hard to watch in context of the basis of the story. What I also liked was the ending but not in the sense of how it all turned out. I mean rather the scene/picture of the snobby guests sitting together with all cooks and employees outside at the fire. This scene alone could be an inspiration for a complete different story/movie, no matter which genre.
Unfortunately it's not enough for me to give it more than an average rating / 5 out of 10 stars. When I give 5 stars it means I made it to the end without getting bored. Not sure I would recommend it to friends or thus to anyone. Simply because there's just not enough in it. Better watch "The Menu" instead, if you haven't already.
Unfortunately it's not enough for me to give it more than an average rating / 5 out of 10 stars. When I give 5 stars it means I made it to the end without getting bored. Not sure I would recommend it to friends or thus to anyone. Simply because there's just not enough in it. Better watch "The Menu" instead, if you haven't already.
Blumhouse presents an interesting concept and an overall promising premise in this film, where Ariana DeBose plays a chef who opens her first restaurant, a venture that doesn't go quite as planned. It appears that the spirit of the estate's previous owner is sabotaging her new business, and it's up to her to withstand the mounting pressure.
Ariana DeBose portrays her role very well, and I certainly enjoyed her on-screen presence. The premise sounded intriguing and offered a refreshing departure from the typical fare that Blumhouse usually churns out. However, unfortunately, this movie doesn't reach its potential and ultimately falls into the same category as most Blumhouse productions. It suffers from tired tropes and slow pacing. Despite its 101-minute runtime, it felt much longer, and I found myself checking the time around the 60-minute mark, surprised to see over half an hour remaining.
The horror elements are ineffective, consisting mostly of cliché jump scares and futile attempts to build tension. These moments fail to leave a lasting impression, making the film feel flat in its delivery.
While this wasn't a terrible movie, it wasn't particularly entertaining either, burdened as it is with several flaws. There may be a niche audience that truly enjoys this, but I suspect the majority will view it as mediocre at best. If you thought the premise was interesting, I would suggest checking out The Menu (2022) for a more pleasant viewing experience. [4,9/10]
Ariana DeBose portrays her role very well, and I certainly enjoyed her on-screen presence. The premise sounded intriguing and offered a refreshing departure from the typical fare that Blumhouse usually churns out. However, unfortunately, this movie doesn't reach its potential and ultimately falls into the same category as most Blumhouse productions. It suffers from tired tropes and slow pacing. Despite its 101-minute runtime, it felt much longer, and I found myself checking the time around the 60-minute mark, surprised to see over half an hour remaining.
The horror elements are ineffective, consisting mostly of cliché jump scares and futile attempts to build tension. These moments fail to leave a lasting impression, making the film feel flat in its delivery.
While this wasn't a terrible movie, it wasn't particularly entertaining either, burdened as it is with several flaws. There may be a niche audience that truly enjoys this, but I suspect the majority will view it as mediocre at best. If you thought the premise was interesting, I would suggest checking out The Menu (2022) for a more pleasant viewing experience. [4,9/10]
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- Erscheinungsdatum
- Herkunftsländer
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- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 2.00 : 1
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